The documents donated by Ugo La Pietra and named Nodi Urbani constitutes, compared to the Progetto per la Casa dello Scultore Cappello, a further variation of the 'unrealised'. If the casa per uno scultore is a ‘theoretical’ academic exercise that engages even the pictorial research of La Pietra, the drawings titled Nodi Urbani represent the 'frame' of a series of lexperiments carried out in the years following his graduating in architecture at the Politecnico di Milano.
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http://hdl.handle.net/1889/1771]]>
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