1 50 1 http://www.moremuseum.org/omeka/files/original/4d9635b313020164999fea5014ee2ab1.jpg 183e7e85accf1e8daa3b1f5d0a9b8b45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource camera della morte.jpg Description An account of the resource The work donated to MoRE is a drawing that represents the final phase of the performance. The line drawing is stylized and the Chamber of death is represented according to a central perspective as if it were a long corridor with balconies, from where the perpetrators overlook the massacre. Format The file format, physical medium, or dimensions of the resource file jpg, 20,003x15,275 cm, 300dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luigi Presicce Description An account of the resource He was born in Porto Cesareo (Lecce) in 1976, and lives and works in Milan and Porto Cesareo. He attended the Fine Arts Academy in Lecce, but his work has been decisively influenced by his independent studies. In 2007 he took part in the Advanced Course in Visual Arts (CSAV) at the Antonio Ratti Foundation in Como with the American artist Joan Jonas. In 2008, as part of the Artist in Residence initiative, he took part in the workshop at Viafarini in Milan with the American artist Kim Jones. In Milan in 2008 he also founded (with Luca Francesconi and Valentina Suma) the magazine Brownmagazine followed by the Brown Project Space, for which he acts as curator. In 2011 with Giusy Checola and Salvatore Baldi he started running “Archiviazioni” (research and discussion activities regarding contemporary culture in southern Italy) in Lecce. In 2012 he took part in Artists in Residence at MACRO, Rome. With Luigi Negro, Emilio Fantin, Giancarlo Norese and Cesare Pietroiusti he is involved in the Lu Cafausu project, which has been invited by AND AND AND at dOCUMENTA13, Kassel.<br />He performed at Fondazione Claudio Buziol, Venice (2010), Performance Festival Thessaloniki Biennale 3, Greece (2011), Festival Reims Scènes d’Europe, Frac Champagne-Ardenne, France (2011), MADRE, Neaples (2012), We Folk – Drodesera Festival, Centrale Fies, Dro (2012).<br />He won Epson Art Prize, Antonio Ratti Foundation, Como (2007), Emerging Talents Prize, CCC Strozzina, Palazzo Strozzi, Florence (2011), Long Play, MAGA, Gallarate (2012). Creator An entity primarily responsible for making the resource Presicce, Luigi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La camera della morte Creator An entity primarily responsible for making the resource Presicce, Luigi Contributor An entity responsible for making contributions to the resource Rossi, Valentina Description An account of the resource The project donated by Luigi Presicce (Porto Cesareo, 1976) consists in an unrealized performance. The action, with an utopian and theatrical nature, is inspired by the annual event in which the tuna migrate to the <a href="http://www.youtube.com/watch?v=nZvGrvT4OhE&amp;feature=youtu.be" target="_blank" rel="noopener">island of Favignana</a>, in the south of Italy, to reproduce themselves, and according to the artist to make a journey of love. On this occasion the fish goes through a maze made up of fishing nets to end up inexorably in the death chamber, where they are harpooned and killed. The action has been designed by the artist as a game of reversing roles, in which the men take the place of the tuna and unaware they are ready to participate to the last moment of their life, just waiting to be slaughtered by other men. It is a transposition of the man from hunter to prey, from victim to victimizer, an inversion that creates alienation and a violent trauma. All these elements lead the viewer to a possible kind of visionary hallucination, where the role of Presicce is no longer that of the protagonist of his own performance but of an expert Director of expert careful towards the construction of a new appearance. This performance also draws inspiration from a short aphorism by <a href="http://www.youtube.com/watch?v=s-4OrG6kows&amp;feature=relmfu" target="_blank" rel="noopener">Carmelo Bene</a> in which the actor claims that the public should pay the cost of the show with his own life. <br />Because of its utopian nature, it has never been possible to realize the performance. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2054/1/presicce-camera%20della%20morte.pdf" target="_blank" rel="noopener">Read more</a>. Date A point or period of time associated with an event in the lifecycle of the resource 2012 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2054" target="_blank" rel="noopener">http://hdl.handle.net/1889/2054</a> Rights Holder A person or organization owning or managing rights over the resource. Luigi Presicce MoRE Museum Theoretical exercise