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                  <text>&lt;p&gt;Maria Adele Del Vecchio (1976 Caserta), lives and works in Rome. She attended the Staedelschule Frankfurt in 2005/06, with Mark Leckey as her professor. In 2014, she ranked as a finalist in the tenth edition of the biennial Furla Prize, called &lt;em&gt;The Nude Prize&lt;/em&gt;. Solo Exhibitions: &lt;em&gt;Whitin rather than above&lt;/em&gt;, Gallerie Tiziana Di Caro, Naples, 2015; Tonite let's all make love in London, Supportico Lopez, Berlin, 2014; &lt;em&gt;Qui sembra ancora possibile&lt;/em&gt;, curated by Maria Rosa Sossai, Parco del Pineto, Rome, 2011; &lt;em&gt;No end is limited&lt;/em&gt;, curated by Stefania Palumbo, Galleria Enrico Fornello, Prato, 2008. Collective Exhibitions: &lt;em&gt;Pane Per Poveri&lt;/em&gt;, Teatro Marinoni, Venice, 2015; &lt;em&gt;Journey to the end of the word&lt;/em&gt;, curated by Antonello Tolve, Galleria Tiziana Di Caro, Salerno, 2014; &lt;em&gt;Se il dubbio nello spazio &amp;egrave; dello spazio&lt;/em&gt;, curated by Maria Adele Del Vecchio and Nemanja Cvijanovic, Museo MACRO, Rome 2014. &lt;em&gt;Die Dritte Dimension&lt;/em&gt;, Frutta Gallery, Rome, 2013; &lt;em&gt;Door to Door&lt;/em&gt;, curated by Maura Picciau, city centre, Salerno, 2012;&amp;nbsp; &lt;em&gt;Badtime&lt;/em&gt; &lt;em&gt;Stories Badtime Stories&lt;/em&gt;, Supportico Lopez, Berlin, 2011;&amp;nbsp; Classroom #1, curated by Salvatore Lacagnina, Museo MADRE, Naples, 2008; &lt;em&gt;Sistema Binario&lt;/em&gt;, curated by Adriana Rispoli and Eugenio Viola, Mergellina Station, Naples, 2008;&amp;nbsp; &lt;em&gt;A long time ago, last night&lt;/em&gt;, curated by Francesca Boenzi, Galerjia Kortil, Rijeka, Croatia, 2008. &lt;em&gt;Falansterio&lt;/em&gt;, Supportico Lopez, Naples, 2006&lt;em&gt;. Luogo/non-luogo = nuovo luogo&lt;/em&gt;, visiting professor Richard Nonas, Fondazione Antonio Ratti, Como, 2003.&amp;nbsp;&lt;/p&gt;</text>
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                  <text>Del Vecchio, Maria Adele </text>
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                <text>&lt;p&gt;The project consists of an Artist’s book structured on several levels of interpretation which, through images and texts, outlines the moments in which the combination of signs reveal the "forms of the content."&lt;br /&gt;The artist's book designed by Maria Adele Del Vecchio is a “personal and abnormal semiology", a product of culture which reveals the contradictory nature of signs and the message they express using a poetic approach, rather than a scientific one. The hypothesis proposed by the artist has been enriched by readings related to semiotics and structuralism, and is nurtured by the belief that reality is entirely composed of signs and that deciphering these signs, composes a more complete picture of reality.&lt;br /&gt;The photographs taken are stumbles, glimpses beyond which the artist sees the grids on which life is structured: educated moments that reveal a karst essence along with underlying coordinates.&lt;br /&gt;In a brief pastiche, the artist juxtaposes parts of texts by Witold Gombrowicz and James G. Ballard, tracking down a common vision. Well matched and mutually interpenetrating, photographs and texts compose a set of parallel references woven so as to form a large subtext.&lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/3001/1/Maria%20Adele%20Del%20Vecchio_Subtext.pdf" target="_blank" rel="noopener"&gt;Read more&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Del Vecchio, Maria Adele</text>
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                <text>Scipioni, Lydia Elena</text>
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                <text>&lt;a href="http://dspace-unipr.cineca.it/handle/1889/3001" target="_blank" rel="noopener"&gt;http://dspace-unipr.cineca.it/handle/1889/3001&lt;/a&gt;</text>
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                <text>Maria Adele Del Vecchio</text>
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