1 50 1 http://www.moremuseum.org/omeka/files/original/8f71681e5a009c75c0d9e40a54c53ba5.jpg 8445c2c435a47275d2a87b7c20de391b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 736pxTesting_bulletproof_vest_1923.jpg Description An account of the resource Black and white picture (1923) portraying some close gunshot exercises with a men wearing a bulletproof vest, chosen by the artist in order to document the training of the killer by the Camorra. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Format The file format, physical medium, or dimensions of the resource jpeg file, 454 × 371 pixel, 96 dpi http://www.moremuseum.org/omeka/files/original/b0f4e2d05690d34e4110e947b8412531.jpg 95b9d4f1acc6b89a275ff0cbfa3038d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource coraza cenital.jpg Description An account of the resource Scanning of a pencil sketch of the performance seen from above. The image is divided in two by a line that represent a dividing wall between the two rooms. In the first room we can see the gunman shooting and the artist in front of him (indicated by the name Regina written at her side). In the second room we can see the audience. Format The file format, physical medium, or dimensions of the resource jpeg file, 679 × 1498 pixel, 200 dpi http://www.moremuseum.org/omeka/files/original/6910a3900188ca947412de338445f8d8.jpg b5f0b8198b5af362659e7667273fa669 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource corazaperfil.jpg Description An account of the resource Scanning of a pencil sketch of the performance seen in profile. On the right, a woman wearing a bulletproof vest (the artist); on the left, a man drawing a gun on her. Format The file format, physical medium, or dimensions of the resource jpeg file, 1209 × 747 pixel, 300 dpi http://www.moremuseum.org/omeka/files/original/62de0bacfcdebed1a49ca1fc702ff4c6.pdf 4a6b66c7e1b9b9cbe00f0233cfb54942 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coraza texto.doc Description An account of the resource Text to introduce and explain the performance, written by the artist to present it to the museum. The text is made by different parts; after introducing the concept of delinquency and its social function it has according to the artist, Galindo briefly sums up the performance that is then described in all its phases. In conclusion, the artist lists all the necessary requisite to realize the performance, that are: a volunteer expert in the use of weapons and with a perfect aim; a bulletproof vest; an appropriate room; a gun caliber 22 and an équipe to film the actions in the two rooms in which the performance was supposed to take place. Format The file format, physical medium, or dimensions of the resource file .doc, archived in pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Regina José Galindo Description An account of the resource Born in 1974 in Guatemala, where she still lives and works, Regina José Galindo, performer politically and socially active,<strong> </strong>made her first international appearance in 2001 at the Venice Biennale curated by Harald Szeemann, and she receives the Golden Lion to a young artist in 2005. Her works can be found in the collections of international museums (San Paolo Museum of Contemporary Art, Castello di Rivoli, Blanton Museum of Texas, Miami Art Museum…). Her work has been included in several groups and personal exhibitions, in Italy and abroad, such as Urgent Issues at Bucharest MNAC, The Body of Others, at the Modern Art Oxford and so on. She took part to the Kiss Kiss Bang Bang exhibition at the Visual Arts Museum in Bilbao, the second edition of the Biennale in Moscow, Turbulence, the third Biennal of Auckland in New Zealand, Otras Contemporareidades, Biennal of Valencia, Viva la muerte and the Kunsthalle of Wien.  Her performances, in which she uses her own body to experience sufferances and pain, aim at denouncing the dramatic conditions of the Guatemalan women and population, but face also issues such as violence and  social injustice from a universal point of view.<br /><a href="http://www.reginajosegalindo.com" target="_blank">http://www.reginajosegalindo.com</a> Creator An entity primarily responsible for making the resource Galindo, Regina José Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coraza Description An account of the resource Invited to take part to the second edition of the performance festival curated by Adriana Rispoli and Eugenio Viola, Corpus. Art in action, 7-26 June 2010 at MADRE Museum in Naples, Galindo focused on the social problems that affects the city. As a result, the artist’s project recalls a kind of training practiced by the Camorra: to shoot a person who is close to his killer. The performance was supposed to happen like this: the artist, wearing a bulletproof vest, is locked in a room with a man standing a meter and a half to her. The man is armed with a gun and he shoots at the artist after asking her for three times, in English: “Are you afraid?”. The audience attends in a adjacent room, where he can only listen to the sounds coming from the performance. Immediately after the shot the artist and the man come out (the man from a side door, without being noticed) and the room remains empty and accessible to the public. According to Galindo, the project was refused because it had been considered too dangerous. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2089/1/galindo_coraza.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Galindo, Regina José Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/msword Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2089" target="_blank" rel="noopener">http://hdl.handle.net/1889/2089</a> Rights Holder A person or organization owning or managing rights over the resource. Regina José Galindo MoRE Museum Regulatory/juridical/administrative reasons