The project, which can only be reconstructed today through a series of e-mails preserved inside the archive of Giancarlo Norese, consists of a proposal for an event at the Tate Modern in London andstarted from an invitation sent by the curator of the events section of the museum, which opened the previous year. The project should have initially taken place in June 2001 and initiaaly consisted in two days dedicated to the creation of relationships between spaces, artist-run and independent ventures, at an international level, through a convivial moment that should also have included the sharing of food, as well as content, publications and projects. Subsequently reduced to a single day, it is not finally realized because the responsible curator finds a lack of focus in the project.
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The project was born upon request and on the initiative of Michy Marxuach, curator that in the summer 2000 invites Oreste to participate at PR ' 00 [intervenciones mĂșltiples - mĂșltiples intervenciones] in San Juan (Porto Rico). The one-week event provided a program of shows and activities dedicated to the affirmation of an alternative art scene, where local artists were joined by international artists, curators, critics and institutions. Oreste proposed an installation made of objects, texts, photocopies and images displayed on a wall, that would have interacted with the public like an analogical hypertext: after the selection of an element a member of Oreste would have told its story to the visitor. The curator never answered to this proposal and the project remained unrealised for reasons that have not been clarified.
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