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http://www.moremuseum.org/omeka/files/original/8a6891b60b981354be4dcb10f85909d4.pdf
0b2b182545369eee943db8b9a2dac80d
http://www.moremuseum.org/omeka/files/original/ef618221d2ae6b43995373270377439f.jpg
90b23ab4e7ad1db57d44d88fc1292b85
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cesare Viel
Description
An account of the resource
<p><span>Cesare Viel (Chivasso, Turin, 1964) has exhibited in Italy and abroad since the late 1980s, in private galleries, museums, and foundations. He lives and works in Genoa and teaches at the Accademia Ligustica di Belle Arti.<br /><o:p></o:p></span><span>His artistic practice, grounded in conceptual and performative approaches, focuses on subjectivity, relationships, and gender identity, as well as on the relationship between the language of communication, literature, and images. His practice moves between performance and installation and employs a variety of media, including sound, voice, writing, photography, video, and drawing. During the 1990s, he was invited to participate in major exhibitions and group shows, including<span class="apple-converted-space"> </span><em data-start="703" data-end="723">Molteplici Culture</em>, curated by Carolyn Christov-Bakargiev and Ludovico Pratesi, Convento Sant’Egidio/Museo del Folklore, Rome, 1992;<span class="apple-converted-space"> </span><em data-start="838" data-end="857">Soggetto/Soggetto</em>, curated by Francesca Pasini and Giorgio Verzotti, Museo d’Arte Contemporanea, Castello di Rivoli, Turin, 1994;<span class="apple-converted-space"> </span><em data-start="970" data-end="990">Ultime generazioni</em>, XII Quadriennale d’Arte, Palazzo delle Esposizioni, Rome, 1996;<span class="apple-converted-space"> </span><em data-start="1056" data-end="1073">Officina Italia</em>, curated by Renato Barilli, GAM, Bologna, and other venues, 1997;<span class="apple-converted-space"> </span><em data-start="1140" data-end="1148">Subway</em>, curated by Roberto Pinto, Metropolitana Milanese, Milan, 1998;<span class="apple-converted-space"> </span><em data-start="1213" data-end="1246">La Ville, le Jardin, la Mémoire</em>, curated by Carolyn Christov-Bakargiev and Hans Ulrich Obrist, Villa Medici, Rome, 1998; and<span class="apple-converted-space"> </span><em data-start="1340" data-end="1381">Disidentico, maschile femminile e oltre</em>, curated by Achille Bonito Oliva, Palazzo Branciforte, Palermo, 1998.<br /><o:p></o:p></span><span>In 1998, he won the Francesca Alinovi Prize in Bologna. That same year, he was among the organisers of the conference<span class="apple-converted-space"> </span><em data-start="1571" data-end="1634">Come spiegare a mia madre che ciò che faccio serve a qualcosa</em>, held at Link in Bologna.<br /><o:p></o:p></span><span>In 1999, together with Cesare Pietroiusti, Luca Vitone, Eva Marisaldi, and others, he participated in the collective project<span class="apple-converted-space"> </span><em data-start="1787" data-end="1809">Oreste alla Biennale</em>, presented on the occasion of the 48th Venice Biennale, curated by Harald Szeemann.<br /><o:p></o:p></span><span>In 2008, a monograph dedicated to his performative practice,<span class="apple-converted-space"> </span><em data-start="1956" data-end="1987">Cesare Viel. Azioni 1996–2007</em>, edited by Carla Subrizi, was published by Silvana Editoriale and Fondazione Baruchello, Milan–Rome. Also in 2008, the Museo d’Arte Contemporanea Villa Croce in Genoa hosted his retrospective exhibition<span class="apple-converted-space"> </span><em data-start="2191" data-end="2244">Mi gioco fino in fondo. Performance e installazioni</em>, accompanied by a catalogue featuring contributions by Emanuela De Cecco, Chiara Oliveri Bertola, and Sandra Solimano. In October 2019, PAC in Milan dedicated a retrospective to his work, curated by Diego Sileo.<o:p></o:p></span></p>
Creator
An entity primarily responsible for making the resource
Viel, Cesare
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tutto ciò che accade
Description
An account of the resource
<p style="font-weight: 400;">The two phrases, “Everything that happens” and “Always everything around,” become two banners printed on both sides and carried by two light aircraft, which perform a series of simple manoeuvres. The phrases function as emotional slogans, auspicious evocations, apparitions in the sky of the mind. At the same time, the work takes the form of an aerial performance and an ephemeral environmental installation.<br /><a href="http://moremuseum.org/omeka/files/original/8a6891b60b981354be4dcb10f85909d4.pdf" target="_blank" rel="noopener">Read more.</a></p>
Creator
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Viel, Cesare
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Contributor
An entity responsible for making contributions to the resource
Viel, Cesare
Format
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image/jpeg
Language
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Italian
Type
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Still Image
Rights Holder
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Cesare Viel
MoRE museum
Financial reasons