<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="http://www.moremuseum.org/omeka/items/show/153">
    <dcterms:title><![CDATA[Senza titolo]]></dcterms:title>
    <dcterms:description><![CDATA[The idea of the wall painting by Ericailcane was born in 2014 and meant to fit into the second edition of <em>FRONTIER - The Line of Style</em>, an open and evolving platform, based on two complementary operational phases: one dedicated to the artistic development of urban art and one dedicated to a deeper theoretical background. The artist, invited to conceive a pictorial work for the city's historic Gasometer, imagines a continuous narrative centred on the figures of two enormous dogs biting their tails and carrying on their shoulders the allegory of two cities or two sides of itself (Bologna?): one that lives in joyful harmony and one that, as a character shows, walks in a balance on a wire. <br /><a href="https://www.repository.unipr.it/bitstream/1889/3846/1/Ericailcane_musso%26naldi.pdf" target="_blank" rel="noopener">Read more</a>.]]></dcterms:description>
    <dcterms:creator><![CDATA[Ericailcane]]></dcterms:creator>
    <dcterms:date><![CDATA[2004]]></dcterms:date>
    <dcterms:contributor><![CDATA[Musso, Claudio]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Naldi, Fabiola]]></dcterms:contributor>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:language><![CDATA[Italian]]></dcterms:language>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:rightsHolder><![CDATA[Ericailcane]]></dcterms:rightsHolder>
    <dcterms:rightsHolder><![CDATA[MoRE Museum]]></dcterms:rightsHolder>
</rdf:Description></rdf:RDF>
