1 50 1 http://www.moremuseum.org/omeka/files/original/00b982a700599859b3717fd4d922fe44.jpg 84a4b609d7db5fd24ad956036f41c15e http://www.moremuseum.org/omeka/files/original/d0b4bffe58573a641aca26668c107cd1.jpg bc297c349af197ac5d36c66c7a885022 http://www.moremuseum.org/omeka/files/original/85efa614fd491eb80bbbf2873b13fa89.pdf 32daaebcfd4c97da87a14e0c9289e546 http://www.moremuseum.org/omeka/files/original/2414fdd92978c34d363a65cfcdf1c291.pdf 5df24be3cc6b6967ceba4e0466376236 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ericailcane Description An account of the resource Originally from Belluno, the artist began to make himself known at the beginning of the new millennium with wall paintings made mostly in social centres of Bologna, as well as in some video art events organised by the Academy of Fine Arts in Bologna, where he received his formal training. Very important was his collaboration with the street artist Blu, with whom he has cooperated since his debut on the scene on numerous murals, almost always of enormous dimensions. Ericailcane's works are characterised by a scientific precision with which the artist outlines disturbing animals with human movements, placed in alienating contexts, sometimes loaded with social or ecological significance. The same iconography also recurs in his refined drawings, artist's books, videos and installations, also made on public commission: from the traditional Vecchione set up in 2009 by the City of Bologna, to the façade decoration in 2013 of the Museum of Contemporary Art of Bogota, Colombia. Over the years his fame has grown and, overcoming the lack of interest for the art market, he began to work occasionally for some galleries such as the Biagiotti Progetto Arte in Florence, the D406 in Modena, the Squadro in Bologna or the famous Pictures On The Walls, declination of the London gallery Lazarides. However, more than the exhibitions, in which he participates infrequently, it’s above all his murals that have made him known in every corner of the world. In addition to Italy, he has been active in Great Britain, United States, Spain, Mexico, Ecuador, Colombia, Guatemala, Morocco, Palestine, France and Germany. (main source: <a href="https://it.wikipedia.org/wiki/Ericailcane" target="_blank">Wikipedia</a>).<o:p></o:p> Creator An entity primarily responsible for making the resource Ericailcane Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senza titolo Description An account of the resource The idea of the wall painting by Ericailcane was born in 2014 and meant to fit into the second edition of FRONTIER - The Line of Style, an open and evolving platform, based on two complementary operational phases: one dedicated to the artistic development of urban art and one dedicated to a deeper theoretical background. The artist, invited to conceive a pictorial work for the city's historic Gasometer, imagines a continuous narrative centred on the figures of two enormous dogs biting their tails and carrying on their shoulders the allegory of two cities or two sides of itself (Bologna?): one that lives in joyful harmony and one that, as a character shows, walks in a balance on a wire. <a href="https://www.repository.unipr.it/bitstream/1889/3846/1/Ericailcane_musso%26naldi.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Ericailcane Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Musso, Claudio Naldi, Fabiola Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Ericailcane MoRE Museum