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                    <text>First of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist.  In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”.</text>
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                    <text>Fourth of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”.</text>
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                    <text>Project presented by the artist for the contest, including an installation description, a poetics that reveals its objectives and its artistic and theoretical motivations, a detailed technical description with its realization costs and a four-page drawing of the project itself and of the “The Flower”.</text>
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                  <text>Born in São Paulo 19th August 1967. Lives and works between Milan and São Paulo.&lt;br /&gt;&lt;a href="http://www.deborahirsch.com" target="_blank"&gt;http://www.deborahirsch.com&lt;/a&gt;</text>
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                <text>Il fiore e la pietra</text>
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                <text>&lt;em&gt;Il fiore e la pietra&lt;/em&gt;&amp;nbsp;is a project of a urban sculpture for square in Turin, Italy. It was presented by the artist, on invitation by Gianni Romano, at the contest for young artists «Premio Artegiovane/Torino Incontra. Una porta per Torino» curated by Guido Curto, 6th Edition, 2002. &lt;br /&gt;The theme draws its first inspiration from B.C. comics by Johnny Hart: a frail flower dialogues with a stone. The ambiguity between solidity and frailty is symbolically set aside the then very adverse situation of FIAT, the most important manufacturing company of Turin, and the problem of the blue collar sleeping area. &lt;br /&gt;The environment in which the project was developed is typical of a still common situation in contemporary art: conceived to apply to a contest, it was never realized, as well as all the other projects presented, due to lack of funds. &lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/1996/1/hirsch_il%20fiore%20e%20la%20pietra.pdf" target="_blank" rel="noopener"&gt;Read more&lt;/a&gt;.</text>
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                <text>Hirsch, Debora</text>
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                <text>Bignotti, Ilaria</text>
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                <text>&lt;a href="http://hdl.handle.net/1889/1996" target="_blank" rel="noopener"&gt;&lt;strong&gt;&lt;code&gt;http://hdl.handle.net/1889/1996&lt;/code&gt;&lt;/strong&gt;&lt;/a&gt;</text>
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                <text>Debora Hirsch</text>
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                <text>MoRE Museum</text>
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