4 50 160 http://www.moremuseum.org/omeka/files/original/8311f6d30692d48409904d90357f1144.jpg 168e2b21c7b2caad120841fa6543d356 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Looking for a Rembrandt Description An account of the resource This work by Echaurren also reflects some Duchampian elements and echoes. The unrealized project depicts a bronze sculpture of a monkey holding an iron with its right hand: if the animal is adherent to all the artist's work declined to the universe of primitives (such as the last film Pablo di Neanderthal, released in 2022 and directed by Antonello Matarazzo), the iron recalls in a veiled way Marcel Duchamp's famous phrase "Using a Rembrandt as an ironing board". As with the other works donated to MoRE, this project has no specific commission. The reasons for its not being realized are logistical and appear as theoretical exercises on which the artist continues to question himself. <a href="https://www.repository.unipr.it/bitstream/1889/5205/1/Pablo%20Echaurren_Looking%20for%20a%20Rembrandt.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 2018 Contributor An entity responsible for making contributions to the resource Casero, Cristina Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Rights Holder A person or organization owning or managing rights over the resource. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stonehenge II Description An account of the resource Stonehenge II is a proposal for a work in a public space by Aleksandra Mir. Originally presented to the Artangel/Times open commission in 1998 (and subsequently rejected), the proposal was to build a Stonehenge replica close to the original, to reduce the volume of pedestrian traffic and save this piece of cultural heritage from further destruction. To compensate for the necessary limited access to Stonehenge I, Stonehenge II would allow full access and promote a wide range of activities on its grounds. The project was proposed a second time to students on the Royal College of Art curating course, who were asked to join the artist in the production of the project over the summer of 2001 (also rejected). The scale model was constructed in 2002–03. Aleksandra Mir continues to further her ambition to realize this work and hopes to make contact with interested parties who wish to assist. <a href="https://www.repository.unipr.it/bitstream/1889/5200/1/Aleksandra%20Mir_Stonehenge%20II.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Alexandra Date A point or period of time associated with an event in the lifecycle of the resource 1998-2001 Contributor An entity responsible for making contributions to the resource Mir, Alexandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Aleksandra Mir MoRE museum Project which wasn’t selected in a prize or competition Rejected http://www.moremuseum.org/omeka/files/original/f91e0be9a825a5458be642ef72677ef1.jpg 330de33e3a3672179a8b344348d354b4 http://www.moremuseum.org/omeka/files/original/82f5f563bbc5352d0993b7e982355768.jpg 6f9768e5145480cb3fa1ccdb8d55092d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Great Ears Description An account of the resource Proposed as part of the Monuments for the USA exhibition in 2005, the project involved the construction of two monumental ears, respectively placed on the East and West coasts of the United States. <a href="https://www.repository.unipr.it/bitstream/1889/5201/1/Aleksandra%20Mir_The%20Great%20Ears.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Aleksandra Date A point or period of time associated with an event in the lifecycle of the resource 2005 Contributor An entity responsible for making contributions to the resource Mir, Aleksandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wildflower Meadow Description An account of the resource This project consists in a proposal for the redevelopment of the Gorbals Partnership, Glasgow. Inspired by the lyrical settings in which Ingmar Bergman often placed his romancing youth, isolated in nature, protected from judgement and convention, the artist aimed at creating a site that could encompass all stages of a lifetime and maintain the same soft touch and beauty throughout. The artist statement was: “I would like to propose the creation of a wildflower meadow. For children to play, for teens to have sex, for adults to take walks and for seniors to remind them of their youth”. Aleksandra Mir should have worked with a botanist to develop a meadow in five years, planting local species and restoring the traditional cycles of mowing and grazing. <a href="https://www.repository.unipr.it/bitstream/1889/5202/1/Aleksandra%20Mir_Wildflower%20Meadow.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Aleksandra Date A point or period of time associated with an event in the lifecycle of the resource 2001 Contributor An entity responsible for making contributions to the resource Mir, Aleksandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Aleksandra Mir MoRE museum Censored Failure to meet the commissioner's demands Failure to reach an institutional agreement Rejected http://www.moremuseum.org/omeka/files/original/393de1a2bea0f071186dede8f2885b1d.jpg 4aad82feae29dba5b055f0e92ff99318 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CityForest Description An account of the resource In 1997, Aleksandra Mir proposed to the Public Art Fund to collect trees thrown away from the streets of New York City after the Christmas holidays and replant them in a common area until they had dried out completely. The project, while welcomed, was blocked by the city's fire department. <a href="https://www.repository.unipr.it/bitstream/1889/5198/1/Aleksandra%20Mir_CityForest.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Aleksandra Date A point or period of time associated with an event in the lifecycle of the resource 1997 Contributor An entity responsible for making contributions to the resource Mir, Aleksandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Aleksandra Mir MoRE museum Logistical reasons http://www.moremuseum.org/omeka/files/original/f553b7d31cde6e0b2f32aee6fd5da0af.jpg c590770a078bf23b187b1a42195ed2d9 http://www.moremuseum.org/omeka/files/original/fa6bfc404f16a66c495134a86a10267c.jpg 8301b48e99a5113cd0eeb1256e031d75 http://www.moremuseum.org/omeka/files/original/b79c9359bd61a799e35a6aea08f658b1.jpg fba5f224e5b4e89fc75d7f3dfd8bbfa8 http://www.moremuseum.org/omeka/files/original/c0d3e8bd3fa43987af8fa1ba736bf9dd.jpg 89973f099b342dc07f0a6b829b3ddf77 http://www.moremuseum.org/omeka/files/original/c96905bc07411c0403551faf1cd1795e.jpg 07da7a5d2ea6ec1e500cfe329292c3e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Narvik Superstars Description An account of the resource This project, commissioned by the Narvik City Council and Artscape Nordland, proposed to realise a star in the pavement for every child born in during the next 5-7 years in Narvik. This Norwegian city threatened to become vacated, with this work the harborfront would have been covered in stars, made by the same company that provides those for Hollywood's Walk of Fame, and every year a ceremony would have been held to reveal the new ones. The goal of the project is to turn the exclusive into the popular through a local recycling of the "star culture", where every newborn baby will become a star in its own life. Simultaneously the project represented a local mobilization to increase the population of Narvik. Due to budget cuts, the project was cancelled in 2006. <o:p></o:p><a href="https://www.repository.unipr.it/bitstream/1889/5199/1/Aleksandra%20Mir_Narvik%20Superstars.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Aleksandra Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Mir, Aleksandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Aleksandra Mir MoRE museum Financial reasons http://www.moremuseum.org/omeka/files/original/aed1e134c1134f8c75d1cdbfae1c148c.jpg 46e339fe0120afe81a875ea36795c047 http://www.moremuseum.org/omeka/files/original/5d83dd5eb53541d4382c62597e3c2302.pdf 16b64667c13faf3891b856bc6e2a547e http://www.moremuseum.org/omeka/files/original/ecd4126b6d14d6d6ed27fa8460e77991.pdf 71099e61342357f1f044c1e2f7ed5633 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ettore Favini Description An account of the resource Born in Cremona in 1974, Ettore Favini teaches Visual Arts at the Nuova Accademia Belle Arti NABA in Milan and Painting at the Accademia di Belle Arti G. Carrara in Bergamo. His works are characterized by a narrative dimension and a relationship with the context and history of places; they often spring from personally lived experiences and individual memory, which is useful for proposing general reflections. Also central is the question of identity, probed through participatory and public art projects. He was recently awarded by the Pollock Krasner Foundation in New York and the General Directorate for Contemporary Creativity of the Italian Ministry of Cultural Heritage and Activities and Tourism (MiBACT - DGCC) as part of the Italian Council project. His works have been exhibited in prestigious Italian and international institutions, including: Kunst Meran Arte, Merano; Carré d'Art Contemporaine, Nîmes (F); PAC, Milan; Museo del Novecento, Milan; GAMeC, Bergamo; Museo MAN, Nuoro; Museo di Villa Croce, Genoa; Autostrada Biennale, Prizren (K); OCAT, Shanghai (RC); SongEun Art Space, Seoul (ROK); Najing International Art Festival, Nanjing (RC); Italian Academy, New York (USA); Fondazione Sandretto, Turin; Villa Medici, Rome. Creator An entity primarily responsible for making the resource Favini, Ettore Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La vera rivoluzione è non cambiare il mondo(?) Description An account of the resource The project involved the creation of a huge sign – La vera rivoluzione è non cambiare il mondo(?) – in every way equal to a claim launched by ENEL, but lacking the question mark and immediately withdrawn due to Greenpeace's denunciation. At least fifteen meters long and composed of green-painted aluminium box letters about eighty centimeters high and six hundred incandescent light bulbs, the lighted work would have involved an energy consumption of three kilowatt-hours, equal to that supplied for the utility of any Italian home. Designed by the artist to denounce the company's false ecological message, the work would remain off until ENEL produced more than 60% clean energy from renewable sources. In 2007, Favini proposed its creation for the Greenwashing exhibition, which was to be held at the Fondazione Sandretto Re Rebaudengo the following year. It was not realized for budget reasons. <a href="https://www.repository.unipr.it/bitstream/1889/5203/1/Ettore%20Favini_La%20vera%20rivoluzione.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Favini, Ettore Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Ettore Favini MoRE museum Financial reasons http://www.moremuseum.org/omeka/files/original/f488d3e3cf2d793715f602e7d43e140f.jpg b3240269c7a1344562f4c2cf851a8094 http://www.moremuseum.org/omeka/files/original/504f02342df7e8569e4a824e9074acff.jpg 16b1a20c2b454522a591cd0ed8591e22 http://www.moremuseum.org/omeka/files/original/1084aaf5d00f696eb721383e1a45cf2a.pdf 053654823b8d152be0e71a9debb2b47d http://www.moremuseum.org/omeka/files/original/56c7f8a23803b208a06b11d022492c1a.m4a 5972195f8dbd95730b52abb1d5b5a2f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brognon Rollin Description An account of the resource David Brognon, born in Messancy (Belgium) in 1978 and Stéphanie Rollin, born in Luxembourg City (Luxembourg) in 1980, live and work in Paris and Luxembourg. Winners of the Best Solo Show at Art Brussels 2013 and 2015 finalists of the Prix Fondation Entreprise Ricard in Paris, Brognon Rollin work with raw, often marginal social material where the recurrent themes are confinement, expectation and control. Their work has been the subject of numerous exhibitions around the world, recently: The Penultimate Version of Reality at the MAC VAL - Musée d'Art Contemporain du Val-de-Marne in 2020 and Maybe Some of Us Will Change This at ICA, LA Institute of Contemporary Art in Los Angeles in 2019. The director of MAMAC in Nice, Hélène Guénin, defines Brognon Rollin as “explorers of the abyss” attentive to the “small epiphanies of life”. With a strange poetry, their universe moves the lines, the gaze, the certainties, like an invitation to a mental journey. Their works are part of various public collections, including: Le Centre Pompidou, Musée National d’Art Moderne, Paris, France / MAC VAL, Musée d’Art Contemporain du Val de Marne, France / Collection MUDAM, Luxembourg / Centre National des Arts Plastiques (CNAP), France / MAC’S - Grand Hornu, Belgique / FRAC Alsace, FRAC Poitou-Charentes, FRAC Lorraine, France… Creator An entity primarily responsible for making the resource Brognon Rollin Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciel illuminé / Cielo non illuminato Description An account of the resource Ciel illuminé / Cielo non illuminato consists of the faithful reproduction of Horace-Bénédict de Saussure’s cyanometer on the internal walls of the Mont Blanc Tunnel. Brognon Rollin’s project originates from the idea of making the mountain disappear, while at the same time offering a visual reference to drivers passing through the tunnel by indicating the approaching end of it. The work stems from an actual fact: Stéphanie Rollin suffers from claustrophobia, and every crossing of the tunnel is a painful experience for her—made a little more bearable thanks to long conversations with David Brognon. Ciel illuminé / Cielo non illuminato is an exact translation of a historical fact, filtered through a personal experience that transforms it into a poetic gesture. <a href="https://www.repository.unipr.it/bitstream/1889/5590/1/Brognon%20Rollin_Ciel%20illumine%cc%81%20%20Cielo%20non%20illuminato.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Brognon Rollin Date A point or period of time associated with an event in the lifecycle of the resource 2021 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/tiff application/pdf Language A language of the resource English French Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Brognon Rollin MoRE museum project abandoned by the artist http://www.moremuseum.org/omeka/files/original/7e615cd85ab3d8142bae8548dad1645b.pdf 9dc47764acb5727b407cf9e5848dc50a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marta Pierobon Description An account of the resource Marta Pierobon (Brescia,1979) vive e lavora a Milano. Si laurea in belle arti nel 2006 all’accademia di Firenze. Ha lavorato come assistente di Urs Fisher e di Anna Glatarossa nel 2006-07, nel 2010 e’ stata co-fondatrice di Spazio Morris a Milano. È rappresentata dalla galleria Apalazzo Gallery di Brescia (IT). Tra il 2007 e il 2023 il suo lavoro e’ stato esposto in svariati spazi di ricerca e istituzioni tra i quali: il Mambo (Bologna), ICA a Milano, Duet space (St. Louis, USA), Espirit Nouveau di Bologna, Viafarini (Milano), Soloway ( New York), Welcome to New York ad Art in general (New York), Neon fdv (Milano), Edicola Radetzky (Milano), Localedue (Bologna) e al Museo di Santa Giulia (Brescia); ed in svariate gallerie tra le quali: Nathalie Karg (New York) Galleria Daniele Agostini (Lugano), Kate Macgarry (Londra) Marian Boesky con il progetto di Lucie Fontaine (New York ), Plutschow gallery (Zurigo), 78 Lyndhurst way (Londra) e A Palazzo gallery (Brescia). Partecipa a diverse residenze tra le quali LMCC New York, Cars Omegna e Fonderia Battaglia artist in residence. Nel 2020 è finalista per il Premio Michetti a cura di Guido Molinari. Nel 2012 vince la prima edizione del premio Lombardia a Miart, nello stesso anno viene selezionata da Ilaria Bonaccossa per partecipare al Premio Cairo. Il suo lavoro è stato recensito da varie testate tra cui: “Flash art”, “Espoarte”, “Il Corriere della sera” e “artecritica”, “art*text*pics*”, “Art Blog”, “Fruit of the Forest” e “Forme Uniche”. È attualmente docente presso l’accademia di belle arti di Santa Giulia a Brescia. Creator An entity primarily responsible for making the resource Pierobon, Marta Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CLAYING A long-term relationship Description An account of the resource The unrealized work by Marta Pierobon, born in Brescia in 1979, unfolds as a ten-day artistic performance where clay plays a central role in delving into the concept of space through "performative sculpture." Utilizing clay as her primary medium, Pierobon sculpts not just the space but also a series of metamorphosed characters and objects that enliven an environment teeming with symbolism and evocation. Through deliberate gestures and adept handling of the clay, the artist weaves a narrative that prompts viewers to engage actively, reshaping segments of the performative space by employing clay to craft fleeting figures, images, and sculptures that both materialize and disintegrate, thus molding and reshaping the space. The performance appears to evolve into a ritual, enhanced by a collection of costumes conceived by the artist herself, actively engaging the audience. This transformation turns the setting into a dynamic tableau vivant, a continually shifting scene where artist and audience coalesce as co-authors of the artistic endeavor. Within this context, space unveils its dynamic and active essence, assuming a pivotal role in the transformative journey of the artwork. The piece encourages a multifaceted reflection on space as a physical, mental, and emotional realm, spotlighting the intricate interplay between the individual, art, and spatial environment. Moreover, it seeks to exalt clay as a natural element intimately connected to the artist's sculptural practice and to the earth itself. <a href="https://www.repository.unipr.it/bitstream/1889/5589/1/Marta%20Pierobon_claying%20a%20long%20term%20relationship.pdf">Read more</a>. Creator An entity primarily responsible for making the resource Pierobon, Marta Date A point or period of time associated with an event in the lifecycle of the resource 2020 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Marta Pierobon MoRE museum Cancelled due to the COVID-19 pandemic http://www.moremuseum.org/omeka/files/original/3dd6a69b6a496c6e418133dd9ae4dad1.jpg 01ab3809f91a168c8de4ba9cd7fde097 http://www.moremuseum.org/omeka/files/original/4693d1ce6614531f69b88215b8eb54e4.jpg 6e13e6d7431062282fe9476048190358 http://www.moremuseum.org/omeka/files/original/4830d6f5c7bfeb6b32f7a6084dfabdae.m4a eba332e88e7a76db7b65a5f7310bba7f http://www.moremuseum.org/omeka/files/original/cfacf4d01608f7cd14eb3c4097b1e32a.pdf 05f7609bf79552c38278aadbeebe2cb4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jonathan Monk Description An account of the resource Jonathan Monk, 1969, born in Leicester, Great Britain. Lives and works in Berlin, Germany. Monk replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent means. Speaking in 2009, he said, “Appropriation is something I have used or worked with in my art since starting art school in 1987. At this time (and still now) I realised that being original was almost impossible, so I tried using what was already available as source material for my own work.” Through wall paintings, monochromes, ephemeral sculpture and photography he reflects on the tendency of contemporary art to devour references, simultaneously paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner, while demystifying the creative process. Monk is constantly asking ‘what next?’. His stainless steel series entitled Deflated Sculpture (2009) refigures Jeff Koon’s iconic balloon rabbit in various stages of collapse; letting the air out isn’t an act of iconoclasm so much as giving the original idea new life. So too Monk documented the period he lived in Los Angeles with a series of photographs titled None of the Buildings on Sunset Strip (1997–99), showing only the roads between buildings – a follow-up to Ed Ruscha’s artist book from 30 years before, All of the Buildings on Sunset Strip. But his conceptual configurations are also grounded in the personal: ‘what next?’ takes on a poignancy in the slide projection In Search of Gregory Peck (1997), where Monk brought together a collection of photographs taken by his late father in the 1950s, preceding him as a tourist in the US. Language A language of the resource Italian, English Creator An entity primarily responsible for making the resource Monk, Jonathan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of the Artist in a Building Description An account of the resource This project consists of a series of portraits of the artist, made exclusively from photographs of buildings taken while Jonathan Monk was inside them. The artist was not meant to be the only person in the building, but the only one involved in the project. The selected buildings were the Eiffel Tower in Paris, the TV Tower in Berlin, the BT Tower in London, the CN Tower in Toronto, and the Empire State Building in New York. The result would have been a series of photographs of these buildings, with the artist invisible in the image yet actually portrayed at the top of each structure, looking directly into the camera lens. The project was ultimately abandoned by the artist. <a href="http://moremuseum.org/omeka/files/original/cfacf4d01608f7cd14eb3c4097b1e32a.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Monk, Jonathan Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource audio/mpeg Language A language of the resource English Type The nature or genre of the resource Oral History Rights Holder A person or organization owning or managing rights over the resource. Jonathan Monk MoRE Museum