1 50 160 http://www.moremuseum.org/omeka/files/original/f5d77c055d2b9ab01b4f22391a4c9014.tiff 7b5bfc3be98c73d3b0d281610111d587 http://www.moremuseum.org/omeka/files/original/fe5460fe8d27e8abd3e9136591e786f3.tiff a4cb3a7ee738c6e72841f402cb81894b http://www.moremuseum.org/omeka/files/original/d46576222d1ca1dcacdcc99dda5f8a6d.pdf 97809fa230b5ad61dfa5a05cb8e07b9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gianfranco Baruchello Description An account of the resource <div>Gianfranco Baruchello’s name is related to an artistic universe that presents multiple gravitational centers. Born in Livorno in 1924, the artist has passed through several seasons in the second half of the twentieth century until today, when his activity continues within the framework of his Foundation. His production, which touches all mediums of expressions and is animated by an encyclopedic approach, puts him in an autonomous position with respect to the main art movements of the time. </div> <div>The son of a lawyer and a teacher, at the age of seven he moved to Rome. The war interrupted his studies, which ended with a law degree (with a thesis on economics). He got a job in the Bombrini Parodi Delfino Company, before moving – on the advice of his father - to the direction of the Institute of Research and Biological Applications (IRAB) in 1947. Two years later, he founded the Biomedical Society, a chemical-biological research and production company. 1959 marks the turning point in his life, with the decision to leave the business world to devote himself to artistic activity.</div> His early experiments in the late fifties follow a number of directions - the word, the object, the painting – in the context of informal and neo-dada trends. He moves between Rome, Paris and New York, in contact with intellectuals of different fields, especially literature (Balestrini, Calvino, Eco, Jouffroy, Manganelli, Sanguineti) and philosophical ones (Lyotard, Guattari). The meeting and friendship with Marcel Duchamp is fundamental. Baruchello develops a practice that is articulated around the techniques of assembly, editing and archive, happening (qualified by the author as "long distance"), cinema, writing. Once, describing his own research (in the third person), he writes: «The work or rather the life of B. consists in the use of a system (for example painting or cinema) to understand and illustrate other systems, that is, complex facts, and nothing is more complex than reality»<a href="applewebdata://FEA839F4-1CF7-4FA1-B755-C56BA891EBFE#_ftn1" name="_ftnref1" title="">[1]</a>. Among the most innovative operations, Artiflexis a fictitious company presented in 1968, based on the assumption that the artist does not have to lend his work to the industry but to simulate its methods (the slogan is "Artiflex commodifies everything"). A number of different activities are carried out under this title (Finanziaria Artiflex, Teatro Pacco, Grande Manifesto Artiflex, Piccolo capitale a fondo perduto, Prigione privata). In the Artiflexproject, issues relating to the market economy, to the world of production and commerce, are sabotaged and destroyed through the irony characteristic of the 1968 spirit. In 1973 Baruchello moved to a big house with a plot of land on the northern outskirts of Rome (at 6.5 km of Via di Santa Cornelia), where he established Agricola Cornelia SpA, a company whose corporate purpose was that of cultivating the land. This chapter of his artistic work occupies him for eight years, ending in 1981. Agricultural company and work of art at the same time, Agricola Cornelia is a complex experiment of practical, intellectual and imaginative nature, in which a series of themes converge that go beyond those strictly linked to the agricultural field - such as land and food - to affect fields such as economics, politics, art, and issues like feminism. Once ended the experience of Agricola Cornelia, the artist's interests shifted towards the themes of architecture and living, and later on to a reflection on the garden (since 1985) and the forest (since 1990). In 1998 he took the decision to donate all of his assets to a Foundation named after him and conceived together with Carla Subrizi, with the purpose to open up his research to a common dimension. In 2014, another space in the center of Rome is added to the spaces in Via Santa Cornelia. About a decade ago, when asked about the reasons of his artistic work, Baruchello replied: «To make sense of the useand maintenanceof concepts starting from the percepti, considering the error and the loss of quality as a motiffor the discovery of the diversity. Starting from a space that refers to uncertainty, I proposed a multiplicity of images, even of minimal dimensions, to start again, in the dissemination, the search for a possible painting»<a href="applewebdata://FEA839F4-1CF7-4FA1-B755-C56BA891EBFE#_ftn2" name="_ftnref2" title="">[2]</a>. <div> <hr align="left" size="1" width="33%" /> <div id="ftn1"> <a href="applewebdata://FEA839F4-1CF7-4FA1-B755-C56BA891EBFE#_ftnref1" name="_ftn1" title="">[1]</a>In the invitation of the exhibition Baruchello. Scorribande lontane, May 31 - June 22 1985, Roma, Circolo Culturale Sperandisole, pp. 3-4, Roma. </div> <div id="ftn2"> <a href="applewebdata://FEA839F4-1CF7-4FA1-B755-C56BA891EBFE#_ftnref2" name="_ftn2" title="">[2]</a>G. Baruchello, in ICE CREAM. Contemporary Art in Culture, Phaidon, London-New York 2007, pp. 36-39.  </div> </div> Creator An entity primarily responsible for making the resource Baruchello, Gianfranco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Do it yourself confession Description An account of the resource Do it yourself confession is the idea of a confessional in which it is possible to self-administer the sacrament of confession. Conceived by Gianfranco Baruchello in 1967, the project is unrealised, like many others of the author, and it can be considered a theoretical exercise. In this proposal Baruchello borrowed the philosophy of DIY (Do it yourself), which at the end of the 1960s was growing in popularity, preaching self-sufficiency and opposition to consumerism: a complex of positions of libertarian and anti-capitalist orientation extended to various fields - from housework to cultural production - canonized after a few years by the punk movement. With a paradoxical approach, the artist extends this ethics to the spiritual sphere, implicitly moving a critique to the ecclesiastical institution to which he opposes the values of self-determination of the individual ("CHOOSE YOURSELF TO WHOM OR TO WHAT YOU CONFESS!" as stated in the text of the project). Do it yourself confession is a project created during the period of political militancy of the artist, close to the revolutionary left and to groups like Potere Operaio and Lotta Continua, which brings together the protesting forces that will culminate the following year in the 1968 season. The proposal is made of two drawings, which present different elaborations of the same project. <a href="http://moremuseum.org/omeka/files/original/d46576222d1ca1dcacdcc99dda5f8a6d.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Baruchello, Gianfranco Date A point or period of time associated with an event in the lifecycle of the resource 1967 Contributor An entity responsible for making contributions to the resource Ciglia, Simone Format The file format, physical medium, or dimensions of the resource image/tiff Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Gianfranco Baruchello MoRE Museum Theoretical exercise http://www.moremuseum.org/omeka/files/original/21134aed4055469003b9c2b70b8fdb60.pdf 1352a8f4b525ad23034d0253b2845613 http://www.moremuseum.org/omeka/files/original/1e18da2753bc5a96522c0fa610676360.rtf 10c6c3f2fa06626a76814aeb894c6ad3 http://www.moremuseum.org/omeka/files/original/d009b657318c58889e5647c63e4e29df.pdf 6c6eb605f7a1209272988c7e182fd26e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Riccardo Baruzzi Description An account of the resource Riccardo Baruzzi (Lugo, 1976) is an artist who primarily works with painting and drawing, developing an investigation into the possibilities of representation between figuration and abstract synthesis. In recent years, with series such as P. P. (porta pittura, 2010) and Ordine (2014), he has explored the boundary between the material dimension of painting (that of “painting as an object”) and painting as a device of representation and narration. Baruzzi’s practice takes on different, interchangeable forms: painting and drawing, but also performance and installation, often overlap in order to challenge the uniqueness of the art object. Alongside his visual practice, the artist has consistently pursued research into sound, making use of the physical structure of diskettes to create objects that function as instruments/works. He employs these in his performances to establish gestural and formal affinities between rhythm, musical composition, and visual design, giving rise to a creative process based on reciprocal influences between sound and image. Creator An entity primarily responsible for making the resource Baruzzi, Riccardo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource D.X XY Description An account of the resource D.X XY is a dialogue on painting between two subjects, X and Y, presented in the first file, while in the second file provided by the artist the dialogue becomes a performance, enacted by two actors who perform a text written by the artist himself. The project thus consists of a dialogue between two figures who, somewhat in the vein of Didi and Gogo – the protagonists of Waiting for Godot by Samuel Beckett – develop a surreal, sarcastic, and often sensual discourse. The two interlocutors challenge each other in a nonsensical exchange in which the act of painting becomes the central generative force behind a series of references to painterly action, and often to the impossibility of bringing that action to completion. The performance revolves around a movable structure designed to display Baruzzi’s drawings, which are continuously replaced by the two performers. <a href="http://moremuseum.org/omeka/files/original/d009b657318c58889e5647c63e4e29df.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Baruzzi, Riccardo Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/pdf text/richtext Language A language of the resource Italian Type The nature or genre of the resource Text Rights Holder A person or organization owning or managing rights over the resource. Riccardo Baruzzi MoRE Museum Ideological reasons http://www.moremuseum.org/omeka/files/original/3367da345b1060ce19ad7c9a0bb13753.jpg 1d707e65ce0b125bb595ac1de105273b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bozzetto.jpg Description An account of the resource First of the four images that document the evolution of the preparatory study. Format The file format, physical medium, or dimensions of the resource file jpg, 1395 x 571 pixel, 300 dpi http://www.moremuseum.org/omeka/files/original/bbdd6901f0c31f45340ad15e445e6550.jpg d259dcbd557c08f4222c56ef80446409 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bozzetto_3mt_VERDUNO WHITE.jpg Description An account of the resource Second of the four images that document the evolution of the preparatory study. Format The file format, physical medium, or dimensions of the resource file jpg, 655 x 318 pixel, 300 dpi http://www.moremuseum.org/omeka/files/original/1720a4f175c0ec7ce940f93fe6d04785.jpg e9b15c846d5462b6bf3f18614f99ec89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bozzetto_4mt_bra WHITE.jpg Format The file format, physical medium, or dimensions of the resource file jpg, 2841x 2107 pixel, 72 dpi Description An account of the resource Third of the four images that document the evolution of the preparatory study. http://www.moremuseum.org/omeka/files/original/96e54d2b69198d3b673e1f40ab4cd27e.jpg 76019e23c9556165d0b98aa9e2269ae8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bozzetto_4mt_VERDUNO WHITE.jpg Description An account of the resource Fourth of the four images that document the evolution of the preparatory study. Format The file format, physical medium, or dimensions of the resource file jpg, 616 x 296 pixel, 300 dpi http://www.moremuseum.org/omeka/files/original/98ce4236f26738ceb6b2c550fb3f176a.jpg 4ce1c721b789b3bfaf822de79f68ced7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_alto.jpg Description An account of the resource First of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource file jpg, 2841x 2107 pixel, 72 dpi http://www.moremuseum.org/omeka/files/original/df58be68fabdde8ef7f0c016b35df800.jpg 996d4605e4aabb5c56fd7d4c123b27dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1705.jpg Description An account of the resource Second of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource file jpg, 3264×2448 pixel, 72 dpi http://www.moremuseum.org/omeka/files/original/45cc9bfddef0ef764c9c85b578ae9dfc.jpg 62fecf9d6242bbddad80055bf1b12fab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1707.jpg Description An account of the resource Third of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource file jpg, 3264×2448 pixel, 72 dpi http://www.moremuseum.org/omeka/files/original/7c6a2e6430588332c8cea7f4ae09b9c0.jpg 3e08c22b471c4afa65af2b6885cb5fd3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1709.jpg Description An account of the resource Fourth of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource jpg, 3264×2448 pixel, 72 dpi http://www.moremuseum.org/omeka/files/original/b1ade7acecded96810e16843cbdd321d.jpg 97eb376d3ffc23fbd11d180ec685c222 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1711.jpg Description An account of the resource Fifth of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource jpg, 3264×2448 pixel, 72 dpi http://www.moremuseum.org/omeka/files/original/439c5261491561d5ff745ed30fb4dc6e.jpg 0013325a593263ab07b25205cf21d746 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1713.jpg Description An account of the resource Sixth of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource file jpg, 3264×2448 pixel, 72 dpi http://www.moremuseum.org/omeka/files/original/43f232a82901b2ef58ea1e195a88aec4.jpg 76af31dbc0cc0592dcb8c07505f80320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1717.jpg Description An account of the resource Seventh of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource jpg, 3264×2448 pixel, 72 dpi http://www.moremuseum.org/omeka/files/original/9f3a8c96aa3f8533780442a3e326bcc2.jpg bab9e0b8d3e803f6954624659dc395f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rendering_3mt_bra.jpg Description An account of the resource Project’s rendering Format The file format, physical medium, or dimensions of the resource jpg, 2000×1300 pixel, 300 dpi http://www.moremuseum.org/omeka/files/original/8e43a1685e149ad93d95238664f52c3d.jpg 038b650f9322f1f3d01ce549f0c53d28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rendering_3mt_VERDUNO.jpg Description An account of the resource Project’s rendering Format The file format, physical medium, or dimensions of the resource file jpg, 2000×1450 pixel, 300 dpi http://www.moremuseum.org/omeka/files/original/f850a3c397a19e58503024890c82e4a8.jpg f3a2516e8db093d784201ccf87b24b59 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rendering_4mt_bra.jpg Description An account of the resource Project’s rendering Format The file format, physical medium, or dimensions of the resource file jpg, 2000×1300 pixel, 300 dpi http://www.moremuseum.org/omeka/files/original/035802e073a208366b1ebb05d9e450e5.jpg 836312f230a9b636c9e5adba4d1827c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rendering_4mt_VERDUNO Description An account of the resource Project’s rendering Format The file format, physical medium, or dimensions of the resource file jpg, 2000×1300 pixel, 300 dpi http://www.moremuseum.org/omeka/files/original/2b19e2161d2bc4ac4edd20472ced50ab.pdf 69bccfd831fadb9d9c2b69ec3055e3b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valerio Berruti Description An account of the resource Valerio Berruti was born in Alba, Piedmont, in 1977. He graduated in Art Criticism from the D.A.M.S. program in Turin and lives and works in Verduno (Cuneo), in a deconsecrated 17th-century church that he purchased and restored in 1995. <o:p></o:p>In 2009, Berruti was the youngest artist invited to the 53rd Venice Biennale, where he presented a video animation, La figlia di Isacco, composed of 600 drawings accompanied by music by Paolo Conte. <o:p></o:p>More recently, he held a solo exhibition at the Pola Museum of Art in Tokyo titled Kizuna, featuring a soundtrack specially composed by Ryuichi Sakamoto. Kizuna also became a charitable project supporting the reconstruction of Japan following the devastation caused by the earthquake. <o:p></o:p>In 2012, Berruti won the international prize “Luci d’Artista.” His light installation, titled Ancora una volta, illuminated Via Accademia delle Scienze in Turin.<o:p></o:p> Creator An entity primarily responsible for making the resource Berruti, Valerio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rotonda di Verduno Description An account of the resource Project for the realization of a sculpture for the roundabout located at the entrance of the village of Verduno, in the heart of the Langhe region, where Valerio Berruti chose to live and establish his studio inside a deconsecrated church. <o:p></o:p>It is a tribute to his homeland, the Langhe, observed through the innocent and carefree gaze of childhood, a subject and metaphor for an ideal world, symbol of a purity inevitably lost with maturity. <a href="http://moremuseum.org/omeka/files/original/2b19e2161d2bc4ac4edd20472ced50ab.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Berruti, Valerio Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource De Felice, Letizia Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cilea.it/handle/1889/2105" target="_blank" rel="noopener"><code>http://hdl.handle.net/1889/2105</code></a> Rights Holder A person or organization owning or managing rights over the resource. Valerio Berruti MoRE Museum Failure to meet the commissioner's demands http://www.moremuseum.org/omeka/files/original/e5738b28fb3f470c064b325b290cd1c3.jpg 88a11d07a3c814d4ec66f9244b1b642c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione-1_web.jpg Description An account of the resource Image documenting the maquette of the project’s version “1″: in this case, the project consisted in a multi-subject painting with some frames taken from the video installation La Figlia di Isacco (Venice Biennale, 2009) Format The file format, physical medium, or dimensions of the resource file jpg, 219×320 pixel, 96 dpi http://www.moremuseum.org/omeka/files/original/5aaeff83065445c5fe9cb09b175801d3.jpg f0c2256178d2c1b75c82d5a48d5dc2bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione-1a_web.jpg Description An account of the resource Image documenting the maquette of the project’s version “1″: in this case, the project consisted in a multi-subject painting with some frames taken from the video installation La Figlia di Isacco (Venice Biennale, 2009) Format The file format, physical medium, or dimensions of the resource file jpg, 228×320 pixel, 96 dpi http://www.moremuseum.org/omeka/files/original/7a04a575b56cbd76cd30e1d79576d8ae.jpg 533a983fc6055ed15d600197e2331ec9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione-2_web.jpg Description An account of the resource Image documenting the maquette of the project’s version “2″: in this case Berruti focused on one figure only, developed along the entire height of the floors. Format The file format, physical medium, or dimensions of the resource file jpg, 211×320 pixel, 96 dpi http://www.moremuseum.org/omeka/files/original/0b934d579ab46d84398531f7136b074b.jpg 6e6c4b8849acd93c9f7d43c24537123b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione-2-particolare.jpg Description An account of the resource Image documenting the maquette of the project’s version “2″: in this case Berruti focused on one figure only, developed along the entire height of the floors. Format The file format, physical medium, or dimensions of the resource file jpg, 240 x 320 pixel, 96 dpi http://www.moremuseum.org/omeka/files/original/7b1036b5974100b966dacef187b6b859.jpg 6cfbf48fbb59c23fb2584bf44deaa53a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione2b_web.jpg Description An account of the resource Image documenting the maquette of the project’s version “2″: in this case Berruti focused on one figure only, developed along the entire height of the floors. Format The file format, physical medium, or dimensions of the resource file jpg, 211×320 pixel, 96 dpi http://www.moremuseum.org/omeka/files/original/0c179967499d92468500932322c66da9.pdf 6d1dfd359b40ad816d3310940b8768b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valerio Berruti Description An account of the resource Valerio Berruti was born in Alba, Piedmont, in 1977. He graduated in Art Criticism from the D.A.M.S. program in Turin and lives and works in Verduno (Cuneo), in a deconsecrated 17th-century church that he purchased and restored in 1995. <o:p></o:p>In 2009, Berruti was the youngest artist invited to the 53rd Venice Biennale, where he presented a video animation, La figlia di Isacco, composed of 600 drawings accompanied by music by Paolo Conte. <o:p></o:p>More recently, he held a solo exhibition at the Pola Museum of Art in Tokyo titled Kizuna, featuring a soundtrack specially composed by Ryuichi Sakamoto. Kizuna also became a charitable project supporting the reconstruction of Japan following the devastation caused by the earthquake. <o:p></o:p>In 2012, Berruti won the international prize “Luci d’Artista.” His light installation, titled Ancora una volta, illuminated Via Accademia delle Scienze in Turin.<o:p></o:p> Creator An entity primarily responsible for making the resource Berruti, Valerio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scala Description An account of the resource Scala by Valerio Berruti consists of a project for a mural on the walls of a large staircase inside a 19th-century building in the center of Alba, recently renovated for its new use as the headquarters of a well-known local bank. <o:p></o:p>Once again, childhood is the central subject of the preparatory sketch, featuring a nearly stylized figure of a young girl whose minimal drawing achieves a striking expressive power. It is an image of poetic lightness, evoking in each viewer memories of past years, family ties, and, more broadly, the notion of memory. <a href="http://moremuseum.org/omeka/files/original/0c179967499d92468500932322c66da9.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Berruti, Valerio Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource De Felice, Letizia Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2106" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2106</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Valerio Berruti MoRE Museum Failure to meet the commissioner's demands http://www.moremuseum.org/omeka/files/original/896d08072766b25940ad0b536f0093b6.pdf 4b22e223ca01c29b0d410e17cf4f47cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meteoritealcontrario.pdf Description An account of the resource Adobe PDF file Format The file format, physical medium, or dimensions of the resource Adobe PDF file, 500x700mm. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Davide Bertocchi Description An account of the resource Davide Bertocchi was born in Modena, Italy in 1969. From 1988 through 1993, he studied at the Academy of Fine Arts in Bologna with Alberto Garutti: his teaching had a big influence on the development of his future work. He concurrently also attended the University of Bologna’s DAMS (Discipline Art Music e Show). From 1993 through 1994, he studied at the Hogeschool voor de Kunsten, in Utrecht, Holland, and he started to experiment with sound and music. In 1996, after a short period in New York and Los Angeles, he moved to Milan, in Via Fiuggi. He shared this basement, converted into working and living space, with many contemporaries artists: Diego Perrone, Giuseppe Gabellone, Debora Ligorio, Sara Ciraci, Simone Berti, Stefania Galegati, Ettore Favini and Lara Favaretto. Later, a lot of people considered this the starting point of a new dynamic artistic scene in Milan. During this period he worked as a gallery assistant to Massimo De Carlo, where he collaborated with many artists that would make an important impact on his later work. From 1998 through 2000, he lived in the Milan flat of Maurizio Cattelan, who also advised him to apply to an artist in residence program at the Ecole de Beaux Arts de Nantes, France, and that was directed by Robert Fleck, Stephanie Moisdon and Philippe Lepeut. From that point to the present, he has lived and worked mainly in Paris. In 2000, he was chosen as one of the 10 Italian artists for the Studio Program at PS1-MoMa in New York. In 2002, he was an artist in residence at the National Contemporary Art Centre Villa Arson, Nice, France. From 2003 through 2004, he participated in the artist in residence program, “Le Pavillon”, at Palais De Tokyo, Paris. Creator An entity primarily responsible for making the resource Bertocchi, Davide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meteorite al contrario Description An account of the resource David Bertocchi’s project, Meteorite al contrario (2010) is the launch into space of a normal stone of medium size, which would constitute a kind of meteorite, according to a trajectory opposite the one that usually leads an asteroid to accidentally stumble on our planet. With this project, in addition a to normal challenging of the scientific premises that describes the trajectory and the ablation with the atmosphere of an extraterrestrial impact directly on the ground, the artist is trying to subvert the classic paradigm of contemporary technology: the maximum technology in minimum space, which in this case would be the minimum technology in maximum “space”. The project is closely related to the poetic of the artist, since long time resident in Paris, and it is referable to a system of signs and meanings, an interest in the universe that started with a work in progres born in 1999 entitled precisely Space, which in more than ten years has involved Bertocchi in the creation of a parallel universe: around 3000 images of galaxies and planets invented by the artist. The project has not been realized yet because of its high costs. <a href="https://www.repository.unipr.it/bitstream/1889/1997/1/bertocchi_meteorite%20al%20contrario.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Bertocchi, Davide Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1997" target="_blank" rel="noopener">http://hdl.handle.net/1889/1997</a> Rights Holder A person or organization owning or managing rights over the resource. Davide Bertocchi MoRE Museum Financial reasons http://www.moremuseum.org/omeka/files/original/6339ee1a1bbe56e93f8ef855b80e3d8a.pdf c08db6638102d43a4529a38e09b0eeea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 03Bianco-Valente descrizione.doc Format The file format, physical medium, or dimensions of the resource File pdf Description An account of the resource Project description, wrote by the artists http://www.moremuseum.org/omeka/files/original/c80e003c80973953bd5e23479bd43c3a.jpg 42d2f7b0ed97fd99fdb0bb53d566fe42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 03BiancoValente, Schizzo per progetto senza titolo 1999-2001.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 40,682 x 28,296 cm, 300 dpi Description An account of the resource Bianco-Valente, Sketch for progetto senza titolo, 1999-2001 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bianco-Valente Description An account of the resource Since the Nineties, the two artists Bianco-Valente test the reaction of our minds to the new technological landscape that surrounds us. Their work combines aesthetic, technologic and humanistic knowledge in such a precise way that we can consider them anthropologists in a contemporary scenario where the digital divide also means a difficulty in perception between what it was and what it is. Their installations and performances often investigates what gets lost or what we gain in terms of awareness, understanding and relationship. Creator An entity primarily responsible for making the resource Bianco-Valente Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Progetto senza titolo Creator An entity primarily responsible for making the resource Bianco-Valente (Bianco, Giovanna & Valente, Pino) Date A point or period of time associated with an event in the lifecycle of the resource 1999-2001 Contributor An entity responsible for making contributions to the resource Romano, Gianni Format The file format, physical medium, or dimensions of the resource application/pdf image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Description An account of the resource This project derives from the artists’ research around the Turing Test. Two computers set up with basic complementary knowledge responded to the visual inputs that the visitor showed to one of them: the first computer processed the image and then verbally communicated it to the second computer, in fact the first computer spoke to the second describing the image. The second computer, on the basis of information stored in its memory, activated a process of representation of the description, which it then actually represented through a projector next to the image that had been shown to the first computer. The two images were finally exposed side by side, showing the translation process image> word> image. The project needed a great number of technical and scientific partnerships to make the data transmission possible. However, the concept behind the project came to life with two performances the artists realized in 2011 and 2014. <a href="https://www.repository.unipr.it/bitstream/1889/2899/1/Bianco-Valente_Progetto%20senza%20titolo.pdf" target="_blank" rel="noopener">Read more</a>. Rights Holder A person or organization owning or managing rights over the resource. Bianco-Valente MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2899" target="_blank" rel="noopener">http://hdl.handle.net/1889/2899</a> http://www.moremuseum.org/omeka/files/original/1370253b50b4bada491cfad8fd80861c.jpg d337772dad244473153df397453a68c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BONACORSI conceptual noise detail.jpg Description An account of the resource A color photography that documents the object-gadget as it is supposed to be: a clothes peg holding a credit card. http://www.moremuseum.org/omeka/files/original/d5e72cdd7762e04eae64312adbc25cd8.jpg 57442f42bb73b92caacbacb69e666f27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BONACORSI a conceptual noise.jpg Description An account of the resource A jpg file that reproduces a drawing-collage in A4 format illustrating the project, with Duchamp’s bicycle wheel and the the insertion of the gadget. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivo Bonacorsi Description An account of the resource Artist and writer, he was born in Vergato (Bologna) in 1960. He graduates in Phenomenology of Styles at the DAMS in Bologna, and always in Bologna he exposed at the Neon Gallery and he takes part to the first series of events of the Gam Performance Week at a very young age. In 2004 he realizes the exhibition “Screens, barricades and other images”, curated by Roberto Pinto, at the Careof Gallery in Milan. The same year, he creates the art project “A tainted event” for Isola Art Center, together with Steve Piccolo and Mirella Miramucci. In 1997 he moves from Milan to Paris, where he teaches Drawing concepts and runs workshops at the Parsons Paris School of Art & Design and at the Southern Methodist University Paris Program, even though he defines himself as “living between Oslo and Paris where he runs a clandestine and itinerant restaurant with Dominic Dalcan and Francis Fichot. He writes books of recipes and he smokes the fish he catches in fiords”. He collaborates as a journalist and critic with Il Manifesto, Radio Popolare, Flash Art and Domus. In 200, he founded the art magazine Area Revue(s) with Alin Avila and Natalie Mei. In 2005 he retires from art with his last performance Announced Retirement, a real boxing match dedicated to Arthur Cravan and he becomes a calendar artist and a celebrity chef. Creator An entity primarily responsible for making the resource Bonacorsi, Ivo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A conceptual noise... Creator An entity primarily responsible for making the resource Bonacorsi, Ivo Date A point or period of time associated with an event in the lifecycle of the resource 1999 Contributor An entity responsible for making contributions to the resource Longari, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Description An account of the resource The idea is to put a small gadget on a very famous Duchamp’s work, Roue de bicyclette, a ready-made exhibited in several museums all around the world (Centre Pompidou in Paris, Tate Gallery in London, Moma in NY...). Considering that his work is a reproduction itself, a copy of the lost original, the idea of a “posthumous homage-enrichment” is really close to Duchamp spirit. The introduction of a credit card establishes a link with other artist who changed the art world, investigating the role of money and material goods, such as Dali (Avida Dollars) but above all Wharol. There is a recreational element in this gadget: the artist took inspiration from the playing cards that children put on their bikes to simulate the sound of an engine. The kit, made of a copy of the artist’s credit card and a clothes peg to decorate Duchamp’s work according to Bonacorsi’s instructions, is sold apart in the museum shop. This work was planned by the artist on the occasion of the re-opening of Centre Pompidou collections in 2000, but he never proposed it to the museum: a typical development of Bonacorsi’s work, really influenced by the concept of  dépense. <a href="https://www.repository.unipr.it/bitstream/1889/2000/1/bonacorsi_a%20conceptual%20noise.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Ivo Bonacorsi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2000" target="_blank" rel="noopener">http://hdl.handle.net/1889/2000</a> Theoretical exercise http://www.moremuseum.org/omeka/files/original/422291fa78b790d90ae85dfe08e8e865.jpg 43c02e6fec36e5c5e9432aaf0ac38d2a http://www.moremuseum.org/omeka/files/original/47b3196ac0b11f4367d142b4f97dd952.jpg db7c85df676e75fd7d79182cf0b57194 http://www.moremuseum.org/omeka/files/original/8af925f1d26a113d90e54c89c1f9a303.jpg 0ea8128d606440b4caca18ddbf2f5335 http://www.moremuseum.org/omeka/files/original/ddf0190a8877db5c62933fff491a460e.jpg 1f4aaa2848f03176e35cf6ae1ed0513b http://www.moremuseum.org/omeka/files/original/84f6e6c6e5da626146d0c265391ea5e3.jpg b7a457c68f7422d8ca2841d348761d08 http://www.moremuseum.org/omeka/files/original/3e7787c66dd99a6441f4b614d392737a.jpg 16a9d1a3942f8b3e9025b6f7aaad95e6 http://www.moremuseum.org/omeka/files/original/17eb5ecc9d482c996142fc49fa8c86f2.jpg baafbe449ec6126b6c755083b8a41131 http://www.moremuseum.org/omeka/files/original/8e6090a463cc791e776d94fbe9a6b51b.jpg 5a0bfd0c6e97333add257d04ad81c9b6 http://www.moremuseum.org/omeka/files/original/b479a2bc2c17383a626eb6ae9e15e634.jpg 71da30fdb0dad48f8a23b64b957e2a38 http://www.moremuseum.org/omeka/files/original/f766c52e12e82d22b41ad604b0e40f6b.jpg 26eebecce19f9c7693c1a70c5d97ad2c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benni Bosetto Description An account of the resource Benni Bosetto (Milano, 1987), lives and works in Milano. She graduated from the Accademia di Brera, Milano and she studied at the Sandberg Institut, Amsterdam. Her recent exhibitions include: 2018 - OGR, Torino; MAMbo, Bologna curated by Lorenzo Balbi; Fondazione Baruchello, Roma, a cura di Caterina Molteni; ADA, Roma. 2017 - Art Verona Collateral Project, organised by Mauro De Iorio; Dome, Milano, curated by Ginevra Bria; Tile Project Space, Milano; Placentia Arte, a project by Roberto Fassone. 2016 - DAMA, Torino, performance curated by Lorenzo Balbi; De Appel Art Center, Amsterdam; Marselleria, Milano. 2015 - Fanta Spazio, Milano. 2014 - Il Crepaccio, Milano. Her residencies include: Swan Station, curated by Zoe De Luca & Something Must Break, Buco del Piombo, Como (2019, upcoming); Fonderia Artistica Battaglia (Milano, 2018); Pavillon des Indes (Parigi, 2016) e VIR Via Farini, (Milano, 2014). She received the Premio Termoli in 2018.   Creator An entity primarily responsible for making the resource Bosetto, Benni Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Description An account of the resource Bosetto worked for a whole year to design an exhibition presented through living sculptures in a few apartments in Via Eustachi, Milan. The exhibition should have been visited with a map that would have shown to the visitors a series of places, where they could have enjoyed a series of performances. <a href="https://www.repository.unipr.it/bitstream/1889/3841/4/bosetto_grulli.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Bosetto, Benni Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Grulli, Antonio Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Benni Bosetto MoRE Museum Logistical reasons Organizational issues http://www.moremuseum.org/omeka/files/original/09eb54d16259422165a959738b8c564e.jpg c5ad0ea8eb0c5f7a6835bfcdc9bfa19e http://www.moremuseum.org/omeka/files/original/e1290932d1830ca2701ecb25b6714bd6.jpg 4a600ed7fb244705ba9437d1caad5728 http://www.moremuseum.org/omeka/files/original/b73a6b10fb6c49658675fc634df20d82.jpg 256314d861039a908919b2b4ec0d0e14 http://www.moremuseum.org/omeka/files/original/d54e5d4bfa98881c11d55847b386ff2b.jpg 79f9f1082912f4a54f4d70df146ce81b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Braida Description An account of the resource Thomas Braida was born in Gorizia in 1982 and he graduated from the Academy of Fine Arts in Venice in 2010; currently he lives between Turin and Venice. He has exhibited in many institutional spaces such as the Galleria Civica, Modena, the Palazzo della Misericordia in Bergamo and the Bevilacqua La Masa Foundation in Venice. He has also already attended numerous solo exhibitions such as Solo at Palazzo Nani Bernardo in Venice, on the occasion of the 2017 Biennale, and - together with Valerio Nicolai - two personal double exhibitions in two Roman galleries such as the Galleria Monitor and the Galleria Furini. Creator An entity primarily responsible for making the resource Braida, Thomas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Studi per quadri non realizzati. Quaderno 16 Description An account of the resource Thomas Braida donated some pages from his notebooks to the MoRE Museum. This type of donation sobering to what we might call the pictorial projects in our imaginary, where the notebook (rich in literary references and artistic influences) in the hands of Braida is enriched with drawings and design sketches. Leaving the romantic vision of the artist who depicts life, from Braida's design material emerges not just a simple and quick pencil stroke on a white sheet, but rather pages of notebooks which have a design characterized by a complex use of techniques and colors thanks, pastels, watercolors, markers, pens, and nibs. In all, there are three donations, notebook 16 of 2015-2016, notebook 17 of 2016-2017 and the number 18 of 2017-2018. <a href="https://www.repository.unipr.it/bitstream/1889/3471/1/Thomas%20Braida_quaderno%2016.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Braida, Thomas Date A point or period of time associated with an event in the lifecycle of the resource 2015-2016 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Thomas Braida MoRE Museum Ideological reasons Logistical reasons http://www.moremuseum.org/omeka/files/original/726b1a2114c237b90fb4e7da1b391a5e.jpg 12ba0adf9dd072c741902ad4e7cf5527 http://www.moremuseum.org/omeka/files/original/eee87c4769dc81a5d2378440138d3eb9.jpg 389dd2c3c75916a3702c495745e2e3a3 http://www.moremuseum.org/omeka/files/original/96fadd5201d6e957c0674c9e850e0b14.jpg 3d4a963c1aac8c1cfb540b50b6ef2186 http://www.moremuseum.org/omeka/files/original/d929fb1b2295e7ce098651289b75da1b.jpg 459e38f0528bdc73cea864003c16e120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Braida Description An account of the resource Thomas Braida was born in Gorizia in 1982 and he graduated from the Academy of Fine Arts in Venice in 2010; currently he lives between Turin and Venice. He has exhibited in many institutional spaces such as the Galleria Civica, Modena, the Palazzo della Misericordia in Bergamo and the Bevilacqua La Masa Foundation in Venice. He has also already attended numerous solo exhibitions such as Solo at Palazzo Nani Bernardo in Venice, on the occasion of the 2017 Biennale, and - together with Valerio Nicolai - two personal double exhibitions in two Roman galleries such as the Galleria Monitor and the Galleria Furini. Creator An entity primarily responsible for making the resource Braida, Thomas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Studi per quadri non realizzati. Quaderno 17 Description An account of the resource Thomas Braida donated some pages from his notebooks to the MoRE Museum. This type of donation sobering to what we might call the pictorial projects in our imaginary, where the notebook (rich in literary references and artistic influences) in the hands of Braida is enriched with drawings and design sketches. Leaving the romantic vision of the artist who depicts life, from Braida's design material emerges not just a simple and quick pencil stroke on a white sheet, but rather pages of notebooks which have a design characterized by a complex use of techniques and colors thanks, pastels, watercolors, markers, pens, and nibs. In all, there are three donations, notebook 16 of 2015-2016, notebook 17 of 2016-2017 and the number 18 of 2017-2018. <a href="https://www.repository.unipr.it/bitstream/1889/3472/1/Thomas%20Braida_quaderno%2017.pdf">Read more.</a> Creator An entity primarily responsible for making the resource Braida, Thomas Date A point or period of time associated with an event in the lifecycle of the resource 2016-2017 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Thomas Braida MoRE Museum Ideological reasons Logistical reasons http://www.moremuseum.org/omeka/files/original/609417e04e53f0a936d07909f21cafa4.jpg 96f324889e4bebf0b235f1eb7e17489f http://www.moremuseum.org/omeka/files/original/e266763b517dfba9239141dd7d16bb64.jpg 08936bb32c3d4dfa35f72107f6775986 http://www.moremuseum.org/omeka/files/original/fa1cc04faed4580451f93c461e216224.jpg bcfcc432501952bb2abd711c3809f981 http://www.moremuseum.org/omeka/files/original/584049b5515ce6d8167e9a53fbc76627.jpg e143a16b5f18ff2d0228b96f90617ea6 http://www.moremuseum.org/omeka/files/original/5f34e8e808db19ea2aa3f9b8ce7a9517.jpg 7ad68bd3ca11e84e833bd7d7e05f8c83 http://www.moremuseum.org/omeka/files/original/3299d786fe932a26d4a5ff562d4eb391.jpg 1afa9ccbe94180cb0288b2ef151b1229 http://www.moremuseum.org/omeka/files/original/a38a83830508eaea32aed2258eb4a373.jpg 5d82a65e2360fd79cd063e8cc8c89e01 http://www.moremuseum.org/omeka/files/original/d77dc10c758c1cf2015739d7fe12695d.jpg 0b86a56fbd5103899bcd48e715715ebe http://www.moremuseum.org/omeka/files/original/cd6cb3fed7892abbef5c029126b47a7c.jpg 26d3125381857fa02b75606605a5cdc2 http://www.moremuseum.org/omeka/files/original/3257957ae780bfdaf98cdb78ecb8f6d4.jpg 89a0a378488e2d7b94d46516111e5f7f http://www.moremuseum.org/omeka/files/original/7520ec17a91360e481c94c8094f66982.jpg 0cb69d5d8ab8afc22336a3346d260292 http://www.moremuseum.org/omeka/files/original/1efcb03842f34c84b7e8c883fdcf664f.jpg 241e996f1a2b0077c0b09e2c34369fd8 http://www.moremuseum.org/omeka/files/original/752d87c91fe77d7b674a0cc4313225e6.jpg 49b15a914fa054d09d576539b816bfa5 http://www.moremuseum.org/omeka/files/original/5f140be967791281e31f5e82b5827407.jpg 0ea73bb18fe2f32a700e74b9f01b0d49 http://www.moremuseum.org/omeka/files/original/b65a9728733eaebca98a8105b95d919d.jpg b9d35434ab8d3c16a240e0ac2cdaaa27 http://www.moremuseum.org/omeka/files/original/36a31e0bb24ee96fb001056db70fe391.jpg f4186fd327cde23b3e682eb9f2f6f4e1 http://www.moremuseum.org/omeka/files/original/c6d71db9afde1b1bd7ce6cd596394651.jpg 98596378664b204412456edcf5869264 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Braida Description An account of the resource Thomas Braida was born in Gorizia in 1982 and he graduated from the Academy of Fine Arts in Venice in 2010; currently he lives between Turin and Venice. He has exhibited in many institutional spaces such as the Galleria Civica, Modena, the Palazzo della Misericordia in Bergamo and the Bevilacqua La Masa Foundation in Venice. He has also already attended numerous solo exhibitions such as Solo at Palazzo Nani Bernardo in Venice, on the occasion of the 2017 Biennale, and - together with Valerio Nicolai - two personal double exhibitions in two Roman galleries such as the Galleria Monitor and the Galleria Furini. Creator An entity primarily responsible for making the resource Braida, Thomas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Studi per quadri non realizzati. Quaderno 18 Description An account of the resource Thomas Braida donated some pages from his notebooks to the MoRE Museum. This type of donation sobering to what we might call the pictorial projects in our imaginary, where the notebook (rich in literary references and artistic influences) in the hands of Braida is enriched with drawings and design sketches. Leaving the romantic vision of the artist who depicts life, from Braida's design material emerges not just a simple and quick pencil stroke on a white sheet, but rather pages of notebooks which have a design characterized by a complex use of techniques and colors thanks, pastels, watercolors, markers, pens, and nibs. In all, there are three donations, notebook 16 of 2015-2016, notebook 17 of 2016-2017 and the number 18 of 2017-2018. <a href="https://www.repository.unipr.it/bitstream/1889/3473/1/Thomas%20Braida_quaderno%2018.%20doc.pdf">Read more.</a> Creator An entity primarily responsible for making the resource Braida, Thomas Date A point or period of time associated with an event in the lifecycle of the resource 2017-2018 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Thomas Braida MoRE Museum Ideological reasons Logistical reasons http://www.moremuseum.org/omeka/files/original/f488d3e3cf2d793715f602e7d43e140f.jpg b3240269c7a1344562f4c2cf851a8094 http://www.moremuseum.org/omeka/files/original/504f02342df7e8569e4a824e9074acff.jpg 16b1a20c2b454522a591cd0ed8591e22 http://www.moremuseum.org/omeka/files/original/1084aaf5d00f696eb721383e1a45cf2a.pdf 053654823b8d152be0e71a9debb2b47d http://www.moremuseum.org/omeka/files/original/56c7f8a23803b208a06b11d022492c1a.m4a 5972195f8dbd95730b52abb1d5b5a2f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brognon Rollin Description An account of the resource David Brognon, born in Messancy (Belgium) in 1978 and Stéphanie Rollin, born in Luxembourg City (Luxembourg) in 1980, live and work in Paris and Luxembourg. Winners of the Best Solo Show at Art Brussels 2013 and 2015 finalists of the Prix Fondation Entreprise Ricard in Paris, Brognon Rollin work with raw, often marginal social material where the recurrent themes are confinement, expectation and control. Their work has been the subject of numerous exhibitions around the world, recently: The Penultimate Version of Reality at the MAC VAL - Musée d'Art Contemporain du Val-de-Marne in 2020 and Maybe Some of Us Will Change This at ICA, LA Institute of Contemporary Art in Los Angeles in 2019. The director of MAMAC in Nice, Hélène Guénin, defines Brognon Rollin as “explorers of the abyss” attentive to the “small epiphanies of life”. With a strange poetry, their universe moves the lines, the gaze, the certainties, like an invitation to a mental journey. Their works are part of various public collections, including: Le Centre Pompidou, Musée National d’Art Moderne, Paris, France / MAC VAL, Musée d’Art Contemporain du Val de Marne, France / Collection MUDAM, Luxembourg / Centre National des Arts Plastiques (CNAP), France / MAC’S - Grand Hornu, Belgique / FRAC Alsace, FRAC Poitou-Charentes, FRAC Lorraine, France… Creator An entity primarily responsible for making the resource Brognon Rollin Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciel illuminé / Cielo non illuminato Description An account of the resource Ciel illuminé / Cielo non illuminato consists of the faithful reproduction of Horace-Bénédict de Saussure’s cyanometer on the internal walls of the Mont Blanc Tunnel. Brognon Rollin’s project originates from the idea of making the mountain disappear, while at the same time offering a visual reference to drivers passing through the tunnel by indicating the approaching end of it. The work stems from an actual fact: Stéphanie Rollin suffers from claustrophobia, and every crossing of the tunnel is a painful experience for her—made a little more bearable thanks to long conversations with David Brognon. Ciel illuminé / Cielo non illuminato is an exact translation of a historical fact, filtered through a personal experience that transforms it into a poetic gesture. <a href="https://www.repository.unipr.it/bitstream/1889/5590/1/Brognon%20Rollin_Ciel%20illumine%cc%81%20%20Cielo%20non%20illuminato.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Brognon Rollin Date A point or period of time associated with an event in the lifecycle of the resource 2021 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/tiff application/pdf Language A language of the resource English French Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Brognon Rollin MoRE museum project abandoned by the artist http://www.moremuseum.org/omeka/files/original/ebead3094cfe452c0707e1735872540b.jpg 17d5f4ec85376c8215c85e2953169a02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Casini Description An account of the resource David Casini (Montevarchi, 1973) is a visual artist, his work includes sculptures and site-specific installations. He has exhibited in several solo shows at Gallery CAR Projects (Bologna)MAR Museum of Modern and Contemporary Art (Ravenna), Analix Forever Gallery (Geneva), Galleria T293 (Naples). He has participated to important group exhibitions including Everywhere but Now Thessaloniki Biennale of Contemporary Art 4, 2013, Oceanomania at Nouveau Musée National de Monaco and The Mediterranean Approach (Zenobio Palace, Venice) in 2011, Celebration at Macedoniam Museum of Contemporary Art in Athens in 2010, Through the Looking Glass Italian Cultural Institute in Belgrade. He won the Talent Prize in 2009. Creator An entity primarily responsible for making the resource Casini, David Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image file jpeg, 25x15 cm, 192,024 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Non Piango Mai Description An account of the resource Drawing realized to design a children's playground. The elements of the game park are inspired by drawings of biologist, zoologist, philosopher and also German artist Ernst Haeckel, who designed more than 100 polychromatic illustrations of animals and sea creatures. Some elements of the drawings, in three-dimensional transposition, are designed to be modified with the aim of making movable some parts, recreate circular movements, extension and elastic. The elements are designed with an internal steel frame to resist several requests, while the exterior is covered by colored rubber, resin, wood, concrete, to recreate different texture to the touch. The project is designed to be installed in a public place, park, square, museum or school. <a href="https://www.repository.unipr.it/bitstream/1889/2665/1/Casini%2c%20Non%20piango%20mai.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Casini, David Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. David Casini MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/2665" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2665</a> Financial reasons http://www.moremuseum.org/omeka/files/original/333ffa0d21b98d436987c29e7809f97f.jpg ea25d7307fe854591b9699e147a79d91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004 - 1 - Gam Bologna Daolio.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 4,5x7,82 cm, 576 dpi http://www.moremuseum.org/omeka/files/original/a312228291cd7f72f9a30d78ef787d0d.jpg 3f46e04b9e0f4621580e22fe38b87318 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004- 2- GAM R. Daolio Silvia Cini.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 4,49x7,82 cm, 576 dpi http://www.moremuseum.org/omeka/files/original/6259e25a31d929f04c0327e826be9fdd.jpg 331360a9813620221ba82a25747279bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004- 3- Gam Bologna Daolio.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 2,16x3,75 cm, 576 dpi http://www.moremuseum.org/omeka/files/original/d56a62c3c7babc9cfd80735b99b646c0.jpg 4b5f06b4c58cc76da34037f59a1c6ae3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004-4- GAM R. Daolio Silvia Cini.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 7,14x7,14 cm, 576 dpi http://www.moremuseum.org/omeka/files/original/29ef24a225d9bf873e7130754d13c990.jpg 42e905ca5924e08442b5a270e813709f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004-5 cubi- GAM R. Daolio Silvia Cini.jpg Description An account of the resource PlasticOplalà # 2 seven inflatable cubes covered with canvas Format The file format, physical medium, or dimensions of the resource file jpg, 1,89x2,83 cm, 576 dpi http://www.moremuseum.org/omeka/files/original/96724a329cfb66fb4120102f628d7499.pdf 419508a2c1961bfe3186372129a753a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intervista a Silvia Cini, Dialoghi, a cura di UnDo.net.pdf Format The file format, physical medium, or dimensions of the resource file pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Silvia Cini Creator An entity primarily responsible for making the resource Cini, Silvia Description An account of the resource Silvia Cini (Pisa, 1972) is an artist and independent curator. She graduated from the Academy of Fine Arts in Rome and then continued her studies as an Operator of Cultural Heritage at the Pontifical Gregorian University; thanks to a thesis on the cataloging of contemporary art works, she started working at the ICCD Central Institute for Documentation and the Catalogue of the Ministry of Culture, contributing to the drafting of the law on cataloging OAC Opera contemporary Art as a consultant of the then director Maria Luisa Polichetti. One of the founders of the Gruppo Immagini, she collaborated with Keith Haring to the event that lead to the mural of Pisa. At the same time she began studying theater with Stefano Vercelli and Luisa Pasello at the Piccolo Teatro di Pontedera, under the direction of Roberto Bacci and supervision of Jersy Grotosky. Her first exhibition was in Milan in 1994, when she created the group AAVV with Salvatore Falci, then in Rome where she collaborated with Cesare Pietroiusti to DisorsordinAzioni il Gioco del Senso and Non senso (XII Quadrennial of Rome), and with the Gruppo Oreste with which she took part to the 48 Venice Biennale. In 1997 she curated her first series of exhibitions at the Ferro di Cavallo, in collaboration with the Academy of Fine Arts in Rome, signing the beginning of the art of relationship and public art in Italy. She continued to work as a curator, as collaborator of Carolyn Christov Bakargiev and Hans Hulrich Obrist to the French Academy in Rome and in other curatorial activities (Milan Triennale, Invideo, Icityperiferiche, Palazzo Re Enzo, Bologna, Genoa Loggia of the Merchants, Cartabianca, Museum of Contemporary Art Villa Croce, Genoa) side by side with the exhibiting activity. Since the end of the nineties she works with the Neon Gallery, alternating solo and group exhibitions (Continua, Zero, GoldanKauf) in Italy and abroad. Her works are inspired by the dialogue, often intimate, that they create with the audience. Her interest focuses often on the landscape as a metaphor of society, integrating environmental audio installations and botanical research. She collaborated over the years with the Faculty of Landscape Architecture in Genoa holding workshops and seminars. In 2000 she received the Prize Atelier from Fabio Mauri, at the Galleria Comunale d'Arte Moderna in Rome. The city of Genoa, on the occasion of Genoa 2004 European Capital of Culture, assigned her the Duchess Galliera Award for best artist working on the territory of Liguria. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. Cini was invited to be part of the project together with artists Emilio Fantin, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. For the department Cini thinks the project PlasticOplalà 1, 2, 3, a series of site-specific interventions whose idea is to create a small botanical garden outside of the pavilion, in the semi-abandoned garden of the pediatrics department. The project was not realized as a result of a number of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2451/1/Cini_Plastic%20Oplalà.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Cini, Silvia Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Silvia Cini MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2451" target="_blank" rel="noopener">http://hdl.handle.net/1889/2451</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://www.moremuseum.org/omeka/files/original/02865f65cdf4ff7b3ed7cc8d3423cd09.jpg 049f17b575736384cf8ff0fa6ac81c3c http://www.moremuseum.org/omeka/files/original/ff9d8900e110365ac49849e0c6c14430.jpg 5ce84d1dd7cd53fdf2b174e84d9f83b1 http://www.moremuseum.org/omeka/files/original/305bdb44b4a3265f85eb5300c6b2cf43.jpg 91954bf763c0380db8efc6c40d7c40ff http://www.moremuseum.org/omeka/files/original/478ba16e2a5e044410012a39ad9ce5a7.jpg 1b6f4e03c12696dd1d4278ecf1e27f24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mathis Collins Description An account of the resource Mathis Collins was born in 1986 and is based in Paris and London. He studied at the Ecole d’Art de Cergy, then in Brussels, Montreal and Metz. Among the solo shows: “Wet French”, Levy.Delval, Brussels; 2016; “Dru-French”, Palais de Tokyo, 2016; “Dynasty”, Palais de Tokyo (with Cyril Verde), Paris, 2010. His works have been included in the group shows “Ce que raconte la solitude”, Friche Belle de Mai, Marseille, 2014 and in exhibitions at Astrup Fearnley Museum, Oslo, 2014 and Le Magasin, Grenoble, France. Mathis Collins takes part in the activities of the Parisian group Treize.  Creator An entity primarily responsible for making the resource Collins, Mathis Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Quercus Suber Utopia Description An account of the resource For the past few years, Mathis Collins has worked with cork harvesters, local populations of Mediterranean forests and villages and artists, and conceived works that focus on ecology, culture and economy of cork regions. Quercus Suber Utopia is a project for the making of a collective artwork, in the regions of South Europe and North Africa where grows Cork trees. The sculptures produced for Quercus Suber Utopia, based on a discussion on community buildings, would to be exhibited in each of the other participating communities in a continuous process of exchange and activity. Produced with cork, the sculptures or scale models of the communities utopian collective space, was to set a pan-regional discussion and understanding of the contemporary ecological and economical crisis of cork trees. <a href="https://www.repository.unipr.it/bitstream/1889/3003/1/Mathis%20Collins_Quercus%20Suber%20Utopia.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Collins, Mathis Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Scipioni, Lydia Elena Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3003" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3003</a> Rights Holder A person or organization owning or managing rights over the resource. Mathis Collins MoRE Museum Logistical reasons Technical reasons http://www.moremuseum.org/omeka/files/original/7290cca4324f5c076c88ee447e61bb7c.pdf ada1ef0b40681079501c8a072c35ab42 http://www.moremuseum.org/omeka/files/original/36492cfdf01537b72474748607a960ef.mp4 112575b635546f9a8951d20a94c628a1 http://www.moremuseum.org/omeka/files/original/d58c9a02b7dc4573c418ab5d2c583ee4.mp4 563eff09db5e7e1126b6442b9a9f6d94 http://www.moremuseum.org/omeka/files/original/8b1caaa7ffa2cfb7070562b2dc19c3e7.mp4 4632d0e4f8126e88a1ac83da88e22fa7 http://www.moremuseum.org/omeka/files/original/7c0efd4172868b0c1b16446c02788027.mp4 f5c9d63c5c623db03c8ae91f6db89104 http://www.moremuseum.org/omeka/files/original/708c4586146684e4167428fa40dc038d.mp4 b7c6b6af5304557e0bae1b68a6da20ef http://www.moremuseum.org/omeka/files/original/1ebf6882ac3fdb2a7e3e6ec2be2db8c9.pdf e523e8c6962d27a03a6baf30872bfe5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mario Cresci Creator An entity primarily responsible for making the resource Cresci, Mario Description An account of the resource Mario Cresci (Chiavari, 1942) has created since the Sixties a complex body of work characterized by the freedom of his research, ranging from drawing to photography, installations, video and site-specific installations. He is among the first authors of his generation to apply the design culture and methodology to photography, combining it with an experimental research applied to visual languages, and attributing to the use of the photographic medium an opposite value, in respect to its role of proof of the truthfulness of reality. Between 1964 and 1967 he applies the theories of design to photography through experiments on models of non-Euclidean geometry, partly anticipating Ugo Mulas 1972 Verifiche. In 1968, while in Rome, he joined the group of artists who work at Galleria l’Attico, together with Pascali, Mattiacci, Kounellis and Luca Patella. During the seventies, his experience and studies at the Corso Superiore di Industrial Design in Venice stand side by side with his works in the field of ethnic and anthropological researches in the south of Italy. In 1969 he made his first photo environment at the Galleria Il Diaframma in Milan, and in the early Seventies he associated and worked with Luciano Inga-Pin at his Galleria Il Diagramma, Milan, where he exhibited in the historical show Campo Dieci. From 1991 to 2000 he directed the Accademia Carrara di Belle Arti in Bergamo. In 1996 he realised Opus Gypsicum, a large installation at the Teatro Sociale di Bergamo with the plaster casts of the Accademia Carrara. In those years Cresci collaborates with the Sunday insert of the newspaper "Il Sole 24 Ore". Among the most important moments of his activity stand his participation at the Venice Biennale in 1971, 1979, 1993 with Muri di carta, fotografia e paesaggio and Viaggio in Italia in 2013. In 2004 there is the anthological exhibition The houses of photography at GAM, Turin. From 2010 to 2012 he carries out the project Forse Fotografia: attraverso l'arte, atraverso la traccia, attraverso l'umano inside the museums of Bologna, Rome, Matera. In 2011 there is the personal site-specific exhibition Dentro le cose at Palazzo Pio in Carpi. His works are present in several collections of contemporary art and photography, and in the permanent collections of Italian and international museums. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Misurazioni Description An account of the resource Mario Cresci started between 1977 and 1979 a meaningful and interesting experience that was interrupted because of the lack of support from the institutions and can therefore be conceived as an unrealised or at least unfinished project. In Basilicata, where the author was already developing the project Misurazioni, a photographic research with a social and anthropological approach, Cresci started teaching in an unusual school. A design school, founded by Regione Basilicata in application of the law n. 285 of June 1st 1977, devoted to the vocational training in craftsmanship techniques. A school that aimed at using creativity as an economic resource. Unfortunately the project was interrupted almost immediately, remaining therefore unrealized, since the institutions suspended their support to the school. <a href="https://www.repository.unipr.it/bitstream/1889/2705/1/Mario%20Cresci_Misurazioni.pdf" target="_blank" rel="noopener">Read more.</a><a href="http://hdl.handle.net/1889/2705" target="_blank" rel="noopener"> </a> Creator An entity primarily responsible for making the resource Cresci, Mario Date A point or period of time associated with an event in the lifecycle of the resource 1977 - 1979 Contributor An entity responsible for making contributions to the resource Casero, Cristina Format The file format, physical medium, or dimensions of the resource application/pdf video/mpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Oral History Moving Image Document Rights Holder A person or organization owning or managing rights over the resource. Mario Cresci MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2705" target="_blank" rel="noopener">http://hdl.handle.net/1889/2705</a> Political reasons http://www.moremuseum.org/omeka/files/original/465463ffb6ec9ced29f135b253b5f9d4.jpg 4da0c6d3ad4c978c596da4f5d07c32c3 http://www.moremuseum.org/omeka/files/original/011a0106dbbba730077ca1ad8d455790.jpg 5d3c6c8d1076a2b5451be876e58ecdff http://www.moremuseum.org/omeka/files/original/85de864b364381b7e861e2806df09cd5.jpg f387be79bae45a43e1763d04d2b21b8e http://www.moremuseum.org/omeka/files/original/a9647271bf5b9e49a400c14ffd48c2eb.jpg 5fbdcce26539b8933a7262587bed4dd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Petar Dabac Description An account of the resource Petar Dabac was born in 1942 in Zagreb. He graduated from the Faculty of Mechanical Engineering and Naval Architecture in Zagreb. He started working in photography in 1960 as an associate in Tošo Dabac’s studio - Tošo Dabac is one of the most important Croa-tian photograph of the post-war period, documenting the cultural transformations and the artistic and social events of his country - which he took over after Tošo’s death in 1970. He’s been working as an independent artist since 1966 and he’s been a member of ULU-PUH (The Croatian Association of Artists of Applied Arts) since 1970. From 1980 to 1987, he organized around 40 photo exhibitions of local and international authors at the gallery established within Tošo Dabac’s Studio. During the 1990s and early 2000s, it was increasingly difficult to maintain the Tošo Dabac Archive, so that Petar Dabac launched negotiations with the City of Zagreb on the purcha-se of the collection. He is one of the founders of SPOT, a photography magazine, launched in 1972. Frm 1990 to 2008, he teached Photography at the Academy of Fine Arts in Ljubljana. In the sixties, he began working on a series of black-and-white portraits of artists, acquaintances, friends and members of the art scene, which he continued to create during the following decades. He belongs to a generation of artists who introduced the conceptual approach to photography in the 1970s by creating spatial installations and doing experiments with photocopies and photograms. Creator An entity primarily responsible for making the resource Dabac, Petar Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum of Photography Description An account of the resource Petar Dabac began by tackling the issue of conserving photographic heritage to protect the legacy of Tošo Dabac, his uncle. He proposed the establishment of a Museum of Photography in Zagreb to collect, store and copy photographic documents. The Museum would also have exhibitions, a library and a permanent display. <a href="https://www.repository.unipr.it/bitstream/1889/3688/4/Petar%20Dabac_Museum%20of%20Photography.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Dabac, Petar Date A point or period of time associated with an event in the lifecycle of the resource 1986 Contributor An entity responsible for making contributions to the resource Bignotti, Ilaria Remondina, Camilla Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Petar Dabac MoRE museum Financial reasons Logistical reasons http://www.moremuseum.org/omeka/files/original/2a23df4f5a52a1474fb4ad805a17a85d.pdf 1357328e328e5a4cc1537e60f075a7ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knick Knacks - A Proposal for Trafalgar Square's Fourth Plinth Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource Knick Knacks is Matthew Darbyshire proposal for the Fourth Plinth public art program in Trafalgar Square, London. The concept builds on an image designed by the artist himself as a christmas card for "The Guardian" newspaper and wants to transform the monumental sculptural base in a shelf that refers to a domestic space. Here Darbyshire presents eight sculptures in coloured polyurethane foam, reproductions of household objects in a different scale. The eight opaque elements would be 3D scanned and modeled from the original objects, CNC routed in polyurethane foam and then laminated in fibre-glass before being chromed, sprayed and flocked. The single clear element would be modeled in much the same way but then cast in clear tinted resin. This installation is a reflection on two feelings which are deeply contemporary, "emptiness"  and "nostalgia", and in particular a nostalgia that is expressed through reproductions of objects than - in respect to the original ones  - try to mask some of the values that were in present and that remain somewhat hidden below the reproductions’ surface: “From the pop to the patriotic and the colonial to the kitsch”. A composition which could be read on different levels and which presents different layers, which could appear simply ironic but actually refers to some unsettling aspects of the British national identity through "a sort of ‘seduction and repulsion’ mechanism with its critique buried safely beneath the surface The project was not selected for the commission. <a href="https://www.repository.unipr.it/bitstream/1889/2656/1/Matt%20Darbyshire_%20Knick%20Knacks.pdf" target="_blank" rel="noopener">Read more.</a>   Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2656" target="_blank" rel="noopener">http://hdl.handle.net/1889/2656</a> Project which wasn’t selected in a prize or competition http://www.moremuseum.org/omeka/files/original/0c655fe3c23ef1f6b0bd7e2cb7c4e5e2.pdf 13c65f5d28fe8557bdf9469219b854a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CAPTCHA Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource CAPTCHA is the project for a sculpture that reproduces a sports car  - a Mercedes SL600 - through layers of transparent polycarbonate, and should have been installed inside the Jardin des Plantes in Paris. The project, which focuses on the “striking formal aspects” of such a sculpture in a specific historical context, can be considered alongside Matthew Darbyshire works and researches on the optical potential of different materials and manufacturing processes, many of which looks at the printing technologies and the three-dimensional modeling of the prototypes used in the automotive industry. The polycarbonate in particular has different reactions to the light, and would allow the sculpture to "oscillate between the transparent and the opaque, or the solid and the empty". Even the choice of the subject can be included in the poetic and the iconography of Darbyshire, as it remains suspended between an intrinsic and ironic social commentary and a formal reflection on the object, the luxury, and its symbolic and subjective values. The FIAC Committee rejected the project, which should have been also supported by the Swarovski company, within the off program of the fair. However the artist was asked if he would make and install it anyway with his commercial galleries resources. <a href="https://www.repository.unipr.it/bitstream/1889/2655/1/Matt%20Darbyshire_CAPTCHA%20–%20Mercedes%20SL600.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2655" target="_blank" rel="noopener">http://hdl.handle.net/1889/2655</a> Project which wasn’t selected in a prize or competition http://www.moremuseum.org/omeka/files/original/9ac3bec81b1218fb5313036033c8c468.pdf fadd053a19e138f56cc6c3f43fa3aa3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Drawings for a soft play commission for Barking Leisure Centre, London Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource This project was submitted as a proposal for the soft play commission at the <a href="https://www.lbbd.gov.uk/residents/leisure-libraries-and-museums/sport-and-physical-activity/abbey-sport-centre/new-abbey-leisure-centre/">Abbey Leisure Centre</a> in Barking, London. The elements present in the area, dedicated to the children, are a series of games and spaces reinterpreted following the forms of objects, furniture and particular details of urban furniture. The space is divided into three floors: the ground floor is characterized as a urban public space with a trompe l'oeil painting of a Woolworths shop, a vinyl flooring that reproduces a grey stone paving, a neon sign and a coffee area, while the first and the second recall domestic spaces. Inside the drawings for the project we can find the model of a Volkswagen New Beetle car which works as a children picnic table, a climbing tree, a "store" where children can throw down huge objects made of a soft material and an area where rubber balls come out of bathtubs and sanitary fittings, a rotating wheel that looks like a sofa with a coffee table, a double bed you can jump on avoiding huge swinging lamps and the passages between different levels, made of firefighters poles, ramps and shelves to climb. The Committee discarded the proposal, in favour of <a href="in%20favour%20of%20one%20by%20" target="_blank" rel="noopener">one by Marvin Gaye Chetwynd</a>. <a href="https://www.repository.unipr.it/bitstream/1889/2654/1/Matt%20Darbyshire_Drawings%20for%20a%20soft%20play%20commission%20for%20Barking%20Leisure%20Centre.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2654" target="_blank" rel="noopener">http://hdl.handle.net/1889/2654</a> Failure to meet the commissioner's demands Project which wasn’t selected in a prize or competition http://www.moremuseum.org/omeka/files/original/d1dd921cb6bcb570680b8ce3580e5ada.pdf 1da79d48e19a769b95c6cb8b2a0e4a78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mojo Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2011 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource Mojo is a project for the Fosters & Partners designed <a href="http://www.fosterandpartners.com/projects/bloomberg-hq-50-finsbury-square/" target="_blank" rel="noopener">Bloomberg headquarters</a> at 50 Finsbury Square, London, and consists of banners and an interactive space. A first intervention would "reproduce" inside the atrium of the commissioner’s London headquarters the central courtyard of one of the most famous and poor social housing estate in London, Pembury Estate, which is located in Hackney and results very similar in its size and plans to the City of London building.  From the technical point of view, the three sides of the "new and improved" Pembury Estate would be printed on three large “building wraps”, similar to those perforated banners used for covering the scaffolding inside construction sites, linstalled on the north, south and west side of the great inner atrium of Bloomsberg HQ. The fourth side, made of curved glass, would be covered by several smaller banners corresponding to the different walkways, to create the image of a new luxury residential building to confront the facades of Pembury Estate. The "reconstruction" of the social housing estate would thus be realized by adding some details - new balconies, wood paneling, glass coloured surfaces - to renew its image. This aspect is a reference to several projects which in recent years "renewed" this typology of buildings all over England, through architectonical interventions and real estate operations, making them "funky and affordable" but at the same time causing the more or less forced departure of the majority of its original inhabitants. Similarly the east side of the atrium itself would represent a new batch of luxury apartments. Darbyshire also designed a 3D interactive "show home" environment: this installation would occupy the mezzanine of the north side of the Bloomberg HQ and would reproduce an apartment of this new, renewed, social housing estate, ready to be shown to the - imaginary - potential customers. It would reproduce exactly the volumes and plans of a typical Pembury Estate 50 square meters apartment, which will be furnished with contemporary objects, images and design pieces that would, through their non-specificity, manage “to epitomize and critique the aspirations and taste preferences of our time”, as we can see in other works of the artist such as Blades House (2008) or <a href="http://www.bloombergspace.com/artists/past/matthew-darbyshire/" target="_blank" rel="noopener">Oak Effect</a> (2012). <a href="https://www.repository.unipr.it/bitstream/1889/2653/1/Matt%20Darbyshire_Mojo.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2653" target="_blank" rel="noopener">http://hdl.handle.net/1889/2653</a> Failure to meet the commissioner's demands http://www.moremuseum.org/omeka/files/original/0314091bb224a67897d597992128ae6c.pdf 1fd024c853aa7e69e418adb5908b2e29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Proposed plan for Hepworth Gallery entrance, Wakefield Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource This project proposes an intervention in the area in front of the entrance of the Hepworth Gallery in Wakefield. Darbyshire here articulates the space through three elements: an unfinished Arts and Crafts half-hipped gable structure in developers vernacular, a B&Q pergola - B&Q is the well-known UK chain dedicated to DIY and gardening - and a medieval trebuchet orientated towards the new David Chipperfield designed gallery. The three signs arranged in the area recall frequent themes in the artist's research, such as a critic to the homogenisation of contemporary design, to the standardization of the spaces, and the questioning of the regeneration processes carried out by government agencies and/or private developers, and stand opposite to the minimalist, award-winning and iconic museum building designed by an archistar.  Officially, the work has not been realised for a planning issue.  <a href="https://www.repository.unipr.it/bitstream/1889/2652/1/Matt%20Darbyshire_Proposed%20plan%20for%20Hepworth%20Gallery%20entrance.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2652" target="_blank" rel="noopener">http://hdl.handle.net/1889/2652</a> Failure to meet the commissioner's demands Logistical reasons http://www.moremuseum.org/omeka/files/original/ddc53f26b6249e4789a3d50cc2ac3369.pdf b7ab5d5e0f908bbf14ab4a9b687dbfb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ukfun-ky Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2011 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource Matthew Darbyshire project for Kettle’s Yard - which today is a department of the University of Cambridge and a gallery - was designed for the left side of the building, overlooking Castle Street: during the renovation works for the new education wing, rather than just a billboard the artist proposed a perforated building wrap, similar to those used in building sites where it’s possible to see a reproduction of the façade momentarily hidden. This would lead to a “coming soon” effect in the viewer, and then to subsequent feelings of ambiguity and confusion: Darbyshire instead of the trompe l’oeil of the real future building would have printed on the wrap the vision of a future development of the building in a "Thatcherite, low-cost vernacular" style, intended to be a dystopian cultural one stop shop for the contemporary England. The aim was precisely to comment - through an image which represents architecture and its values – on the possibility that a cultural space such as Kettle’s Yard may in future turn into something different (even if the current renovation works just involved the education wing of the gallery). The title itself - ukfun-ky - refers to a possible “regeneration” of Kettle’s Yard, enacting a criticism of these processes and of the spreading of anonymous and interchangeable spaces in the urban pattern. There are specific references to the policies adopted in the eighties in the UK, which was made of "thoughtless and insensitive developments", was moved only by profit and that now seems to the artist so close to a revival. The Director of the gallery disapproved and an alternative was formulated.  <a href="https://www.repository.unipr.it/bitstream/1889/2651/1/Matt%20Darbyshire_ukfun-ky.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/2651" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2651</a> Failure to meet the commissioner's demands http://www.moremuseum.org/omeka/files/original/9bdfa9500858a738a728950b3021cfdd.pdf 14c07533eca5cc045eef6a27d60fb203 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Useless: A Space Without a Function Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Description An account of the resource This project is - in the artist’s intention - a “quasi-scientific experiment”, and consists of a permanent public sculpture, made of a prefabricated glass architectural structure  (approx 5x5m wide and 3m high) produced by a company that usually supplies similar commercial spaces (the artist given example is Kingspan). This space would be furnished following a survey carried out in five public-access buildings from each of the five UK major cities., with the expectation of identifying "the most generic and ubiquitous of design elements". The artist at the same time would collect different ‘codes of conduct’, which should also then be applied - all together - inside the installation. The access to the space would be granted to five people at a time, and thanks to an applied two-way mirror film, “those outside could observe the actions of those inside whilst those inside would experience a sense of isolation and immersion in their immediate confines”, while the rules would be enforced by a guard. The concept revolves around the opportunity of exploring “a new idea of conscious surrender”, instead of the strategies of resistance and disobedience usually applied in the name of creativity and artistic freedom: Darbyshire research about the progressive and growing standardization of the designed space around us, which leads the spaces themselves to be less and less recognizable in respect to their function, here is declined alongside an investigation of the freedom that within these spaces we choose to give up for many different reasons. Starting from the writings by Georges Perec and Marc Augé, but also by socio-political theorists Franco “Bifo” Berardi and Mark Fisher, Darbyshire here comes to theorize a model to wonder "if in fact surrender could be more liberating than resistance", considering contemporary social pressures. The aim is to create a space that does not declare its function, which may appear anonymous and go unnoticed, and that leaves its user confused as to what is expected from it.  <a href="https://www.repository.unipr.it/bitstream/1889/2650/1/Matt%20Darbyshire_Useless%20A%20Space%20Without%20a%20Function.pdf" target="_blank" rel="noopener">Read more.</a>   Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2650" target="_blank" rel="noopener">http://hdl.handle.net/1889/2650</a> Theoretical exercise http://www.moremuseum.org/omeka/files/original/a74b34dd74c1ac755f3082b9bdf4e989.pdf 9219d64480adf108902ee676c8910092 http://www.moremuseum.org/omeka/files/original/ccc0bedb5fc432226ea29431b0a8219d.jpg c9b2e43786e75cfb17021e3a5651b3f7 http://www.moremuseum.org/omeka/files/original/501ef912149cb690a08b9afb85b50fa1.jpg c627a8c95cada05933a089c76c35b482 http://www.moremuseum.org/omeka/files/original/a86ce79d85ae68bbb952e04e605c4f01.jpg bb8afc17ec452640a4449d6091a2281d http://www.moremuseum.org/omeka/files/original/dfec9d595eb4d7e10e0ec3acc67630e9.jpg ff9b09f9ee71f0709673370e372e2ce6 http://www.moremuseum.org/omeka/files/original/958df3a09ff894176d47b2a25b4efb5c.jpg cb89c31fe88f3a3a3adb7336ef130c14 http://www.moremuseum.org/omeka/files/original/fec99f1fd0f011d267401d09d3d48f1f.jpg 4bb2990191ad368f9e7751f9292a5a52 http://www.moremuseum.org/omeka/files/original/8f9ae6c4f0723f8f17ace25f26518459.png 5ad1d9d69727a52bc91214450507e5b4 http://www.moremuseum.org/omeka/files/original/d2c21d87015cceaa4f79fdade4ce3ca1.jpg de36f782f4e70df8191442b9de16b374 http://www.moremuseum.org/omeka/files/original/b9e1b1c79b73ee439ca6ae11a051bab0.jpg c3ffc869e0f3db39959887e0717cbbae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Adele Del Vecchio Description An account of the resource Maria Adele Del Vecchio (1976 Caserta), lives and works in Rome. She attended the Staedelschule Frankfurt in 2005/06, with Mark Leckey as her professor. In 2014, she ranked as a finalist in the tenth edition of the biennial Furla Prize, called The Nude Prize. Solo Exhibitions: Whitin rather than above, Gallerie Tiziana Di Caro, Naples, 2015; Tonite let's all make love in London, Supportico Lopez, Berlin, 2014; Qui sembra ancora possibile, curated by Maria Rosa Sossai, Parco del Pineto, Rome, 2011; No end is limited, curated by Stefania Palumbo, Galleria Enrico Fornello, Prato, 2008. Collective Exhibitions: Pane Per Poveri, Teatro Marinoni, Venice, 2015; Journey to the end of the word, curated by Antonello Tolve, Galleria Tiziana Di Caro, Salerno, 2014; Se il dubbio nello spazio è dello spazio, curated by Maria Adele Del Vecchio and Nemanja Cvijanovic, Museo MACRO, Rome 2014. Die Dritte Dimension, Frutta Gallery, Rome, 2013; Door to Door, curated by Maura Picciau, city centre, Salerno, 2012;  Badtime Stories Badtime Stories, Supportico Lopez, Berlin, 2011;  Classroom #1, curated by Salvatore Lacagnina, Museo MADRE, Naples, 2008; Sistema Binario, curated by Adriana Rispoli and Eugenio Viola, Mergellina Station, Naples, 2008;  A long time ago, last night, curated by Francesca Boenzi, Galerjia Kortil, Rijeka, Croatia, 2008. Falansterio, Supportico Lopez, Naples, 2006. Luogo/non-luogo = nuovo luogo, visiting professor Richard Nonas, Fondazione Antonio Ratti, Como, 2003.  Creator An entity primarily responsible for making the resource Del Vecchio, Maria Adele Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Subtext Description An account of the resource The project consists of an Artist’s book structured on several levels of interpretation which, through images and texts, outlines the moments in which the combination of signs reveal the "forms of the content." The artist's book designed by Maria Adele Del Vecchio is a “personal and abnormal semiology", a product of culture which reveals the contradictory nature of signs and the message they express using a poetic approach, rather than a scientific one. The hypothesis proposed by the artist has been enriched by readings related to semiotics and structuralism, and is nurtured by the belief that reality is entirely composed of signs and that deciphering these signs, composes a more complete picture of reality. The photographs taken are stumbles, glimpses beyond which the artist sees the grids on which life is structured: educated moments that reveal a karst essence along with underlying coordinates. In a brief pastiche, the artist juxtaposes parts of texts by Witold Gombrowicz and James G. Ballard, tracking down a common vision. Well matched and mutually interpenetrating, photographs and texts compose a set of parallel references woven so as to form a large subtext. <a href="https://www.repository.unipr.it/bitstream/1889/3001/1/Maria%20Adele%20Del%20Vecchio_Subtext.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Del Vecchio, Maria Adele Date A point or period of time associated with an event in the lifecycle of the resource 2016 Contributor An entity responsible for making contributions to the resource Scipioni, Lydia Elena Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3001" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3001</a> Rights Holder A person or organization owning or managing rights over the resource. Maria Adele Del Vecchio MoRE Museum Financial reasons http://www.moremuseum.org/omeka/files/original/ba04cdf81c86df6ce5ef3103d364ad26.jpg 74daa4030d4c15031c82a50e004cc415 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource TheSpoilsofWar.jpg Description An account of the resource The Spoils of War (Memorial for an Unknown Civilian). Model of the destroyed car on a plinth. Photo James O Jenkins. Creator An entity primarily responsible for making the resource Jeremy Deller Format The file format, physical medium, or dimensions of the resource file jpg, 1173 × 1646 pixel, 150 dpi http://www.moremuseum.org/omeka/files/original/e14d82a97dc3c1e09c9a6c1395eae426.jpg 3e86e981bfd853e91307e129e1c7d0f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DrDavidKelly.jpg Description An account of the resource Dr David Kelly Fourth Plinth Proposal.  Artist’s rendering of Dr David Kelly sculpture on the plinth. Format The file format, physical medium, or dimensions of the resource file jpg, 1181 × 886 pixel, 150 dpi http://www.moremuseum.org/omeka/files/original/37659bf36a0b77d57dd6275c48534df1.pdf 9d50681ce0e47c71f5867fec47caa4e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeremy Deller Description An account of the resource Jeremy Deller (born 30 March 1966) is an English conceptual, video and installation artist. Much of Deller's work is collaborative; it has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. He won the Turner Prize in 2004 and represented Great Britain at the 55th Venice Biennale in 2013.<o:p></o:p> Creator An entity primarily responsible for making the resource Deller, Jeremy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fourth Plinth Proposals Description An account of the resource Jeremy Deller with these two projects, both developed in 2008 for the public art project connected to the Fourth Plinth in Trafalgar Square, proposes an anti-monumental and deeply political vision, working – in his own words – more from the perspective of a citizen than from that of an artist, and remaining closely connected to the contemporary situation of a country, then involved in the Iraq War. The first proposal is a life-size statue of David Kelly, the British scientist whose death, officially ruled a suicide, followed statements he had made to the media expressing doubts about the alleged presence of weapons of mass destruction in Iraq and the subsequent parliamentary inquiry. The second proposal, entitled The Spoils of War, consists of exhibiting the wreckage of a car destroyed by a bomb in Iraq, thus bringing a trace of the war to what has for centuries been the heart of the British Empire and is still universally recognized as a place of strong monumental character. <a href="https://moremuseum.org/omeka/files/original/37659bf36a0b77d57dd6275c48534df1.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Deller, Jeremy Date A point or period of time associated with an event in the lifecycle of the resource 2008 Contributor An entity responsible for making contributions to the resource Scotti, Marco Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2094" target="_blank" rel="noopener">http://hdl.handle.net/1889/2094</a> Rights Holder A person or organization owning or managing rights over the resource. Jeremy Deller MoRE Museum Failure to meet the commissioner's demands Project which wasn’t selected in a prize or competition http://www.moremuseum.org/omeka/files/original/d5fb0c66ad6f326aab2f67c29e80e506.jpg 0944a3ef9ca9df9890319c0aad045405 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource IggyPop.jpg Format The file format, physical medium, or dimensions of the resource 2182 × 3022 pixel, 150 dpi Description An account of the resource Artist’s impressions by Sarah Tynan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeremy Deller Description An account of the resource Jeremy Deller (born 30 March 1966) is an English conceptual, video and installation artist. Much of Deller's work is collaborative; it has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. He won the Turner Prize in 2004 and represented Great Britain at the 55th Venice Biennale in 2013.<o:p></o:p> Creator An entity primarily responsible for making the resource Deller, Jeremy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iggy Pop Life Drawing Class Description An account of the resource The project consisted of inviting an icon of popular culture – such as Iggy Pop – to pose, without revealing his identity to the students, as a model for a drawing class. The results of these sessions would then be donated and preserved at the Smithsonian Institution. The artist’s research here focuses on the importance of preserving the social content and values related to pop music and its enjoyment, placing them in a broader cultural context, and, in particular, on the role that certain bands and musicians play for specific communities of fans or, as in this case, for a heterogeneous and often unaware public. The document is a drawing by Sarah Tynan and serves as an example of what could have been the outcome of the class’s work. The project was organized by the Brooklyn Museum in 2016. <a href="https://www.repository.unipr.it/bitstream/1889/2099/1/deller_iggy%20pop%20life%20drawing%20class.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Deller, Jeremy Date A point or period of time associated with an event in the lifecycle of the resource 2006-2011 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2099">http://hdl.handle.net/1889/2099</a> Rights Holder A person or organization owning or managing rights over the resource. Jeremy Deller MoRE Museum Logistical reasons http://www.moremuseum.org/omeka/files/original/77bf7b330f0d353be9ba0fd36381679f.jpg f73afb9553795d1246b4e414c01629f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MissionAccomplished.jpg Format The file format, physical medium, or dimensions of the resource file jpg, 1600 × 861 pixel, 150 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeremy Deller Description An account of the resource Jeremy Deller (born 30 March 1966) is an English conceptual, video and installation artist. Much of Deller's work is collaborative; it has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. He won the Turner Prize in 2004 and represented Great Britain at the 55th Venice Biennale in 2013.<o:p></o:p> Creator An entity primarily responsible for making the resource Deller, Jeremy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mission Accomplished Description An account of the resource Jeremy Deller, invited to the Carnegie International in 2004, presented this project—which can be linked to a broader series of research and reflections on the contemporary war in Iraq—with the intention of displaying one of his large banners on the museum’s façade, recalling the one used as a backdrop by President George W. Bush during a speech. This banner bore the words “Mission Accomplished.” In the image, beside the banner, there are two Post-it notes referring, respectively, to the display—also on the façade—of a photograph (taken from existing documentation) showing Donald Rumsfeld, then President Reagan’s special envoy to the Middle East, meeting Saddam Hussein in 1983; and to an ambiguous flyer posted on the doors of some houses in Florida during the 2000 presidential election, which refers to what the artist considers a Republican Party strategy to discourage opposing voters. The flyer falsely stated that, in order to vote, all fines had to be paid, and also indicated an incorrect election date. As reported by the artist himself, the theme of the work was “just too raw at the time.” Instead, for the exhibition Breaking News (Dedicated to Peter Watkins), he created a site-specific work for the miniature rooms at the Carnegie Museum of Art, where he overlapped models and reconstructions of ancient battles with architectural elements, period furnishings, and a television transmitting images. <a href="https://www.repository.unipr.it/bitstream/1889/2097/1/deller_mission%20accomplished.pdf" target="_blank" rel="noopener">Read more</a>. Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Creator An entity primarily responsible for making the resource Deller, Jeremy Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2097" target="_blank" rel="noopener">http://hdl.handle.net/1889/2097</a> Rights Holder A person or organization owning or managing rights over the resource. Jeremy Deller MoRE Museum Ideological reasons http://www.moremuseum.org/omeka/files/original/ccf9877735650350f24df910d33272a0.jpg 8acd24a3ea9c8b51618f7e6cc74e93da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource OlympicPark.jpg Format The file format, physical medium, or dimensions of the resource file jpg, 1181 × 835 pixel, 150 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeremy Deller Description An account of the resource Jeremy Deller (born 30 March 1966) is an English conceptual, video and installation artist. Much of Deller's work is collaborative; it has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. He won the Turner Prize in 2004 and represented Great Britain at the 55th Venice Biennale in 2013.<o:p></o:p> Creator An entity primarily responsible for making the resource Deller, Jeremy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Proposal for the Olympic Park Gateways Description An account of the resource Jeremy Deller proposed a structure similar to Stonehenge, or simply menhir-like, to mark the entrances and exits of the Olympic Park, which was to host stadiums and other facilities in London in 2012. The deliberate ambiguity lay in creating a structure—although contemporary—that appeared to pre-exist its context and to foreshadow a possible fate of ruin for all the structures within this high-tech area. At the same time, it referred to the values associated with Stonehenge, an icon of British identity whose meaning remains largely unknown. <a href="https://www.repository.unipr.it/bitstream/1889/2103/1/deller_proposal%20for%20the%20olympic%20park%20gateways.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Deller, Jeremy Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2103" target="_blank" rel="noopener">http://hdl.handle.net/1889/2103</a> Rights Holder A person or organization owning or managing rights over the resource. Jeremy Deller MoRE Museum Failure to meet the commissioner's demands http://www.moremuseum.org/omeka/files/original/a2261dd27dd3a5c47962ff9e57f70b57.jpg cdbbd0f3603a4be3031e1ce3615c3b53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource RejectedTubeMap.jpg Format The file format, physical medium, or dimensions of the resource file .jpg, 1794 × 1212 pixel, 150 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeremy Deller Description An account of the resource Jeremy Deller (born 30 March 1966) is an English conceptual, video and installation artist. Much of Deller's work is collaborative; it has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. He won the Turner Prize in 2004 and represented Great Britain at the 55th Venice Biennale in 2013.<o:p></o:p> Creator An entity primarily responsible for making the resource Deller, Jeremy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rejected Tube Map Cover Illustration Description An account of the resource This was the first idea proposed by Jeremy Deller after he was commissioned by TfL to design the cover of an edition of the London Underground map, distributed free of charge in all stations. The proposed design initially featured a bicycle, composed of the colors representing the different lines on the Tube map. It was rejected, as it conveyed a message that could – according to the commissioner – confuse some users of the London Underground service, since bicycle access was not permitted on all lines. The commissioner was TfL – Transport for London, the authority responsible for transportation in the London area – within the framework of the Art on the Underground project, which invites contemporary artists to create both temporary and permanent works for the London Underground environment. Jeremy Deller then designed the cover of the Tube map together with artist Paul Ryan. The work, presented on July 1, 2007, is still visible at <a href="http://art.tfl.gov.uk/projects/detail/1119/" target="_blank" rel="noopener">http://art.tfl.gov.uk/projects/detail/1119/</a>. It consists of a portrait of John Hough, who was then the longest-serving member of TfL staff. <a href="https://www.repository.unipr.it/bitstream/1889/2101/1/deller_rejected%20tube%20map%20cover%20illustration.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Deller, Jeremy Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Jeremy Deller MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2101">http://hdl.handle.net/1889/2101</a> Failure to meet the commissioner's demands http://www.moremuseum.org/omeka/files/original/b36ffa5c4e8394d66297f100f5c23798.pdf b49370e0396ee74500981b66e8a038c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1_Braco Dimitrijevic.msg Description An account of the resource E-mail sent by Nena Dimitrijevic to Anna Zinelli on June, 3th 2016. http://www.moremuseum.org/omeka/files/original/fb851faab814d8f6f14ed278d0740b94.msg 3522e46617dede151fe87fcbc83d3aa5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Braco Dimitrijević Description An account of the resource Braco Dimitrijević was born in Sarajevo in 1948. After attending the Academy of Fine Arts in Zagreb, between 1968 and 1971, he completed his postgraduate studies in 1973 at the Saint Martin's School of Art in London. In 1963 he made his public debut with Flag of the world, in which he replaced a national flag with a cloth to clean paint brushes; by the end of the 1960s, he proposed a series of works in which he triggered accidental processes and asked strangers to sign them as works of art (Accidental Drawing, 1968; Painting by Kre&scaron;imir Klinka 1969). This approach, which is designed to problematise the notion of authorship, also constituted the base for the series dedicated to “Casual Passers-by", presented for the first time in Zagreb in 1971 and at the VI Biennale of Paris. The series featured large-scale photographs of strangers presented as if they were important political figures or media celebrities. During the 1970s he participated in the Documenta in Kassel (1972, 1976) and the Venice Biennale (1976), while the Muzej suvremene umjetnosti of Zagreb held his first retrospective (1973). During this time he also started to travel to Italy, first invited to Naples by Lucio Amelio for a personal exhibition (1971) and then to Turin by Gian Enzo Sperone, with whom he continued to work. In 1976 he published the Tractatus Post Historicus, which discusses the linear and evolutionary nature of the historical-artistic process, and presented Tryptychos Post Historicus at the Nationalgalerie in Berlin, proposing a combination of exhibits from the museum collection, anonymous everyday objects and organic elements such as fruits and vegetables. The project was revived and further developed subsequently in numerous museums, including the Centre Georges Pompidou in Paris, the Tate Gallery in London, the Guggenheim Museum in New York, the State Russian Museum and the Louvre in Paris. In 1981, on the occasion of his personal exhibition at the Waddington Gallery in London, he proposed exhibiting two live peacocks alongside the collection dedicated to the masters of modern art. He continued working with animals throughout the 80s with the installations proposed at the Sarajevo Zoo (1983) and the personal exhibition at the Paris Zoo (1998). Creator An entity primarily responsible for making the resource Dimitrijević, Braco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lions walking freely in the Louvre Description An account of the resource In 1996 Braco Dimitrijević, interviewed by Jean-Hubert Martin for "Flash Art", said: If you look at the earth from the moon there is virtually no distance between the Louvre and the zoo. There are cages at the zoo just as there are in the Louvre. My ultimate aim is to remove the doors and see the lions at large in the Louvre.<a title="" name="_ftnref1" href="#_ftn1"></a> This utopian project, donated to MoRE, is part of that line of research based on the combination between major art exhibitions and live animals, which the artist began to develop in 1981 with the installation <a href="http://bracodimitrijevic.com/index.php?album=animals&image=animals_001.jpg">Dust of Louvre Mist of Amazon</a> at the Weddington Gallery, where he let two peacocks roam freely through the exhibition of modern art collections. The work that most closely resembles Lionson-line walking freely in the Louvre was realised by Dimitrijević in 1995 for the exhibition at the Hessisches Landesmuseum in Darmstadt. <a href="http://bracodimitrijevic.com/index.php?album=animals&image=animals_004.jpg">Against historic sense of gravity </a>featured pythons from the Zoo of Cologne set free inside a specially built platform (with a heated pool and an island) containing female portraits dating back between the 16th and 19th century. As Nena Dimitrijević, art historian and Braco's wife, recalls presenting the project, there’s a tension towards a utopian and unfeasible dimension that characterises his entire career: [Braco Dimitrijević] has managed to achieve many of his projects, that at first seemed impossible, because of his nature and ability to theoretically support his ideas. For example, his use of the façade for the portraits of unknown people encountered a lot of obstacles at the time and opened the chapter regarding the use of urban vocabulary in art. <div><a href="https://www.repository.unipr.it/bitstream/1889/3247/1/Dimitrijevic_Lion%20walking%20freely%20in%20the%20Louvre.pdf" target="_blank" rel="noopener">Read more.</a></div> Creator An entity primarily responsible for making the resource Dimitrijević, Braco Date A point or period of time associated with an event in the lifecycle of the resource 1996 Contributor An entity responsible for making contributions to the resource Zinelli, Anna Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3247" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3247</a> Rights Holder A person or organization owning or managing rights over the resource. Braco Dimitrijević MoRE Museum Theoretical exercise http://www.moremuseum.org/omeka/files/original/58a3fd7a672f9a0effce8d49e34c340d.jpg 6462e9545443836c790f408435f9e14d http://www.moremuseum.org/omeka/files/original/0b712424e2eb149929cc2281b8866198.jpg 8df132d12934b75fb282bfa13b8de613 http://www.moremuseum.org/omeka/files/original/d12872418e353e118800edd5874b2ea9.jpg 5ca106940ee79ff5b4057d345bbc62e4 http://www.moremuseum.org/omeka/files/original/72b32ce1a6109e2cdf534cd1e2c79d2f.jpg 0b09f5c41282773a4f6439828305c6f7 http://www.moremuseum.org/omeka/files/original/1c15aca72ea9950a09259260b265cea3.jpg 630e4ca9659278e4f33e69320168362d http://www.moremuseum.org/omeka/files/original/be02faf08cc199aa73ed6473d4d75ca2.jpg 4e746c60d4b2aafb3f8848297d309fcb http://www.moremuseum.org/omeka/files/original/c3dad664fce2f9e241a6ba3abe3e3572.pdf 4187d7d0fd7cf7aacd952866c98ae5e6 http://www.moremuseum.org/omeka/files/original/0aaa8da56ece9bbdba402358dfd71250.pdf bea4f65a3123a75dcd99efddc654627b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mark Dion Description An account of the resource Mark Dion was born in 1961 in New Bedford, Massachusetts. He initially studied in 1981-2 at the Hartford Art School of the University of Hartford in Connecticut, which awarded him a BFA (1986) and honorary doctorate in 2002. From 1983 to 1984 he attended the School of Visual Arts in New York and then the prestigious Whitney Museum of American Art's Independent Study Program (1984-1985). He is an Honorary Fellow of Falmouth University in the UK (2014), and has an Honorary Doctor of Humane Letters (Ph.D.) from The Wagner Free Institute of Science in Philadelphia (2015).  Dion’s work examines the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge, and the natural world. The job of the artist, he says, is to go against the grain of dominant culture, to challenge perception and convention. Appropriating archaeological, field ecology and other scientific methods of collecting, ordering, and exhibiting objects, Dion creates works that question the distinctions between ‘objective’ (‘rational’) scientific methods and ‘subjective’ (‘irrational’) influences. The artist’s spectacular and often fantastical curiosity cabinets, modelled on Wunderkammerof the 16th and 17th Century, exalt atypical orderings of objects and specimens. Dion also frequently collaborates with museums of natural history, aquariums, zoos and other institutions mandated to produce public knowledge on the topic of nature. By locating the roots of environmental politics and public policy in the construction of knowledge about nature, Mark Dion questions the objectivity and authoritative role of the scientific voice in contemporary society, tracking how pseudo-science, social agendas and ideology creep into public discourse and knowledge production. Dion has received numerous awards, including the ninth annual Larry Aldrich Foundation Award (2001) The Joan Mitchell Foundation Award (2007) and the Smithsonian American Art Museum's Lucida Art Award (2008). He has had major exhibitions at the Miami Art Museum, Miami (2006); Museum of Modern Art, New York (2004); Aldrich Museum of Contemporary Art, Ridgefield, Connecticut (2003); Tate Gallery, London (1999), and the British Museum of Natural History, London (2007). “Neukom Vivarium” (2006), a permanent outdoor installation and learning lab for the Olympic Sculpture Park, was commissioned by the Seattle Art Museum. Dion produced a major permanent commission, ‘OCEANOMANIA: Souvenirs of Mysterious Seas’ for the Oceanographic Museum in Monaco. In 2016 Dion and his curatorial collaborator Sarina Basta produced the large scale exhibition, ExtraNaturel: Voyage initiatique dans la collection des Beaux-Arts de Paris, at the Palais des Beaux-Arts in Paris. Mark Dion is co-director of Mildred's Lane an innovative visual art education and residency program in Beach Lake, Pennsylvania. For over two decades Dion has worked in the public realm in a wide range of scales, from architecture projects to print interventions in newspapers. Some of his most recent large scale pubic project include "The Amateur Ornithologist Clubhouse" a Captain Nemo-like interior constructed in a vast gas tank in Essen, Germany, and "Den" a large scale folly in Norway's mountainous landscape which feature a massive sculpture of a sleeping bear in a cave, resting on a hill of material culture form the Neolithic to the present. Dion has also produced large scale permanent commissions for Documenta 13 in Kassel, Germany, the Montevideo Biennale in Uruguay, The Rose Art Museum, Johns Hopkins University and the Port of Los Angeles. In October 2017, The Institute of Contemporary Art, Boston will host "Mark Dion: Misadventures of a 21st Century Naturalist", the largest American Survey to date of the artist work.  Dion lives with his wife and frequent collaborator Dana Sherwood in New York City and works worldwide. Creator An entity primarily responsible for making the resource Dion, Mark Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Proposal for Balboa Park Centennial, San Diego Description An account of the resource The project proposed to mark the Centennial of the building of Balboa Park with a construction which bring aspects of the various cultural institutions under a single roof. <a href="https://www.repository.unipr.it/bitstream/1889/3718/1/Mark%20Dion_Proposal%20for%20Balboa%20Park%20Centennial%2c%20San%20Diego.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Dion, Mark Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Dion, Mark Sherwood, Dana Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Mark Dion MoRE museum Project which wasn’t selected in a prize or competition http://www.moremuseum.org/omeka/files/original/8e73550559a3942846930ecf1ec87325.jpg 5fde344e62f4d8b294944beaf886a48e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artisti coraggiosi. Natura morta - 2 Description An account of the resource The unrealised project Artisti coraggiosi proposed by Pablo Echaurren in 1974 to Galleria La Margherita in Rome, involved the participation of the artist who, seating at a table inside the bare spaces of the gallery, equipped with papers, scissors and glue, would have asked the audience to join him in a performance: the visitors were asked to buy one of his work, deciding the price in advance, without knowing what they were going to buy. The hypothetical buyer was supposed to pay the artist in cash, with one or more notes, depending on his choice. The banknotes would become the artwork: cut, torn or intact, they would have been glued to sheets of paper and signed, as if they were traditional still lifes. <a href="https://www.repository.unipr.it/bitstream/1889/3842/1/echaurren_perna.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 1971-1974 Contributor An entity responsible for making contributions to the resource Perna, Raffaella Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Pablo Echaurren MoRE Museum Financial reasons Logistical reasons http://www.moremuseum.org/omeka/files/original/7e122f0849dd10b5b5cfec3609dbde82.jpg 7c4c6b8dae326ef8ce91eee0249e983d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rouge Selavy Description An account of the resource Rouge Selavy is the title of a work that Echaurren designed in 1977, a fundamental year because on that very date the artist decided to (temporarily) abandon art to devote himself to politics. The artist writes with a blue pen over a lined notebook one of the first projects where the figure of Marcel Duchamp emerges. In fact, the unrealized work consisted of a performative action: to be exact, a parade. In the Eucharren notebook he writes: "making Duchamp banners", then creating "silent" banners (conceptual, we could say), which had to show only verbal elements such as the question mark and question mark made with a red marker.  This because? Echaurren explains the reasons in the points below. The artist speaks of the concept of imagination and develops it under various aspects, affirming that the imagination does not stop at a banner, that the imagination must be brought onto the banner itself and finally the same banner is defined as "doubtful" and "without certainties". The title of the work is a distortion, one of the first distortions made by Echaurren on the titles of Duchamp's works (see Mon Alice, a project on display inside MoRE). Indeed, the famous portrait as a woman by the French artist Rrose Selavy is transformed into Rouge Selavy. There is a desire to highlight red as the color of life, in fact the marker strokes on the page that draw the exclamation and question marks on the banners are red. Furthermore, this continuous use of the word imagination can only bring to the mind the famous slogan of the seventies "the imagination to power". <a href="https://www.repository.unipr.it/bitstream/1889/5208/1/Pablo%20Echaurren_Rouge%20Selavy.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 1977 Contributor An entity responsible for making contributions to the resource Casero, Cristina Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/tiff Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Pablo Echaurren MoRE museum Logistical reasons Theoretical exercise http://www.moremuseum.org/omeka/files/original/ffe805faf317568baba281498e2e2c96.jpg 62616ff70aebf16918bbc6b713ab1f34 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource En attendant la mariée Description An account of the resource The project consists of a combined installation of two spinning wheels that move a system of threads, the threads descend from a chrysalis attached to the ceiling. The quote is clear and obvious. In fact, Echaurren mentions the famous ready-made of 1912 but also the International Surrealist Exhibition held in 1942 at the Whitelaw Reid mansion in New York, organized by André Breton with the collaboration of Marcel Duchamp. This exhibition, in addition to being considered a "landmark exhibition" (Tate Papers, 2009; Stedelijk Studies Issue, 2015), presents an installation curated by Marcel Duchamp and created through a complex system of ropes woven throughout the exhibition space. This system allowed the visitor a partial and complicated view of the pictorial works set up on the wall. The French artist's operation was entitled “Sixteen Miles of String”. Echaurren's work combines the two Duchampian operations through the creation of an installation that, like the original design, wanted to occupy the entire exhibition space. In addition to the combination of these two famous works by Duchamp, Echaurren also mentions “The Large Glass”, not directly but by elaborating an installation in which the string came out of the chrysalis that define the sex of the insects. In fact, the threads would have started from the chrysalis to be subsequently taken from the two spinning wheels placed in the center of the room. Echaurren writes a handwritten note: “The insect bride Þ the male molds Þ females with wings”. This reference to the chrysalis also brings out the artist's attention to entomology. In fact, Echaurren has stated several times that as a young man he wanted to be an entomologist. <a href="https://www.repository.unipr.it/bitstream/1889/5204/1/Pablo%20Echaurren_En%20attendant%20la%20mariée.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Casero, Cristina Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/tiff Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Pablo Echaurren MoRE museum Logistical reasons Theoretical exercise http://www.moremuseum.org/omeka/files/original/3d808ff6d4ced25252343e688274562b.jpg 3315f2bc6f3b678aea41d5f2c23395ca http://www.moremuseum.org/omeka/files/original/8df64e4ca7d7da54fa7fedeebbffc55a.jpg 6380d733daa7bc1acfa9e876000d04e8 http://www.moremuseum.org/omeka/files/original/4c33bcb1a2cfe0fd4dd680cf36aedc57.jpg 0f04378aafc9d57918baaf2eda1a0fd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Fortuito Description An account of the resource Pablo Echaurren's project, like many others, is elaborated through notes written in blue pen on a page of a squared notebook. The artist's intent is already clear from the title "Monumento Fortuito". In fact, in 2015 the artist plans to create a monument dedicated to Marcel Duchamp, an artistic operation that is rooted in the intentions and artistic methods typical of the French artist. For this work Echaurren thinks of the concept of “chance”, wanting to create the monument through the action of "picking up a leftover, a human waste from the street and electing it as an urban monument. The words "rectify it" and "place it on a pedestal" also emerges from the short text, all definitions come to Duchamp's work. With this operation, Echaurren works in the conceptual framework of the French artist, dedicating a work to him with his own design methods. <a href="https://www.repository.unipr.it/bitstream/1889/5207/1/Pablo%20Echaurren_Monumento%20Fortuito.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Casero, Cristina Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/tiff Language A language of the resource Italian Type The nature or genre of the resource Text Rights Holder A person or organization owning or managing rights over the resource. Pablo Echaurren MoRE museum Logistical reasons Theoretical exercise http://www.moremuseum.org/omeka/files/original/0c21042ad8441a1357cc1b858b3a4d16.jpg defb3d0e5264a15c1196d8fcb713c5cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mon Alice Description An account of the resource Mon Alice is a small plastic sculpture measuring a few centimeters (8 x 4 x 3 cm); it is a maquette for a larger sculpture designed by Echaurren in 2018. The sculpture represents Alice in Wonderland in the Disney version, the one now ingrained in the collective imagination of adults and children alike. To this small sculpture, the artist has painted in ink on the face two mustaches and a slight stubble. Right from the start the work recalls the famous L.H.O.O.Q. the rectified ready-made made in 1919 by Duchamp that depicts Leonardo da Vinci's Mona Lisa with a fine mustache and a goatee drawn on her face by the French artist. A game of ambiguity is hidden in both works. Indeed, both Mona Lisa and Alice change identities by adopting elements typical of the male sphere, Echaurren as Duchamp adopts a well-known figure, an icon of contemporaneity to make changes dictated by a simple and essential gesture. If Duchamp works on language through the play on words in the title (L.H.O.O.Q. pronounced in French sounds like Elle a chaud au cul - She is hot in the ass), Echaurren always works through a written part but only mentioning Leonardo's work in the title of the work, Mon Alice instead of Mona Lisa. The medium clearly changes from two-dimensional to three-dimensional, but Echaurren's intentions would seem to be the same as those that moved the French artist. <a href="https://www.repository.unipr.it/bitstream/1889/5206/1/Pablo%20Echaurren_Mon%20Alice.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 2018 Contributor An entity responsible for making contributions to the resource Casero, Cristina Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Pablo Echaurren MoRE museum http://www.moremuseum.org/omeka/files/original/8311f6d30692d48409904d90357f1144.jpg 168e2b21c7b2caad120841fa6543d356 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Looking for a Rembrandt Description An account of the resource This work by Echaurren also reflects some Duchampian elements and echoes. The unrealized project depicts a bronze sculpture of a monkey holding an iron with its right hand: if the animal is adherent to all the artist's work declined to the universe of primitives (such as the last film Pablo di Neanderthal, released in 2022 and directed by Antonello Matarazzo), the iron recalls in a veiled way Marcel Duchamp's famous phrase "Using a Rembrandt as an ironing board". As with the other works donated to MoRE, this project has no specific commission. The reasons for its not being realized are logistical and appear as theoretical exercises on which the artist continues to question himself. <a href="https://www.repository.unipr.it/bitstream/1889/5205/1/Pablo%20Echaurren_Looking%20for%20a%20Rembrandt.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 2018 Contributor An entity responsible for making contributions to the resource Casero, Cristina Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Rights Holder A person or organization owning or managing rights over the resource. Pablo Echaurren MoRE museum Logistical reasons Theoretical exercise http://www.moremuseum.org/omeka/files/original/01e1543836646cb51fdd4dd9fb033acd.pdf a1767dd490a09a48405f9dbe2655c537 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Eichhorn Description An account of the resource Maria Eichhorn was born in 1962 in Bamberg Germany. She currently lives and works in Berlin. She studied at the Berlin University of the Arts and has been teaching at the School of Art and Design in Zurich since 2003. She has had many solo exhibitions since 1986, including shows in Amsterdam, Berlin, Berne, Barcelona, Warsaw, Zurich and Tokyo. She has taken part in group exhibitions in London, Paris, Sydney, New York and Yokohama. She participated in Make Everything New – A Project on Communism, Book Works, London (2006), the International Istanbul Biennial (1995 and 2005), Documenta 11 in Kassel (2002), Skupltur Projekte in Munster (1997) and the Venice Biennial (1993). She also published Restitutionspolitik/Politics of Restitution, Munich/Cologne(2004); CAMPUS, Political Responsibility/Emancipazione Politica, Bozen/Cologne (2005); Publishing the fact that something will remain unpublished, Cork/Cologne (2006). Creator An entity primarily responsible for making the resource Eichhorn, Maria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aussichtsturm (Observation Tower) Description An account of the resource The project involves the construction of a 33-meter observation tower as an open construction (the construction method should have included a steel skeleton frame) at the highest point of a landscape. The tower should have been open to the public at all times. <a href="https://www.repository.unipr.it/bitstream/1889/3716/1/Maria%20Eichhorn_Aussichtsturm%20%28Observation%20Tower%29.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Eichhorn, Maria Date A point or period of time associated with an event in the lifecycle of the resource 1992-1994 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource Deutsch English Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Maria Eichhorn MoRE museum http://www.moremuseum.org/omeka/files/original/00b982a700599859b3717fd4d922fe44.jpg 84a4b609d7db5fd24ad956036f41c15e http://www.moremuseum.org/omeka/files/original/d0b4bffe58573a641aca26668c107cd1.jpg bc297c349af197ac5d36c66c7a885022 http://www.moremuseum.org/omeka/files/original/85efa614fd491eb80bbbf2873b13fa89.pdf 32daaebcfd4c97da87a14e0c9289e546 http://www.moremuseum.org/omeka/files/original/2414fdd92978c34d363a65cfcdf1c291.pdf 5df24be3cc6b6967ceba4e0466376236 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ericailcane Description An account of the resource Originally from Belluno, the artist began to make himself known at the beginning of the new millennium with wall paintings made mostly in social centres of Bologna, as well as in some video art events organised by the Academy of Fine Arts in Bologna, where he received his formal training. Very important was his collaboration with the street artist Blu, with whom he has cooperated since his debut on the scene on numerous murals, almost always of enormous dimensions. Ericailcane's works are characterised by a scientific precision with which the artist outlines disturbing animals with human movements, placed in alienating contexts, sometimes loaded with social or ecological significance. The same iconography also recurs in his refined drawings, artist's books, videos and installations, also made on public commission: from the traditional Vecchione set up in 2009 by the City of Bologna, to the façade decoration in 2013 of the Museum of Contemporary Art of Bogota, Colombia. Over the years his fame has grown and, overcoming the lack of interest for the art market, he began to work occasionally for some galleries such as the Biagiotti Progetto Arte in Florence, the D406 in Modena, the Squadro in Bologna or the famous Pictures On The Walls, declination of the London gallery Lazarides. However, more than the exhibitions, in which he participates infrequently, it’s above all his murals that have made him known in every corner of the world. In addition to Italy, he has been active in Great Britain, United States, Spain, Mexico, Ecuador, Colombia, Guatemala, Morocco, Palestine, France and Germany. (main source: <a href="https://it.wikipedia.org/wiki/Ericailcane" target="_blank">Wikipedia</a>).<o:p></o:p> Creator An entity primarily responsible for making the resource Ericailcane Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senza titolo Description An account of the resource The idea of the wall painting by Ericailcane was born in 2014 and meant to fit into the second edition of FRONTIER - The Line of Style, an open and evolving platform, based on two complementary operational phases: one dedicated to the artistic development of urban art and one dedicated to a deeper theoretical background. The artist, invited to conceive a pictorial work for the city's historic Gasometer, imagines a continuous narrative centred on the figures of two enormous dogs biting their tails and carrying on their shoulders the allegory of two cities or two sides of itself (Bologna?): one that lives in joyful harmony and one that, as a character shows, walks in a balance on a wire. <a href="https://www.repository.unipr.it/bitstream/1889/3846/1/Ericailcane_musso%26naldi.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Ericailcane Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Musso, Claudio Naldi, Fabiola Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Ericailcane MoRE Museum http://www.moremuseum.org/omeka/files/original/fa0de8cbe1aa0e70f8637a712e28f466.pdf bf7567e76fa6766c31e45be9ed1af503 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il mio progetto.pdf Description An account of the resource File describing the project and its objectives Format The file format, physical medium, or dimensions of the resource File pdf http://www.moremuseum.org/omeka/files/original/a2b3ea573488a222a5949ef7ca82369d.pdf ac2075de0044af5dbf21a3ef1be63989 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource E’ così anacronistico.pdf Description An account of the resource File describing the project and its objectives Format The file format, physical medium, or dimensions of the resource File pdf http://www.moremuseum.org/omeka/files/original/afae2fa3c5a83dbbb400a0de3da8ad65.pdf 2a1e2ca9aa7ee6eb9e426fcaa33f6813 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Incontrare la fiaba e rappresentarla.pdf Description An account of the resource Project of the first laboratory Relation A related resource File pdf http://www.moremuseum.org/omeka/files/original/c0a9d300fa59f5326ec2718d3c1ec493.pdf bcb47986cc52da67157fca20e79e5875 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prendersi cura.pdf Description An account of the resource Project of the second laboratory Format The file format, physical medium, or dimensions of the resource file pdf http://www.moremuseum.org/omeka/files/original/1ddc359ea39e3d33164268686d3f82e0.pdf ab256bcc764d47e4ed5feb7ab7209af6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellaggio.pdf Description An account of the resource Project of the third workshop Format The file format, physical medium, or dimensions of the resource file pdf http://www.moremuseum.org/omeka/files/original/984230f59c2141f48463d1783c360047.jpg 0ba2df4c5e6aaadb3491de1b27f63dbc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Puppe ageop.jpg Description An account of the resource Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina Format The file format, physical medium, or dimensions of the resource file jpg, 10,16x13,55 cm, 300 dpi http://www.moremuseum.org/omeka/files/original/b833737f5c96e70c84a9385bdd6cf320.jpg b3f3835578d8dbe1bb5ffc906b08a628 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource teatrino.jpg Description An account of the resource Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina Format The file format, physical medium, or dimensions of the resource file jpg, 8,79x13,55 cm, 300 dpi http://www.moremuseum.org/omeka/files/original/e8128af17306e10baebb44aa0ba7f742.jpg 894bd4227ae10af1fd88c53698d70d56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steiner oncologia.jpg Description An account of the resource Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina Format The file format, physical medium, or dimensions of the resource file jpg, 29x20,99 cm, 72 dpi http://www.moremuseum.org/omeka/files/original/b64463d326dbccb0563a368dd15096db.jpg 242bf048964c3dbddb6c0e32e0ac702a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favola.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 50,59x72,25 cm, 72 dpi http://www.moremuseum.org/omeka/files/original/d49cc4390d75893121e4840c6d874aa0.jpg 5307e4ad740284d0a1daa0db621707bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favola 1.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 54,19x72,25, 72 dpi http://www.moremuseum.org/omeka/files/original/5341aac84dd54de4d8aae51335505b4b.jpg e0db846aeadabcbb49fc1a5844235d24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favola 2.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 54,19x72,25 cm, 72 dpi http://www.moremuseum.org/omeka/files/original/5d8a3875ee6421e41f9e22488cf99306.jpg 9b5774ac51259dca7340262a2ddc73b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource steiner oncfavola-1.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 29x20,99 cm, 72 dpi http://www.moremuseum.org/omeka/files/original/3d1c2c959123b2eb58bf4ff152b30a0c.jpg 6a612def79f5bd192b57e1eaa16f92af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource steineroncobambfav.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 29x20,99 cm, 72 dpi http://www.moremuseum.org/omeka/files/original/84981779689ac6d3d2ae61103455c6c0.jpg 51061b684dbbc0db461c31d175a00148 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emilio Fantin Creator An entity primarily responsible for making the resource Fantin, Emilio Description An account of the resource Emilio Fantin (Bassano del Grappa, 1954), lives and works in Bologna. Fantin creates spaces for participation where the educational aspect is combined with the artistic one. In his work he often creates links between art and other disciplines. He has worked with institutions, universities and museums around the world. In 2012, he realized with Lu Cafausu the project "The Celebration of Living" for And, And, And, Documenta 13 in Kassel and gave lectures at the Art Institute of Chicago. In 2013 he organized meetings and projects in public spaces in Phoenix in partnership with ASU (Arizona State University) Art Museum. He took part to several exhibitions and international events including the Venice Biennale (1993, 1999, 2008), Performa, International Festival of Performance, New York, 2007; Frasq, International Festival of Performance, Paris 2011. Since 2005 he has been teaching "Perception and Visual Communication" at the Polytechnic of Milan. He currently holds workshop “Representation 2: Architecture and Art” in public spaces with Ricciarda Belgiojoso and Franco Vaccari. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laboratori Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Fantin aims at creating a great book on the fairy tale "The Bremen Town Musicians" and a series of workshops for children in collaboration with the teachers of the school Garagnani Maria Steiner of Bologna (Meet the tale and represent it; Take care; Sculpting with hot beeswax). The book was made and donated to the department , while the laboratories were not realized, due to a series of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2446/1/Fantin_Laboratori.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Fantin, Emilio Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource application/pdf image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Emilio Fantin MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2446" target="_blank" rel="noopener">http://hdl.handle.net/1889/2446</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://www.moremuseum.org/omeka/files/original/fb00a44661cfd87b2f37ebb47a1ac30e.pdf b62b28d05d76d9e0d085d4297de94d9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tavola di progetto A1 definitiva http://www.moremuseum.org/omeka/files/original/facc50516ae7e92134274c1742acc87d.pdf 1e5b8d4921596743a806ce31805f5394 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Relazione di progetto. http://www.moremuseum.org/omeka/files/original/f909cc3de8daeeec99b56945f5179b09.pdf 7ce522559f879c34b9c7055a3b8dc99e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Comunicato stampa per presentare il concorso. http://www.moremuseum.org/omeka/files/original/836fec18255938c6a65c7a0633bc6677.pdf 3250dae5f0cbed517aa97bb2ec941b88 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource lettera in cui si comunica all’artista la non ammissione alla seconda fase di concorso. http://www.moremuseum.org/omeka/files/original/158b3e75ba576595b480919f67855f3b.pdf 696f8e17e0266c23bfebb8f1299e4bd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bando di concorso http://www.moremuseum.org/omeka/files/original/192c672c47ce55293d50f2587811dfe9.pdf a9b78dd9968a67e0e3fb4aa4667d5346 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nota tecnica descrittiva per la realizzazione del progetto http://www.moremuseum.org/omeka/files/original/c2d6fb6a4bdbb4de243819a9374be1b9.pdf e9fda996bc2fb060bb5e36be650a1e8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mappa di localizzazione dell’area di intervento http://www.moremuseum.org/omeka/files/original/76ad881a3c2888282a3af07b148a9b7d.pdf 0e3a93133f438e527c3c897eff612d11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mappa di localizzazione dell’area di intervento http://www.moremuseum.org/omeka/files/original/00514a5e82390aa1851e0e8d1759fd8c.pdf 4bcad77480ecbfcabaf41eecc71f67d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria http://www.moremuseum.org/omeka/files/original/ece32ef337f70e00843e25283d554c83.pdf bcac06efa412211b98e3ccc10800da73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria http://www.moremuseum.org/omeka/files/original/ddd5c7c4a3dfed72f0266b18582465f6.pdf a38d4b8de9c4a7c1304dff872a980cdb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria http://www.moremuseum.org/omeka/files/original/887f7b57474822069d61913125f892d0.pdf c91890b4b767ee58eb4a3cb870a82727 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria http://www.moremuseum.org/omeka/files/original/25c4e13b98e0e5a4b995526220127dd9.pdf 675d30edaa219110a004838b1c953c63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flavio Favelli Creator An entity primarily responsible for making the resource Favelli, Flavio Description An account of the resource Born in Florence in 1967, Flavio Favelli lives and works in Savigno (Bologna). Having graduated with a major in Oriental History from University of Bologna, he participates in Link Project (1995-2001) attending the TAM residency in Pietrarubbia, under the supervision of Arnaldo Pomodoro (1995) and the Advanced Course in Visual Arts at Fondazione Antonio Ratti, hosted by Allan Kaprow (1997). Favelli has exhibited both in private and public spaces, in Italy and abroad, including MACRO (2010), MAXXI (2012 and 2015), the American Academy (2010), Fondazione Volume! (2006), Sales Gallery in Rome (2008, 2010, 2013), Museo del 900 (2012) Museo della Permanente (2002) Francesca Minini Gallery in Milan (2014), MAMBO (2011), Centro Arti Visive Pescheria in Pesaro (2010), Museo Marino Marini in Florence (2009), Francesco Pantaleone Gallery (2008), Museo RISO (2011), A Project Space in Palermo (2012), Museo di Villa Croce in Genua (2005), Centro per l'Arte Pecci in Prato (2005), Palazzo delle Papesse in Siena (2002), Fondazione Sandretto Re Rabaudengo (2007), Maze Gallery in Turin (2001 and 2003), Maison Rouge Fondation Antoine de Galbert in Paris (2007), Projectspace 176 (2005), IIC in London (2003) and in ICC in Los Angeles (2004). Among his main collective exhibitions, Favelli has also shown his works at Peggy Guggenheim Collection in Venice (2011), at GAMEC in Bergamo (2011 and 2012), at Castello di Rivoli (2012) and GAM (2006) in Turin, at Havana XI Biennial (2012), at IBID Project Gallery (2011), at the festival No Soul For Sale at Tate Modern in London (2010), at Fondazione Pomodoro (2010) and Raffaella Cortese Gallery (2009) in Milan, at MADRE (2010) and at PAN Museum (2006) in Naples, at MOCA in Shanghai (2010), at Villa delle Rose (2001), at GAM (2005) in Bologna, at Musèe d'Art Moderne in Saint-Etienne (2005), at Museion in Bolzano (2003) and at Elgiz Museum (2008) in Istanbul. Favelli has participated at Carrara XIII Biennale di Scultura (2008), at Roma XV Quadriennale at Palazzo delle Esposizioni (2008), at the exhibition Italics at Venice's Palazzo Grassi (2008), and at MCA in Chicago (2009). He has designed and realized two working bar-installation, at MAMbo and at MARCA in Catanzaro, and two permanent public spaces: Vestibolo at ANAS headquarters in Venice's Palazzetto Foscari, and Sala d'Attesa atthe Pantheon in Bologna, inside the Certosa Monumental Cemetery, where laical funeral services are held. In 2009 he was the selected artist for Acrobazie #5, a Unicredit Group project at Fatebenefratelli Center of San Colombano in Lambro (Milan). In 2010 he was in residence at the American Academy in Rome as an Italian Fellow for the Arts. He took part in two editions of the Venice Biennale, the 50th ("Clandestini", curated by F. Bonami) and the 55th ("Vice versa", Italian Pavillion, curated by B. Pietromarchi). In 2014 he was in residence at the Italian Embassy in Istanbul, invited by AlbumArte association; he also had a solo exhibion at Maison Particuliere in Bruxelles. In 2015 he has been selected for a study residency at NARS Foundation in New York. He has attended seminars and conferences, among many other public and private institutions, at the Academy of Arts of Venice, at Brera in Milan, at Politecnico in Turin, at the University of Bolzano, at the University of Bologna and at Quadriennale in Rome. His works are featured both in private and public collections, such as Galleria d’Arte Moderna and Fondazione Sandretto Re Rebaudengo in Turin, MAMBO, Bologna Fiere and Fondazione Furla in Bologna, La Maison Rouge and Fondation Antoine De Galbert a Parigi, La Gaia Collection in Cuneo, Civiche Raccolte d’Arte and Fiera Milano in Milan, MACRO and Nomas Foundation in Rome, Museo Arte Contemporanea Villa Croce in Genua, Zabludowicz Collection in London, Elgiz Collection in Istanbul and Unicredit Banca Collection. In 2008 his installation La terza Camera was acquired by MAXXI Museum in Rome. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Porta di Milano Description An account of the resource The project was created for an international competition promoted in 2009 by SEA, the company which manages Milan airport system. As stated in the announcement, the competition concerns the creation of “a new architectural project for the realization of an artwork that is going to change the appearance of the Malpensa airport. Specifically, the commission envisions a highly aesthetic space that is going to virtually represent the access door to the city of Milan. The purpose of this work of art, besides striking the passenger's imagination, is to become a location for cultural events and exhibitions”. Flavio Favelli presents Crystal Garden, a full-scale artwork which reproduces many features of the collective imaginary of Milan, while reminding at the same time Paxton's Crystal Palace. The reference to the architecture of London stems both from the project's title and from the materials that were to be used, such as the iron of old-aged gates and the glass thermoshell of the internal side. As declared by the artist itself, his architectural model is the aviary, which actually becomes a cage built with high-tech materials, which enables many and various activities. The complexity of the documents donated to MoRE portrays a careful planning and a thorough working method, showing also the relationship between the artists and the commissioner. Favelli's project presents many characteristic features of his body of work, which is able to succesfully combine the present with the past; here, the artist employs purposefully a futuristic approach through the usage of high-tech materials that opposes the recourse to found materials as well as to practices and modalities of appropriation. The project was not admitted to the second phase of the competition. <a href="https://www.repository.unipr.it/bitstream/1889/2858/1/Flavio%20Favelli_La%20Porta%20di%20Milano.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Favelli, Flavio Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/msword application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2858" target="_blank" rel="noopener">http://hdl.handle.net/1889/2858</a> Rights Holder A person or organization owning or managing rights over the resource. Flavio Favelli MoRE Museum Project which wasn’t selected in a prize or competition http://www.moremuseum.org/omeka/files/original/9c2420461ac8d457207fdec822b732ed.pdf fe813ba181d7fd8138d9213b9e767fe1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crediti del progetto http://www.moremuseum.org/omeka/files/original/d7580949528da304112b7cb4312c0587.pdf 3d8c3f5061db112de90b6060e6cc78d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettera di invito al concorso http://www.moremuseum.org/omeka/files/original/a9ef16bca78702f7413d9a9141650bc9.pdf fb872ca00ed25885b020c4ed086c5cab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tavola con il prospetto e le misure dell’opera. http://www.moremuseum.org/omeka/files/original/79cf50ff2c8ac1aa88959b5d63f48003.pdf 150c5e23582f1e2895ae064db9c05f80 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tavola di sintesi http://www.moremuseum.org/omeka/files/original/efdf5979ffad0f925f569af0d43b0fda.pdf 5e62af208b4fe329dc232b9188761fab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documento di sintesi con le due proposte di collocamento dell’opera nel contesto. http://www.moremuseum.org/omeka/files/original/a32d1d588a9f449f52c488ae443fb425.pdf 8e00dc17511e934533f979036faef0c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource tavola per lo studio del contesto http://www.moremuseum.org/omeka/files/original/8453c2126106afecc96ef44f14c91a56.jpg 8b8e04f9b1ee8b245e43bbc2cee277dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource fotografie per lo studio del contesto http://www.moremuseum.org/omeka/files/original/a7469b234699b5b5fbc8a28bb5dcf47b.jpg aedeecb6d734839ac0bb657fce94f638 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource fotografie per lo studio del contesto http://www.moremuseum.org/omeka/files/original/4edb241393382d563eb72a04dd39e331.jpg d65ccfeaef8344327102a01af89778ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource fotografie per lo studio del contesto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flavio Favelli Creator An entity primarily responsible for making the resource Favelli, Flavio Description An account of the resource Born in Florence in 1967, Flavio Favelli lives and works in Savigno (Bologna). Having graduated with a major in Oriental History from University of Bologna, he participates in Link Project (1995-2001) attending the TAM residency in Pietrarubbia, under the supervision of Arnaldo Pomodoro (1995) and the Advanced Course in Visual Arts at Fondazione Antonio Ratti, hosted by Allan Kaprow (1997). Favelli has exhibited both in private and public spaces, in Italy and abroad, including MACRO (2010), MAXXI (2012 and 2015), the American Academy (2010), Fondazione Volume! (2006), Sales Gallery in Rome (2008, 2010, 2013), Museo del 900 (2012) Museo della Permanente (2002) Francesca Minini Gallery in Milan (2014), MAMBO (2011), Centro Arti Visive Pescheria in Pesaro (2010), Museo Marino Marini in Florence (2009), Francesco Pantaleone Gallery (2008), Museo RISO (2011), A Project Space in Palermo (2012), Museo di Villa Croce in Genua (2005), Centro per l'Arte Pecci in Prato (2005), Palazzo delle Papesse in Siena (2002), Fondazione Sandretto Re Rabaudengo (2007), Maze Gallery in Turin (2001 and 2003), Maison Rouge Fondation Antoine de Galbert in Paris (2007), Projectspace 176 (2005), IIC in London (2003) and in ICC in Los Angeles (2004). Among his main collective exhibitions, Favelli has also shown his works at Peggy Guggenheim Collection in Venice (2011), at GAMEC in Bergamo (2011 and 2012), at Castello di Rivoli (2012) and GAM (2006) in Turin, at Havana XI Biennial (2012), at IBID Project Gallery (2011), at the festival No Soul For Sale at Tate Modern in London (2010), at Fondazione Pomodoro (2010) and Raffaella Cortese Gallery (2009) in Milan, at MADRE (2010) and at PAN Museum (2006) in Naples, at MOCA in Shanghai (2010), at Villa delle Rose (2001), at GAM (2005) in Bologna, at Musèe d'Art Moderne in Saint-Etienne (2005), at Museion in Bolzano (2003) and at Elgiz Museum (2008) in Istanbul. Favelli has participated at Carrara XIII Biennale di Scultura (2008), at Roma XV Quadriennale at Palazzo delle Esposizioni (2008), at the exhibition Italics at Venice's Palazzo Grassi (2008), and at MCA in Chicago (2009). He has designed and realized two working bar-installation, at MAMbo and at MARCA in Catanzaro, and two permanent public spaces: Vestibolo at ANAS headquarters in Venice's Palazzetto Foscari, and Sala d'Attesa atthe Pantheon in Bologna, inside the Certosa Monumental Cemetery, where laical funeral services are held. In 2009 he was the selected artist for Acrobazie #5, a Unicredit Group project at Fatebenefratelli Center of San Colombano in Lambro (Milan). In 2010 he was in residence at the American Academy in Rome as an Italian Fellow for the Arts. He took part in two editions of the Venice Biennale, the 50th ("Clandestini", curated by F. Bonami) and the 55th ("Vice versa", Italian Pavillion, curated by B. Pietromarchi). In 2014 he was in residence at the Italian Embassy in Istanbul, invited by AlbumArte association; he also had a solo exhibion at Maison Particuliere in Bruxelles. In 2015 he has been selected for a study residency at NARS Foundation in New York. He has attended seminars and conferences, among many other public and private institutions, at the Academy of Arts of Venice, at Brera in Milan, at Politecnico in Turin, at the University of Bolzano, at the University of Bologna and at Quadriennale in Rome. His works are featured both in private and public collections, such as Galleria d’Arte Moderna and Fondazione Sandretto Re Rebaudengo in Turin, MAMBO, Bologna Fiere and Fondazione Furla in Bologna, La Maison Rouge and Fondation Antoine De Galbert a Parigi, La Gaia Collection in Cuneo, Civiche Raccolte d’Arte and Fiera Milano in Milan, MACRO and Nomas Foundation in Rome, Museo Arte Contemporanea Villa Croce in Genua, Zabludowicz Collection in London, Elgiz Collection in Istanbul and Unicredit Banca Collection. In 2008 his installation La terza Camera was acquired by MAXXI Museum in Rome. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Giallo-Dromo Description An account of the resource Flavio Favelli conceives this project, together with the architect Flavio Gardini and the engineer Matteo Grilli, for a competition curated by Bartolomeo Pietromarchi. The artist envisiones the creation of an outline of the old nuclear power plant in Caorso, opened in the Seventies and closed only eight years after. The power plant was dismantled in 2009 by the company Sogin, Società Gestione Impianti Nucleari (Nuclear Power Plants Management Company), which also promoted the competition. Starting from the premises of the designation letter, Favelli conceives a complex full-sized work which represents the shape of the former power plant as a memorial, a sculpture dedicated to the history of a placereflecting a much debatedissue of the last forty years such as the one of nuclear energy. The artwork consist of the full scale creation of the former power plant's outline - width 24.98 cm and height 9,98 cm - countoured by yellow neon. The work could remind of a triumphal arch, even if it doesn't celebrate political or military achievements, but instead it becomes a simulacrum of the power plant itself, a memory-sign of the building's exact structure, employed   to try to salvage the remembrance of the landscape. Its urban dimension makes the viewer enter a state of temporal bewilderment, almost a déjà vu, an alteration of memory through the construction of an ephemeral architecture. The project was canceled due to a change in the company's management. <a href="https://www.repository.unipr.it/bitstream/1889/2859/1/Flavio%20Favelli_Giallo-Dromo.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Favelli, Flavio Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/msword application/pdf image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Flavio Favelli MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2859" target="_blank" rel="noopener">http://hdl.handle.net/1889/2859</a> Logistical reasons http://www.moremuseum.org/omeka/files/original/aed1e134c1134f8c75d1cdbfae1c148c.jpg 46e339fe0120afe81a875ea36795c047 http://www.moremuseum.org/omeka/files/original/5d83dd5eb53541d4382c62597e3c2302.pdf 16b64667c13faf3891b856bc6e2a547e http://www.moremuseum.org/omeka/files/original/ecd4126b6d14d6d6ed27fa8460e77991.pdf 71099e61342357f1f044c1e2f7ed5633 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ettore Favini Description An account of the resource Born in Cremona in 1974, Ettore Favini teaches Visual Arts at the Nuova Accademia Belle Arti NABA in Milan and Painting at the Accademia di Belle Arti G. Carrara in Bergamo. His works are characterized by a narrative dimension and a relationship with the context and history of places; they often spring from personally lived experiences and individual memory, which is useful for proposing general reflections. Also central is the question of identity, probed through participatory and public art projects. He was recently awarded by the Pollock Krasner Foundation in New York and the General Directorate for Contemporary Creativity of the Italian Ministry of Cultural Heritage and Activities and Tourism (MiBACT - DGCC) as part of the Italian Council project. His works have been exhibited in prestigious Italian and international institutions, including: Kunst Meran Arte, Merano; Carré d'Art Contemporaine, Nîmes (F); PAC, Milan; Museo del Novecento, Milan; GAMeC, Bergamo; Museo MAN, Nuoro; Museo di Villa Croce, Genoa; Autostrada Biennale, Prizren (K); OCAT, Shanghai (RC); SongEun Art Space, Seoul (ROK); Najing International Art Festival, Nanjing (RC); Italian Academy, New York (USA); Fondazione Sandretto, Turin; Villa Medici, Rome. Creator An entity primarily responsible for making the resource Favini, Ettore Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La vera rivoluzione è non cambiare il mondo(?) Description An account of the resource The project involved the creation of a huge sign – La vera rivoluzione è non cambiare il mondo(?) – in every way equal to a claim launched by ENEL, but lacking the question mark and immediately withdrawn due to Greenpeace's denunciation. At least fifteen meters long and composed of green-painted aluminium box letters about eighty centimeters high and six hundred incandescent light bulbs, the lighted work would have involved an energy consumption of three kilowatt-hours, equal to that supplied for the utility of any Italian home. Designed by the artist to denounce the company's false ecological message, the work would remain off until ENEL produced more than 60% clean energy from renewable sources. In 2007, Favini proposed its creation for the Greenwashing exhibition, which was to be held at the Fondazione Sandretto Re Rebaudengo the following year. It was not realized for budget reasons. <a href="https://www.repository.unipr.it/bitstream/1889/5203/1/Ettore%20Favini_La%20vera%20rivoluzione.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Favini, Ettore Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Ettore Favini MoRE museum Financial reasons http://www.moremuseum.org/omeka/files/original/8f71681e5a009c75c0d9e40a54c53ba5.jpg 8445c2c435a47275d2a87b7c20de391b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 736pxTesting_bulletproof_vest_1923.jpg Description An account of the resource Black and white picture (1923) portraying some close gunshot exercises with a men wearing a bulletproof vest, chosen by the artist in order to document the training of the killer by the Camorra. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Format The file format, physical medium, or dimensions of the resource jpeg file, 454 × 371 pixel, 96 dpi http://www.moremuseum.org/omeka/files/original/b0f4e2d05690d34e4110e947b8412531.jpg 95b9d4f1acc6b89a275ff0cbfa3038d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource coraza cenital.jpg Description An account of the resource Scanning of a pencil sketch of the performance seen from above. The image is divided in two by a line that represent a dividing wall between the two rooms. In the first room we can see the gunman shooting and the artist in front of him (indicated by the name Regina written at her side). In the second room we can see the audience. Format The file format, physical medium, or dimensions of the resource jpeg file, 679 × 1498 pixel, 200 dpi http://www.moremuseum.org/omeka/files/original/6910a3900188ca947412de338445f8d8.jpg b5f0b8198b5af362659e7667273fa669 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource corazaperfil.jpg Description An account of the resource Scanning of a pencil sketch of the performance seen in profile. On the right, a woman wearing a bulletproof vest (the artist); on the left, a man drawing a gun on her. Format The file format, physical medium, or dimensions of the resource jpeg file, 1209 × 747 pixel, 300 dpi http://www.moremuseum.org/omeka/files/original/62de0bacfcdebed1a49ca1fc702ff4c6.pdf 4a6b66c7e1b9b9cbe00f0233cfb54942 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coraza texto.doc Description An account of the resource Text to introduce and explain the performance, written by the artist to present it to the museum. The text is made by different parts; after introducing the concept of delinquency and its social function it has according to the artist, Galindo briefly sums up the performance that is then described in all its phases. In conclusion, the artist lists all the necessary requisite to realize the performance, that are: a volunteer expert in the use of weapons and with a perfect aim; a bulletproof vest; an appropriate room; a gun caliber 22 and an équipe to film the actions in the two rooms in which the performance was supposed to take place. Format The file format, physical medium, or dimensions of the resource file .doc, archived in pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Regina José Galindo Description An account of the resource Born in 1974 in Guatemala, where she still lives and works, Regina José Galindo, performer politically and socially active, made her first international appearance in 2001 at the Venice Biennale curated by Harald Szeemann, and she receives the Golden Lion to a young artist in 2005. Her works can be found in the collections of international museums (San Paolo Museum of Contemporary Art, Castello di Rivoli, Blanton Museum of Texas, Miami Art Museum…). Her work has been included in several groups and personal exhibitions, in Italy and abroad, such as Urgent Issues at Bucharest MNAC, The Body of Others, at the Modern Art Oxford and so on. She took part to the Kiss Kiss Bang Bang exhibition at the Visual Arts Museum in Bilbao, the second edition of the Biennale in Moscow, Turbulence, the third Biennal of Auckland in New Zealand, Otras Contemporareidades, Biennal of Valencia, Viva la muerte and the Kunsthalle of Wien. Her performances, in which she uses her own body to experience sufferances and pain, aim at denouncing the dramatic conditions of the Guatemalan women and population, but face also issues such as violence and social injustice from a universal point of view. <a href="http://www.reginajosegalindo.com" target="_blank">http://www.reginajosegalindo.com</a> Creator An entity primarily responsible for making the resource Galindo, Regina José Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coraza Description An account of the resource Invited to take part to the second edition of the performance festival curated by Adriana Rispoli and Eugenio Viola, Corpus. Art in action, 7-26 June 2010 at MADRE Museum in Naples, Galindo focused on the social problems that affects the city. As a result, the artist’s project recalls a kind of training practiced by the Camorra: to shoot a person who is close to his killer. The performance was supposed to happen like this: the artist, wearing a bulletproof vest, is locked in a room with a man standing a meter and a half to her. The man is armed with a gun and he shoots at the artist after asking her for three times, in English: “Are you afraid?”. The audience attends in a adjacent room, where he can only listen to the sounds coming from the performance. Immediately after the shot the artist and the man come out (the man from a side door, without being noticed) and the room remains empty and accessible to the public. According to Galindo, the project was refused because it had been considered too dangerous. <a href="https://www.repository.unipr.it/bitstream/1889/2089/1/galindo_coraza.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Galindo, Regina José Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/msword Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2089" target="_blank" rel="noopener">http://hdl.handle.net/1889/2089</a> Rights Holder A person or organization owning or managing rights over the resource. Regina José Galindo MoRE Museum Regulatory/juridical/administrative reasons http://www.moremuseum.org/omeka/files/original/78873126c7feb55ddc667e235190ad54.jpg 0497c854a032ea4e21c80cc598216fff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 1.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 70 x 70 cm, 84,473dpi http://www.moremuseum.org/omeka/files/original/7bce3bc76da9f94508b4e79c89b51b7f.jpg 4760a123a31adb7868cce866a2fb0bd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 2.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 75 x 75 cm, 76,638dpi http://www.moremuseum.org/omeka/files/original/0238efa260333607159e014a22c4e40a.jpg 08b76a1dc2f1c9d26a12ebae4e4e2752 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 3.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 50 x 50 cm, 104,851dpi http://www.moremuseum.org/omeka/files/original/b0e4fdf98e6dd5936e93895f4784e4e4.jpg cf1ee921ca426d54e9dba7f0ae6eb19f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 4.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 50 x 50 cm, 111,76dpi http://www.moremuseum.org/omeka/files/original/cf95d8d3e2a41aa39c28f240aaf7997c.jpg ae6b54db9dde213a71fdeab0a40562f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 5.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 50 x 50 cm, 110,947dpi http://www.moremuseum.org/omeka/files/original/0b1a43f2b4eb764e99aa80208af7d7c2.jpg cdbd54c2409a55cccec18f2d526a5784 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grafico 1.jpg Description An account of the resource Chart that analyze ocean currents, a preliminary study for the video. Format The file format, physical medium, or dimensions of the resource 28,22 x 15,91 cm, 72dpi http://www.moremuseum.org/omeka/files/original/3c2058f743c8918c6efcdbe711638c51.jpg f886ed96fde49ad2f48dee9e58a05b14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grafico 2.jpg Description An account of the resource Chart that analyze ocean currents, a preliminary study for the video. Format The file format, physical medium, or dimensions of the resource 17,99 x 13,26 cm, 72dpi http://www.moremuseum.org/omeka/files/original/288ddb38e05e0c83c2af3543fcce49c8.pdf bb34d98f890ebe548b49caa687373464 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource vortex.docx Description An account of the resource Project report. Format The file format, physical medium, or dimensions of the resource file docx, archived in pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Goldschmied & Chiari Description An account of the resource Sara Goldschmied (1975, Arzignano VI) and Eleonora Chiari (1971, Roma), work as an artistic duo since 1997. They actually live and work between Rome and Milano. They gained critical success thanks to some selected national and international exhibitions. <a href="http://www.goldiechiari.com" target="_blank">http://www.goldiechiari.com</a>   Creator An entity primarily responsible for making the resource Goldschmied & Chiari Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Looking for the Island Description An account of the resource Looking for the island is a video project dedicated to the Garbage Patch, an ‘island “dump” located in the Pacific Ocean that began to form around 1950. This particular island, composed of polymers in the form of bottles, packaging, networks and other kinds of junk, is moved constantly by ocean waves that wear the matter down by reducing it to tiny particles dissolved in water. The floating mass of “particle waste”, which apparently resembles plankton becomes food for fish and birds, reintroduced into our food chain and consequently in our bodies. The artists projects is based right on this contrast between natural and artificial, landscape and industry; through the video they want to document the journey of these plastic particles that paradoxically become feed for fishes, and therefore food for human beings. Challenging the common perception of this place, that is often considered improperly as a real island, this video wanted to place a videocamera waving slowly inside the water, extending and shortening the length of the take from time to time through these fragments of memory. The artists realised specifically for MoRE a series of watercolors that represent the Garbage Patch; moreover, they donated two charts, part of the project, that analyze the ocean and its currents. All the five sketches present a circular design that reminds, indeed, the island or cloud of garbage, while the lines in subtle colors seem to remind a rarefied and immaterial universe The artists were invited to realise this project by Fondazione Hermes in 2007, but it wasn’t selected in the end. It's still unrealized due lack of funds. <a href="https://www.repository.unipr.it/bitstream/1889/2329/1/goldiechiari_Looking%20for%20the%20Island.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource goldiechiari Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2329" target="_blank" rel="noopener">http://hdl.handle.net/1889/2329</a> Rights Holder A person or organization owning or managing rights over the resource. goldiechiari MoRE museum Financial reasons http://www.moremuseum.org/omeka/files/original/c2cca40b897afcae41211efd217f7500.jpg fa7f49832bcbe25eaf07a8dcfbbaa1b5 http://www.moremuseum.org/omeka/files/original/a1be8c44647c460c44a00beaf6686eb8.docx da4958c430b795926d72728705dc0c3e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tomislav Gotovac Description An account of the resource The art practice of Tomislav Gotovac was marked by a wide media diversity: he was a filmmaker and a photographer, he made collages, objects and installations, he changed his own appearance, he staged actions and performances in public spaces and made provocative appearances in mass media.    Gotovac was born in 1937 in Sombor. His father Ivan was from the Dalmatian highlands, while mother Elizabeta (Beška) came from a Sombor family of German origin. In the summer of 1941, after the beginning of World War II and the breakdown of the Kingdom of Yugoslavia, Gotovac’s family moved to Zagreb, into the flat in Krajiška 29. Gotovac’s childhood and adolescence were marked by a strong interest in film. After finishing high school, Gotovac began to study architecture in Zagreb, but he abandoned the study after a year. In 1954, he became an active member of Kinoklub Zagreb, a gathering place of cinephiles and amateur filmmakers. He did his first works in photography (Heads1960, 1960.; Showing Elle, Breathing the Air, 1962; Posing, Suitcase, The Trio, Hands, 1964). He made his first film in 1962 (Death), and in 1963 he made a manifest documentary-experimental film The Forenoon of a Faun. Gotovac filmed his famous trilogy, consisting of Straight Line(Stevens-Duke), Blue Rider(Godard-Art) and Circle(Jutkevič-Count) in Belgrade in 1964. He took part in all editions of the Genre Film Festival (GEFF), held in Zagreb from 1963 to 1970, and received several awards. During 1964 and 1965, he worked intensively on a series of collages inspired by the work of Kurt Schwitters. In 1967, Gotovac enrolled in film directing at the Academy of Theatre, Film, Radio and Television in Belgrade. The event that marked his work in numerous ways was his participation in Lazar Stojanović’s film Plastic Jesus(1971), where Gotovac was both the lead actor and the assistant director. Gotovac finished his studies in 1976. In the same year, he had his first exhibition in SKC Gallery in Belgrade, where he gave an overview of his fifteen-year-long art practice (photographs, collages, films, documentations of public actions). After returning to Zagreb, Gotovac’s presence on the art scene began to increase and he took part in numerous exhibitions in the country and abroad. From 1979 onwards, he did numerous performances in public space, in Zagreb, Beograd, Osijek, Rijeka and Ljubljana, using public media as an integral part of his art practice. In the beginning, those were student and youth magazines such as “Student”, “Vidici”, “Studentski list”, “Polet”, but later he began to make appearances in top-selling magazines and TV. These actions and the deliberate manipulation of his own character were directly related to his questioning of his own identity within the confines of patriarchal society and his stance on eliminating the boundaries between art and everyday life. At the end of the 1980s, he began to re-decorate his parents’ flat in Krajiška 29, creating an installation out of his own works and various objects. In 2004, he officially changed his name to Antonio Lauer, taking his Christian name and his mother’s maiden name. He worked under this name in the last period of his artistic production, from 2005 to the end of 2009.  Tomislav Gotovac won numerous film recognitions. After 1976, he was showing his works at different exhibitions in the country and abroad. His work presented Croatia at the 54th Venice Biennial (2011), and it was included in Documenta 14 in Athens and Kassel (2017). Retrospective exhibition Tomislav Gotovac: Crisis Anticipator was held at the Museum of Modern and Contemporary Art in Rijeka in 2017 and later travel to House of Art in Usti nad Labem and City art Gallery in Ljubljana. His works are in collections of Museum of Contemporary Art in Zagreb, Museum of Contemporary in Belgrade, Museum of Modern and Contemporary Art in Rijeka, Modern Gallery in Ljubljana, Kontakt – Art Collection of Erste Bank Group in Vienna, Centre Pompidou in Paris, Museum of Modern Art in New York, Art Institute of Chicago and several private collections. Creator An entity primarily responsible for making the resource Gotovac, Tomislav Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Totalni portret grada Zagreba Description An account of the resource Total Portrait of the City of Zagreb was a project for a documentary film on the city of Zagreb. The only document which has survived is a sheet of paper typed and signed by Tomislav Gotovac himself. He states his intention to observe the city as though it were a human being. The aim was to produce a “21st-century” film, a total vision of the city as a living organism.  <a href="https://www.repository.unipr.it/bitstream/1889/3690/1/Tomislav%20Gotovac_The%20Total%20Portrait%20of%20City%20of%20Zagreb.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Gotovac, Tomislav Date A point or period of time associated with an event in the lifecycle of the resource 1979 Contributor An entity responsible for making contributions to the resource Scotti, Marco Rights Holder A person or organization owning or managing rights over the resource. Tomislav Gotovac MoRE museum Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Text Unknown http://www.moremuseum.org/omeka/files/original/cd26d873740f865927a316e61324c468.jpg c5c82ee5653b790142c844cfbdc219ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Franco Guerzoni Description An account of the resource Franco Guerzoni was born in 1948 in Modena. In the early seventies he uses photography as a means of representation. In 1972 his Frescoes, and in '73  his Archaeology, followed by Anthropology, are researches related to aspects of cultural stratification and the idea of “old” as a loss. In the eighties, he's engaged in the construction of large wall papers that explore the idea of an imaginary geography, Travel cards, Grotesque and The Forgotten Wall, at the end of the same years he worked on the surface intended as depth. Presents Decorations and ruins in a room at the Venice Biennale in 1990. Since then continues through the great cycles of works, his investigation on time and on the poetics of ruin, a kind of archeology without restoration. Since 2006, following the recovery of a body of works done with the use of photography by the author in the seventies, presents at GAM in Turin Landscapes powder, his research supported by a real work of reunion or transfer ranging from painting to the wall itself, chasing the dream that joins previous attempts aimed at the creation of a kind of bas-relief, constant in all his work, towards the idea of a slight sculpture, daughter of the new attention to the wall. So the Forgotten Wall becomes the real privileged place for his most current work. Creator An entity primarily responsible for making the resource Guerzoni, Franco Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Physical Dimensions The actual physical size of the original image jpeg file , 219,195 x 50,515 cm, 93,977 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stelle e lucciole Creator An entity primarily responsible for making the resource Guerzoni, Franco Ghirri, Luigi Date A point or period of time associated with an event in the lifecycle of the resource [1969 - 1970] Contributor An entity responsible for making contributions to the resource Casero, Cristina Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Description An account of the resource Stelle e lucciole was conceived between 1969 and the early Seventies, and it is one of the first episodes of the prolific collaboration between Franco Guerzoni and Luigi Ghirri, which produced interesting and relevant results. These photographs revolve around the intention of the two artists and friends to capture in a single frame the starry sky and the bright trails of light left behind by fireflies. Indeed, Ghirri shot many takes of that picture, but he was not able to achieve the results he was aiming for due to technical issues. Guerzoni donated these photographs to MORE. To define this project as unrealized would not be fully correct; therefore, as Guerzoni himself agreed, it should be rather described as an unresolved, interrupted project, unable to achieve its expected outcome. <a href="https://www.repository.unipr.it/bitstream/1889/2702/1/Franco%20Guerzoni_lucciole.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Franco Guerzoni & Luigi Ghirri MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="%20http://hdl.handle.net/1889/2702">http://hdl.handle.net/1889/2702</a> Logistical reasons Technical reasons http://www.moremuseum.org/omeka/files/original/1dac1f558087ea8f7594eb268cfeaee1.jpg 5924ae230bf01cd1fc2248871e483069 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Franco Guerzoni Description An account of the resource Franco Guerzoni was born in 1948 in Modena. In the early seventies he uses photography as a means of representation. In 1972 his Frescoes, and in '73  his Archaeology, followed by Anthropology, are researches related to aspects of cultural stratification and the idea of “old” as a loss. In the eighties, he's engaged in the construction of large wall papers that explore the idea of an imaginary geography, Travel cards, Grotesque and The Forgotten Wall, at the end of the same years he worked on the surface intended as depth. Presents Decorations and ruins in a room at the Venice Biennale in 1990. Since then continues through the great cycles of works, his investigation on time and on the poetics of ruin, a kind of archeology without restoration. Since 2006, following the recovery of a body of works done with the use of photography by the author in the seventies, presents at GAM in Turin Landscapes powder, his research supported by a real work of reunion or transfer ranging from painting to the wall itself, chasing the dream that joins previous attempts aimed at the creation of a kind of bas-relief, constant in all his work, towards the idea of a slight sculpture, daughter of the new attention to the wall. So the Forgotten Wall becomes the real privileged place for his most current work. Creator An entity primarily responsible for making the resource Guerzoni, Franco Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image jpeg file , 29,997 x 10,981 cm, 300 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sovrapposizioni culturali Creator An entity primarily responsible for making the resource Guerzoni, Franco Date A point or period of time associated with an event in the lifecycle of the resource [1975] Contributor An entity responsible for making contributions to the resource Casero, Cristina Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Description An account of the resource The two figures “I remember I have seen a mosque inside the Amun Temple in Luxur” and “Development of the decoration of an Etruscan vase according to a nineteenth-century portrayal” were to be part of a broader and more structured project, centred on the theme of the potential image, a topic very dear to the author. The original project envisaged the presence of a third figure representing a mental image, merely potential, hence rendered in a writing. The conceptual nature of such an image would have not allowed any visual depiction. The presence of a fourth figure, devoted to the utopian possibility of exposing films with the only power of thoughts, was merely a working hypothesis. This work, of a cleary conceptual nature, was therefore to be centered on the theme of the “potential image”. Such topic takes on great importance for both the artist's production and the cultural context in which this project was conceived. <a href="https://www.repository.unipr.it/bitstream/1889/2704/1/Franco%20Guerzoni_Sovrapposizioni%20culturali.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Franco Guerzoni MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="%20http://hdl.handle.net/1889/2704">http://hdl.handle.net/1889/2704</a> Logistical reasons Technical reasons Theoretical exercise http://www.moremuseum.org/omeka/files/original/0889230f7ceafa5b71c9496d36396384.jpg e43abfe1af761ad03ad6c24c6fbce565 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Franco Guerzoni Description An account of the resource Franco Guerzoni was born in 1948 in Modena. In the early seventies he uses photography as a means of representation. In 1972 his Frescoes, and in '73  his Archaeology, followed by Anthropology, are researches related to aspects of cultural stratification and the idea of “old” as a loss. In the eighties, he's engaged in the construction of large wall papers that explore the idea of an imaginary geography, Travel cards, Grotesque and The Forgotten Wall, at the end of the same years he worked on the surface intended as depth. Presents Decorations and ruins in a room at the Venice Biennale in 1990. Since then continues through the great cycles of works, his investigation on time and on the poetics of ruin, a kind of archeology without restoration. Since 2006, following the recovery of a body of works done with the use of photography by the author in the seventies, presents at GAM in Turin Landscapes powder, his research supported by a real work of reunion or transfer ranging from painting to the wall itself, chasing the dream that joins previous attempts aimed at the creation of a kind of bas-relief, constant in all his work, towards the idea of a slight sculpture, daughter of the new attention to the wall. So the Forgotten Wall becomes the real privileged place for his most current work. Creator An entity primarily responsible for making the resource Guerzoni, Franco Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data drawing Physical Dimensions The actual physical size of the original image jpeg file , 41,204 x 28,54 cm, 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tappeti volanti Creator An entity primarily responsible for making the resource Guerzoni, Franco Date A point or period of time associated with an event in the lifecycle of the resource 1971 Contributor An entity responsible for making contributions to the resource Casero, Cristina Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Description An account of the resource In this drawing Franco Guerzoni speculates - with a theoretical exercise nearer to utopia than to a real project - about the possibility of realising flying carpets. On this drawing we can find, together with shapes and images by Guerzoni himself, a poetry written by his friend Adriano Malavasi. <a href="https://www.repository.unipr.it/bitstream/1889/2703/1/Franco%20Guerzoni_Tappeti%20volanti.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Franco Guerzoni MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2703" target="_blank" rel="noopener">http://hdl.handle.net/1889/2703</a> Theoretical exercise