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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mario Cresci
Creator
An entity primarily responsible for making the resource
Cresci, Mario
Description
An account of the resource
Mario Cresci (Chiavari, 1942) has created since the Sixties a complex body of work characterized by the freedom of his research, ranging from drawing to photography, installations, video and site-specific installations. He is among the first authors of his generation to apply the design culture and methodology to photography, combining it with an experimental research applied to visual languages, and attributing to the use of the photographic medium an opposite value, in respect to its role of proof of the truthfulness of reality. Between 1964 and 1967 he applies the theories of design to photography through experiments on models of non-Euclidean geometry, partly anticipating Ugo Mulas 1972 Verifiche. In 1968, while in Rome, he joined the group of artists who work at Galleria l’Attico, together with Pascali, Mattiacci, Kounellis and Luca Patella. During the seventies, his experience and studies at the Corso Superiore di Industrial Design in Venice stand side by side with his works in the field of ethnic and anthropological researches in the south of Italy. In 1969 he made his first photo environment at the Galleria Il Diaframma in Milan, and in the early Seventies he associated and worked with Luciano Inga-Pin at his Galleria Il Diagramma, Milan, where he exhibited in the historical show Campo Dieci. From 1991 to 2000 he directed the Accademia Carrara di Belle Arti in Bergamo. In 1996 he realised Opus Gypsicum, a large installation at the Teatro Sociale di Bergamo with the plaster casts of the Accademia Carrara. In those years Cresci collaborates with the Sunday insert of the newspaper "Il Sole 24 Ore". Among the most important moments of his activity stand his participation at the Venice Biennale in 1971, 1979, 1993 with Muri di carta, fotografia e paesaggio and Viaggio in Italia in 2013. In 2004 there is the anthological exhibition The houses of photography at GAM, Turin. From 2010 to 2012 he carries out the project Forse Fotografia: attraverso l'arte, atraverso la traccia, attraverso l'umano inside the museums of Bologna, Rome, Matera. In 2011 there is the personal site-specific exhibition Dentro le cose at Palazzo Pio in Carpi. His works are present in several collections of contemporary art and photography, and in the permanent collections of Italian and international museums.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Misurazioni
Description
An account of the resource
<p>Mario Cresci started between 1977 and 1979 a meaningful and interesting experience that was interrupted because of the lack of support from the institutions and can therefore be conceived as an unrealised or at least unfinished project. In Basilicata, where the author was already developing the project <em>Misurazioni</em>, a photographic research with a social and anthropological approach, Cresci started teaching in an unusual school. A design school, founded by Regione Basilicata in application of the law n. 285 of June 1st 1977, devoted to the vocational training in craftsmanship techniques. A school that aimed at using creativity as an economic resource. Unfortunately the project was interrupted almost immediately, remaining therefore unrealized, since the institutions suspended their support to the school. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2705/1/Mario%20Cresci_Misurazioni.pdf" target="_blank" rel="noopener">Read more.</a><a href="http://hdl.handle.net/1889/2705" target="_blank" rel="noopener"><br /></a></p>
Creator
An entity primarily responsible for making the resource
Cresci, Mario
Date
A point or period of time associated with an event in the lifecycle of the resource
1977 - 1979
Contributor
An entity responsible for making contributions to the resource
Casero, Cristina
Format
The file format, physical medium, or dimensions of the resource
application/pdf
video/mpeg
Language
A language of the resource
Italian
Type
The nature or genre of the resource
Text
Still Image
Oral History
Moving Image
Document
Rights Holder
A person or organization owning or managing rights over the resource.
Mario Cresci
MoRE Museum
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/2705" target="_blank" rel="noopener">http://hdl.handle.net/1889/2705</a>
Political reasons
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paolini_Overview 2012_Model-1.tif
Description
An account of the resource
Photograph of the model taken for the project
Format
The file format, physical medium, or dimensions of the resource
file tiff, 33,158x 25,425 cm, 304,8 dpi
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paolini_Overview 2012_Model-2.tif
Description
An account of the resource
Photographs of the model taken for the project
Format
The file format, physical medium, or dimensions of the resource
file tiff, 33,142x 22,283 cm, 304,8 dpi
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paolini_Overview_Documentation.pdf
Description
An account of the resource
Documentation of the project
Format
The file format, physical medium, or dimensions of the resource
File pdf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Giulio Paolini
Description
An account of the resource
<p>Giulio Paolini was born on November 5th, 1940 in Genoa, and lives in Turin. Since his first participation in a group exhibition (1961) and his first solo show (1964), he has had countless exhibitions in galleries and museums the world over. His major retrospectives include: the Palazzo della Pilotta in Parma (1976), Stedelijk Museum in Amsterdam (1980), Nouveau Musée in Villeurbanne (1984), Staatsgalerie in Stuttgart (1986), Galleria Nazionale d’Arte Moderna in Rome (1988), Neue Galerie am Landesmuseum Joanneum in Graz (1998), GAM Galleria Civica d’Arte Moderna e Contemporanea in Turin (1999), Fondazione Prada in Milan (2003), Kunstmuseum in Winterthur (2005), MACRO Museo d’Arte Contemporanea Roma in Rome (2013) and Whitechapel Gallery in London (2014). He has participated in many Arte povera exhibitions and has been invited on several occasions to the Documenta in Kassel (1972, 1977, 1982, 1992) as well as to the Venice Biennale (1970, 1976, 1978, 1980, 1984, 1986, 1993, 1995, 1997, 2013). Since 1969 he has also designed sets and costumes for the theatre, notably projects devised with Carlo Quartucci in the eighties and the recent sets for two Wagner operas directed by Federico Tiezzi. Having trained as a graphic designer, he has always nurtured special interest in the field of publishing and writing. From the outset his artistic exploration has been accompanied by his thoughts, collected in books he has personally edited: from <em>Idem</em>, published in 1975 by Einaudi with an introduction by Italo Calvino, to his most recent publications, <em>Quattro passi. Nel museo senza muse</em> (Einaudi, Turin 2006), <em>Dall’Atlante al Vuoto in ordine alfabetico</em> (Electa, Milan 2010) and <em>L’autore che credeva di esistere</em> (Johan & Levi, Milan 2012). Many books have been published devoted to Paolini’s oeuvre: from the first monograph written by Germano Celant (Sonnabend Press, New York 1972) to the volume by Francesco Poli (Lindau, Turin 1990) and, lastly, the Catalogue Raisonné of the artist’s works dated from 1960 to 1999, edited by Maddalena Disch (Skira Editore, Milan 2008).</p>
<p>For further information, please see the artist’s website: <a href="http://www.fondazionepaolini.it" target="_blank">www.fondazionepaolini.it</a></p>
Creator
An entity primarily responsible for making the resource
Paolini, Giulio
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Quadro Generale
Description
An account of the resource
<p>The project by Giulio Paolini entitled <em>Quadro generale</em> (<em>Overview)</em> was developed by the artist between 2010 and 2012, and intended to be placed near the south steps within the Sully Wing of the Louvre Museum in Paris, which commissioned the piece. Although the artist's proposal had been approved in its final version in the summer of 2012, the initiative was not followed through for various reasons, including the appointment of a new director at the museum. The installation that Paolini had designed included a geometric structure in stainless steel, built around a square hanging from the ceiling in the center of the space. It contained fragments of plexiglass engraved with the same geometric designs which would have been placed on the surrounding walls, as if they had been scattered by an explosion of the nucleus. This complex structure, by its nature variable and cryptic although clearly structured, represents – as Paolini himself stated - the very idea of the museum: "some sort of 'big bang' of continued proliferation destined to an inexorable, vertiginous fragmentation until it almost exhausts much like a 'black hole' that prevents us to decipher it."<br /><a href="https://www.repository.unipr.it/bitstream/1889/2903/1/Paolini_Quadro%20Generale.pdf" target="_blank" rel="noopener">Read more</a>.</p>
Creator
An entity primarily responsible for making the resource
Paolini, Giulio
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-2012
Contributor
An entity responsible for making contributions to the resource
Casero, Cristina
Format
The file format, physical medium, or dimensions of the resource
image/tiff
application/pdf
Language
A language of the resource
Italian
Type
The nature or genre of the resource
Still Image
Text
Rights Holder
A person or organization owning or managing rights over the resource.
Giulio Paolini
More Museum
Identifier
An unambiguous reference to the resource within a given context
<a href="%20http://hdl.handle.net/1889/2903" target="_blank" rel="noopener">http://hdl.handle.net/1889/2903</a>
Logistical reasons
Political reasons
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Emily Jacir
Description
An account of the resource
<p>Emily Jacir’s work investigates histories of colonization, exchange, translation, transformation, resistance, and movement. Jacir has built a complex and compelling œuvre through a diverse range of media and methodologies that include unearthing historical material, performative gestures and in-depth research. She was awarded a Golden Lion at the 52nd Venice Biennale (2007) for her work Material for a film; a Prince Claus Award from the Prince Claus Fund in The Hague (2007); the Hugo Boss Prize at the Guggenheim Museum (2008); the Alpert Award (2011) from the Herb Alpert Foundation; and the Andrew W. Mellon Foundation Rome Prize Fellow at the American Academy in Rome (2015).</p>
<p>Emily Jacir has had recent solo exhibitions at Alexander and Bonin, New York (2018); IMMA (Irish Museum of Modern Art), Dublin (2016–17); Whitechapel Gallery, London (2015); Darat al Funun, Amman (2014–15); Beirut Art Center (2010); and the Guggenheim Museum, New York (2009). Her work has been in major international group exhibitions, including the Museum of Modern Art, New York; San Francisco Museum of Modern Art; Fondazione Sandretto Re Rebaudengo, Turin; dOCUMENTA (13) (2012); five consecutive Venice Biennales; Sharjah Biennial (2011); 29th Bienal de São Paulo, Brazil (2010); 15th Biennale of Sydney (2006); Sharjah Biennial 7 (2005); Whitney Biennial (2004); and the 8th Istanbul Biennial (2003).</p>
Creator
An entity primarily responsible for making the resource
Jacir, Emily
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
stazione
Description
An account of the resource
<p><em>stazione</em> is the title of a public intervention conceived by Palestinian artist Emily Jacir for a collateral project of the 53rd Venice Biennale titled Palestine c/o Venice in 2009 but never realised. Jacir’s initial idea was to translate the names of each of the 24 vaporetti stops along route #1 of the water bus route into Arabic and to place the Arabic translations on all the stops next to their Italian counterparts. <br /><a href="https://www.repository.unipr.it/bitstream/1889/3844/1/jacir_lo%20pinto.pdf" target="_blank" rel="noopener">Read more</a>.</p>
Creator
An entity primarily responsible for making the resource
Jacir, Emily
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-2010
Contributor
An entity responsible for making contributions to the resource
Lo Pinto, Luca
Format
The file format, physical medium, or dimensions of the resource
image/tiff
text/richtext
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Still Image
Rights Holder
A person or organization owning or managing rights over the resource.
Emily Jacir
MoRE Museum
Censored
Political reasons