1
50
10
-
http://www.moremuseum.org/omeka/files/original/3d05f323cbcb4da530806c13b334b175.jpg
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Title
A name given to the resource
1_...una volta, 2004, veduta generale saletta svago.jpg
Description
An account of the resource
Picture of the project entertainment room
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file jpg, 14,82x21 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/316c11fe1aa34bb1f653c855917373cb.jpg
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Title
A name given to the resource
2_...una volta, 2004, pianta soffitto saletta svago.jpg
Description
An account of the resource
Picture of the project entertainment room: plant on the ceiling of the entertainment room
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file jpg, 13,91x21 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/4aa6213cc8d4b39a10c7540ff5bad99b.jpg
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3_...una volta, 2004, dettaglio soffitta saletta svago.jpg
Description
An account of the resource
Picture of the project entertainment room: detail
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.file jpg, 13,92x21 cm, 300 dpi
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Title
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Marco Vaglieri
Creator
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Vaglieri, Marco
Description
An account of the resource
Marco Vaglieri (Milan, 1959). Lives and works in Oslo. He has exhibited in Italy and abroad. His research is mainly based on the theme of the encounter and of the relationship, as well as the memory (Il tempo che serve, 2002), identity and family (Fallowing John, 2000). Among the solo exhibitions: Il tempo che serve (Luigi Franco Contemporary Art Gallery, Turin, 2000), Metafisica della carne (Galleria Milano, Milan, 2008), and Her han ikke en længere (Rum 46, Aarhus, Denmark); between the numerous group exhibitions: La parola nell’arte (Mart, Rovereto, 2007) and Multitudes & solitudes (Museion, Bolzano, 2003).
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Title
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...una volta
Description
An account of the resource
The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Vaglieri with the project ...una volta (...once upon a time) planned to create a model representing the map of the world to be installed on the ceiling of the entertainment room of the new department.<br /><a href="https://www.repository.unipr.it/bitstream/1889/2449/1/Vaglieri_Una%20volta.pdf" target="_blank" rel="noopener">Read more.</a>
Creator
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Vaglieri, Marco
Date
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2004
Contributor
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Modena, Elisabetta
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image/jpeg
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Still Image
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Marco Vaglieri
MoRE Museum
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<a href="http://hdl.handle.net/1889/2449" target="_blank" rel="noopener">http://hdl.handle.net/1889/2449</a>
Financial reasons
Logistical reasons
Regulatory/juridical/administrative reasons
-
http://www.moremuseum.org/omeka/files/original/fc1f86a74285dbcf9f2c8fe041869e33.pdf
a72c3642d000a930c6015f9c436b4c7e
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Title
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progetto S.T.02 de mi amor mi canto.pdf.
Description
An account of the resource
Project Description for AGEOP
Format
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file pdf
http://www.moremuseum.org/omeka/files/original/8347991c5d6c8374fd68218392495836.pdf
ac5148e9acb4ed66783e1f6fb2527765
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Title
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Torelli Sabrina, intervista Ageop, progetto de mi amor mi canto.pdf
Description
An account of the resource
Interview AGEOP on the project.
Format
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File pdf
http://www.moremuseum.org/omeka/files/original/652e8e8f990829fc0ae9372a3ceb6367.jpg
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Title
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Torelli Sabrina, de mi amor mi canto, 04, cat.1.jpg
Description
An account of the resource
Pages of the catalog published for the exhibition SPA Salus per Arte, GAM of Bologna
Format
The file format, physical medium, or dimensions of the resource
file jpg, 19x38 cm, 150 dpi
http://www.moremuseum.org/omeka/files/original/5fc39976bd0e36ef30f10772975773d8.jpg
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Title
A name given to the resource
Torelli Sabrina, de mi amor mi canto, cat. 2.jpg
Description
An account of the resource
Pages of the catalog published for the exhibition SPA Salus per Arte, GAM of Bologna
Date
A point or period of time associated with an event in the lifecycle of the resource
file jpg, 19x38 cm, 150 dpi
http://www.moremuseum.org/omeka/files/original/71877170b9ff067de80111d4ff072f8a.jpg
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Title
A name given to the resource
Torelli Sabrina, dettaglio de mi amor mi canto, 04,mostra Spazio Aperto, Gam, 04.jpg
Description
An account of the resource
Picture of the prototype work exhibited at GAM in Bologna
Format
The file format, physical medium, or dimensions of the resource
file jpg, 10,16x13,55 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/8717ff7a6374f4ad4902fda0875eb3c7.jpg
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Dublin Core
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Title
A name given to the resource
Torelli Sabrina, de mi amor mi canto, 04. Orto Botanico di Parma, Opera d'Amore, 2008.jpg
Description
An account of the resource
Picture of the prototype work exhibited at the Botanical Garden of Parma in 2008
Date
A point or period of time associated with an event in the lifecycle of the resource
file jpg, 29,67x19,78 cm, 150 dpi
Dublin Core
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Description
An account of the resource
Sabrina Torelli (Reggio Emilia, 1966). In 1996 she received her Bachelor's degree in Fine Arts in Bologna. In 1999, she was seleceted for the International Studio Program - PS1- New York. In 2001 she was finalist for the Premio Querini - Furla 2001 Fondazione Querini Stampalia, Venice, and in the same year she won the award Open Space by the Gallery of Modern Art of Bologna. Her work investigates the different aspects of the possible sensorial perceptions, in the everyday dimension of the human being, in those of disorder and disease and in the processes of communication of nature’s systems, through the use of a wide variety of mediums and expressive tools. In recent years, the philosophical and spiritual component is an "upward momentum" in a personal journey of adherence to beliefs in which coexist in a harmonious way the material and immaterial world, the earthly and the cosmic dimension. Since 2005 she works on alternative therapies and techniques, taking an interest in practices and tools. Among the recent solo and group exhibitions, we remember: 2013 Self-portraits. Inscriptions of the feminine in Italian contemporary art, Mambo, (Bo), 2012 The hidden harmony is greater than that manifested, MLB, Ferrara, 2011 Nothing is created, nothing is destroyed, everything is transformed, Garage42, Cecchini + Torelli, edited Francesca Referza, Velan Center, Turin; constructive Interference, Artists in Residence at the Company, curated by Giacinto di Pietrantonio and Francesca Referza (Airò, Isgrò, Pietroiusti, Parisi, Pivi, Sassolino, Spalletti, Stampone, Torelli) Foundation Malvina Menegaz, Castelbasso (Te); 2010 What does my soul while I'm working? Contemporary artwork by Consolandi Collection, curated by Francesca Pasini and Angela Vettese, MAGA, Museum Art Gallarate, Gallarate (Va); Languages and Trials, Young Artists in a contemporary collection. AgiVerona Collection of George and Anna Fasol, edited by George Verzotti Mart, Rovereto (Tn); 2009 At Mother Earth, permanent installation, Si- care in the park (Torelli - Ferraro), edited by Mili Romano, Savena District, Bologna, 2008 Artwork of love, Open Air by Marinella Paderni and Isolde Saccani, Botanical Garden of the University of Parma.
Creator
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Torelli, Sabrina
Title
A name given to the resource
Sabrina Torelli
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Title
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Simpatia Cosmica; De mi amor mi canto
Description
An account of the resource
The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Torelli proposed two projects: <em>Simpatia Cosmica (Cosmic sympathy)</em>, conceived for the communication room diagnosis (BCM), and <em>De mi amor mi canto</em>, for the area where the remains rest. The project was not realized due to a series of economical, technical and logistic reasons. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2445/4/Torelli_Simpatia%20cosmica%20de%20mi%20amor%20mi%20canto.pdf" target="_blank" rel="noopener">Read more.</a>
Creator
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Torelli, Sabrina
Date
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2004
Contributor
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Modena, Elisabetta
Format
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application/pdf
image/jpeg
Language
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Italian
Type
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Text
Still Image
Rights Holder
A person or organization owning or managing rights over the resource.
Sabrina Torelli
MoRE Museum
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/2445" target="_blank" rel="noopener">http://hdl.handle.net/1889/2445</a>
Financial reasons
Logistical reasons
Regulatory/juridical/administrative reasons
-
http://www.moremuseum.org/omeka/files/original/65011f7c144bb8590b03268792593100.jpg
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Title
A name given to the resource
exhibita_pag17.jpg
Description
An account of the resource
Scan of the catalogue of the exhibition <em>Exhibit A: Eight artists from Europe and America </em>curated by Henry Bond, staged at the Serpentine Gallery in London in 1992.
http://www.moremuseum.org/omeka/files/original/a6b05f340c85e72ae7520585f535240e.jpg
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Title
A name given to the resource
taccuino-1_a.jpg
Description
An account of the resource
Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects
http://www.moremuseum.org/omeka/files/original/54d1d6c817700a3ebedcd36d7bbc9f9f.jpg
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Title
A name given to the resource
taccuino-1_b.jpg
Description
An account of the resource
Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects
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Title
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Cesare Pietroiusti
Description
An account of the resource
The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system.<br />Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system.
Creator
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Pietroiusti, Cesare
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Finestre
Description
An account of the resource
The project, entitled <em>Finestre</em> since its first conception, has undergone several revisions and can be considered only partially realised. The idea of opening windows on adjoining rooms to offer the spectators an unusual continuity of vision between contiguous spaces is conceived initially as a real demolition of the walls of the building hosting one of the seats of Vivita 2 Gallery of Ciotti and Camillo D'Afflitto in Florence (adjacent to an old abandoned cinema). This idea was abandoned for technical and practical difficulties, and in January 1990 the artist realized a different version of the project (inside Vivita 1 gallery in Florence) by exhibiting on the walls of the gallery pictures of the adjoining rooms that were recessed inside the walls that should have been tore down to produce a kind of trompe l’oeil effect (as can be seen in an undated sketch found among the artist's papers that probably dates back to 1989).<br /><a href="https://www.repository.unipr.it/bitstream/1889/1773/1/CESARE%20PIETROIUSTI_Finestre.pdf" target="_blank" rel="noopener">Read more</a>.
Creator
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Pietroiusti, Cesare
Date
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1989
Contributor
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Modena, Elisabetta
Format
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image/jpeg
Language
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English
Type
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Still Image
Rights Holder
A person or organization owning or managing rights over the resource.
Cesare Pietroiusti
MoRE Museum
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/1773" target="_blank" rel="noopener">http://hdl.handle.net/1889/1773</a>
Logistical reasons
Regulatory/juridical/administrative reasons
-
http://www.moremuseum.org/omeka/files/original/7223d7e65070f6de111f93e59836e6e6.JPG
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progetto-kassel.JPG
Description
An account of the resource
Collage of the unrealized project, that consisted in stretching a steel cable - anchored at the artist’s car with the engine running (a red Fiat 126) - till the museum’s opposite wall, where it would be fixed so that it would pass through the whole length of the building.
Format
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jpg file, 19,236 x 14,427 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/7c2519e97968f70ddab6244648de2893.jpg
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Dublin Core
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Title
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disegno 1992
Description
An account of the resource
A drawing of the project, taken by the artist in a sketchbook in 1992.
Format
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jpg file, 115,147 x 86,36 cm, 72 dpi
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Title
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Liliana Moro
Description
An account of the resource
Liliana Moro was born in 1961 in Milan, where she lives and works.
She graduated from the Accademia di Belle Arti di Brera, where she studied with Luciano Fabro. In 1989 she founded, with other artists, the Spazio di Via Lazzaro Palazzi in Milan, active until 1993.
Encountering the works of Liliana Moro we have the perception that only what is strictly necessary is present. Sound, words, sculptures, objects and performance, compose a world that "stages" a reality simultaneously raw and poetic. These are territories of an individual experience (that of the artist but mainly that of the viewer) that ask for going beyond what is visible. The reduction to the essential understood as an attitude, a practice and a positioning, does not result from a retake of a minimal language: it is rather something the artist triggers both when choosing to use elaborated techniques, and when opting by using existent materials and objects of everyday use.
A prominent element in Liliana Moro's research is the political dimension, not translated in the illustration of contents, but related to the forms of addressing the recipients; for example by placing her work on the ground she implicitly asks the viewer to bend down to see it. Freedom of action is an important aspect of the work, but it only defines it partially: what creates an interesting difference is the relation between the university of possibilities and a tension - both physical and poetical - produced from this relation.
Liliana Moro has shown in major international group exhibitions including Documenta IX, Kassel (1992); Aperto XLV Venice Biennale (1993); Castello di Rivoli, Turin (1994); Quadriennale, Rome (1996/2008); Moderna Museet, Stockholm (1998); PS1, New York (1999); De Appel, Amsterdam (1999), and the Bienal de Valencia (2001). She held several of solo shows at Galleria Emi Fontana, Milan; Greta Meert, Brussels; MUHKA, Antwerp, and Fondazione Ambrosetti, Brescia.
Recently, Liliana Moro has showed at the Italian Cultural Institute of Los Angeles (2008), and Fabbrica del Vapore, Milan (2008), and has participated in important group exhibitions, including Italics, Palazzo Grassi, Venice (2008); Focus on Contemporary Italian Art, Mambo, Bologna (2008); Save Venice, Magazzini del Sale, side event of the 53. Venice Biennale (2009), and Celebration, Institution, Critique, Galleria Civica di Trento (2009).
Creator
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Moro, Liliana
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Tiramolla 92
Description
An account of the resource
<em>Tiramolla 1992</em> is a project presented by Liliana at the <a href="http://www.kassel.de/miniwebs/documentaarchiv_e/08204/index.html" target="_blank" rel="noopener">documenta 9</a> of Kassel, directed by Jan Hoet with a team constituted by Pier Luigi Tazzi, Denys Zacharopoulos e Bart de Baere. The place chosen for the work was the Neue Galerie and the project was particularly complex and elaborated with the support of an engineer of a specialized firm. The plan was to stretch a steel cable till the museum’s last wall; this should go through the whole length of the building and come outside, where it should be anchored at the artist’s car, a red Fiat 126, left turned on with the engine running. The steel cable (that has been reproposed in the work exhibited in Kassel instead of this project, <em>Tiramolla</em>) would have passed therefore through the whole exhibition’s space, suggesting to the viewer a different understanding of the place and converging outside towards an object connected with the artist’s everyday life: her car. Technical and structural problems were the main reason it hasn't been realized; the project was also considered too dangerous. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2442/1/Liliana%20Moro_Tiramolla%2092.pdf" target="_blank" rel="noopener">Read more.</a>
Creator
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Moro, Liliana
Date
A point or period of time associated with an event in the lifecycle of the resource
1992
Contributor
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Zinelli, Anna
Format
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image/jpeg
Type
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Still Image
Language
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Italian
Rights Holder
A person or organization owning or managing rights over the resource.
Liliana Moro
MoRE Museum
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/2442" target="_blank" rel="noopener">http://hdl.handle.net/1889/2442</a>
Logistical reasons
Regulatory/juridical/administrative reasons
-
http://www.moremuseum.org/omeka/files/original/0355aafe539b10baf3aba40b68f7ba23.jpg
43a439ba71eb0fdb6e3e233580afd0eb
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Description
An account of the resource
Page catalog with an introduction to the project.
Title
A name given to the resource
1_img024.jpg
Format
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file jpg, 18,53 x17,83 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/6cee13598511c52a09da30164034a7bf.jpg
63c14a68369dbdf1c8391dad6939d114
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Title
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2_img025.jpg
Description
An account of the resource
Catalog page with render of a baby in a bed in a dark room.
Format
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file jpg, 18,53 x 17,99 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/d67c17ac269ce5a2d28d5694316b58f8.jpg
44b503e0508f9ca1e5536401b522ec3d
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3_img026.jpg
Description
An account of the resource
Catalog page with the story of the project of the table lamp.
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file jpg, 18,53 x 17,72 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/4239dff8c58ae75523e7a89e3ae0cfba.jpg
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4_img027.jpg
Description
An account of the resource
Catalog page with render of a baby in a bed in a bright room with the bedside
Format
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file jpg, 18,53x18,31 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/e73b4dd07dbdff70964a7d54baba8e94.jpg
302a62e4de4c706a339492a60f49ff8a
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5_img028.jpg
Description
An account of the resource
Render color of the table lamp in which they are distinguishable designs imagined for the lamp itself.
Format
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file jpg, 18,15x18,31 cm, 300 dpi
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Title
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Sabrina Mezzaqui
Creator
An entity primarily responsible for making the resource
Mezzaqui, Sabrina
Description
An account of the resource
<p>Sabrina Mezzaqui (Bologna, 1964) lives and works in Marzabotto (BO ).</p>
<p>Many of her works are a materialization of the passing of time, bringing into play the sense of manual works in the repetition of little gestures for hours and hours (stringing beads, cutting, bending, drawing small motifs...). Writing often appears in the works (in the form of short texts, memoirs, literary references, rearranged books...). Even her videos tell of slow times, recording changes in the light or simple natural phenomena like the dust near a window or the stars reflected on the waves from the sun or the falling snow.<br /><br />She work with Galleria Massimo Minini Brescia (<em>Messaggi inviati, </em>1999; <em>Il pomeriggio è troppo azzurro</em>, 2001; <em>Quando le parole atterrano,</em> 2006; <em>Giocatori di perle</em>, 2010) and the Galleria Continua in San Gimignano (<em>Carezze, </em>2001; <em>Ecco adesso</em>, 2004; <em>Sottolineature</em>, 2005; <em>Mettere a dimora</em>, 2008; <em>ciò che la primavera fa con i ciliegi,</em> 2011).<br />She has exhibited in public spaces and cultural associations in Italy (GAM - Civic Gallery of Modern Art in Turin; Maxxi, Rome; Castel Sant 'Elmo, Naples; Papesse Palace, Siena; Museion, Bolzano; Open Space - GAM, Bologna; ViaFarini and Care of Milan; Scratch Gallery, Bologna ...) and abroad (PS1, New York; INOVA, Milwaukee, Wisconsin - WI; Modern Art Museum, Saint-Etienne - F; One Severn Street, Birmingham – UK; Raid Projects Gallery, Los Angeles - CA; Italian Institute of Culture - MOCA, Buenos Aires; Bengal Art Lounge, Dhaka - Bangladesh ...).</p>
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Title
A name given to the resource
Abat-jour
Description
An account of the resource
The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Mezzaqui proposes the creation of an abat-jour lamp to the placed on the bedside tables of the patients’ rooms, in the memory of her childhood. The project was not realized as a result of a number of economical, technical and logistic reasons. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2448/1/Mezzaqui_Abat%20jour.pdf" target="_blank" rel="noopener">Read more.</a>
Creator
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Mezzaqui, Sabrina
Date
A point or period of time associated with an event in the lifecycle of the resource
2004
Contributor
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Modena, Elisabetta
Format
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image/jpeg
Type
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Still Image
Language
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Italian
Rights Holder
A person or organization owning or managing rights over the resource.
Sabrina Mezzaqui
MoRE Museum
Identifier
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<a href="http://hdl.handle.net/1889/2448" target="_blank" rel="noopener">http://hdl.handle.net/1889/2448</a>
Financial reasons
Logistical reasons
Regulatory/juridical/administrative reasons
-
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Title
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1_2004_progetto ageop EVA.jpg
Description
An account of the resource
Photos selected by the artist for the booklet to be printed and placed in the bedside tables.
Format
The file format, physical medium, or dimensions of the resource
file jpg, 13,38x19,69 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/b76c601de2ebcffff9cdf2a9dad5de5f.jpg
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2_2004_progetto ageop enrico.jpg
Description
An account of the resource
Photo donated by artist Enrico Serotti.
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file jpg, 13,55x10,16 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/f3954cf03151bed8af0fccbb12edb045.JPG
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Title
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3_2004_progetto ageop.jpg.
Description
An account of the resource
Photos of the textile suitcase
Format
The file format, physical medium, or dimensions of the resource
file jpg, 8,67x10,84 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/9996023161b153eb9657fbce9260c0c5.jpg
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Title
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4_2004_progetto ageop.jpg
Description
An account of the resource
Photos of the textile suitcase
Format
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file jpg, 12, 7x15,88 cm, 72 dpi
http://www.moremuseum.org/omeka/files/original/c7707f101ce210e213cafaecca4f7dee.JPG
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Title
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5_2004_progetto ageop LAYOUT.jpg
Description
An account of the resource
Sketches and project notes
Format
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file jpg, 29, 7x21 cm, 150 dpi
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Title
A name given to the resource
Eva Marisaldi
Description
An account of the resource
Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012).
Creator
An entity primarily responsible for making the resource
Marisaldi, Eva
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Title
A name given to the resource
Metto in moto il prato e partiamo
Description
An account of the resource
The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Marisaldi structures the project into two proposals: the first consists in the publication of a book of pictures to be placed in the bedside tables of the rooms of the parents of the children staying in the hospital, while the second is the production of a textile bag – convertible into a chair - to be filled with toys that could be taken home once the children recovered and were discharged from the hospital. The project was not realized due to a series of economical, technical and logistic reasons. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2447/1/Marisaldi_Metto%20in%20moto%20il%20prato.pdf" target="_blank" rel="noopener">Read more.</a>
Creator
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Marisaldi, Eva
Date
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2004
Contributor
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Modena, Elisabetta
Format
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image/jpeg
Type
The nature or genre of the resource
Still Image
Language
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Italian
Rights Holder
A person or organization owning or managing rights over the resource.
Eva Marisaldi
MoRE Museum
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/2447" target="_blank" rel="noopener">http://hdl.handle.net/1889/2447</a>
Financial reasons
Logistical reasons
Regulatory/juridical/administrative reasons
-
http://www.moremuseum.org/omeka/files/original/3da77560fcbe9e1eda035e08afd5394e.JPG
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Title
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fasilunari.jpg
Description
An account of the resource
Images of the various phases of the moon from full moon to waning moon to crescent moon.
Format
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file jpg, 4,86x28,01 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/0fe49878a91bad7f6b4fc0019dde9217.JPG
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Title
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Luna BN.jpg.
Description
An account of the resource
Image of the lunar surface visible.
Format
The file format, physical medium, or dimensions of the resource
file jpg, 18x18 cm, 150 dpi
http://www.moremuseum.org/omeka/files/original/db6216a78861f8d53abae6e80ce52fb1.jpg
879e6b648e0bfd40703274ddbf43180e
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Title
A name given to the resource
Prima.jpg.
Description
An account of the resource
Face of a boy with image of the moon.
Format
The file format, physical medium, or dimensions of the resource
file jpg, 53,56x48,58, 150 dpi
http://www.moremuseum.org/omeka/files/original/94f9722f297931989acef134dfeca719.jpg
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Title
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Seconda.jpg
Description
An account of the resource
Face of a girl with image of the moon.
Format
The file format, physical medium, or dimensions of the resource
file jpg 53,34x48,26 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/43368bbec920a6d39223bad079ab7a0e.jpg
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Title
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Quarta.jpg
Description
An account of the resource
Face of a girl with image of the moon.
Format
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file jpg 53,34x48,26 cm, 300 dpi
http://www.moremuseum.org/omeka/files/original/a411ec4ba01b97ba5f40328c86eee324.pdf
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Title
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6_Testi.pdf
Description
An account of the resource
Texts relating to the four-page catalog published on the Spa-SALUS PER ART, exhibition catalog edited by Roberto Daolio, Galleria d'Arte Moderna, Bologna, Italy, 16 June to 5 September 2004 Book no. 36, Bologna, Danilo Montanari Publisher 2004.
Format
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file pdf
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Title
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Claudia Losi
Creator
An entity primarily responsible for making the resource
Losi, Claudia
Description
An account of the resource
Claudia Losi (Piacenza, 1971). Her interest focuses on the relationship between man and the environment that surrounds him, on the relation between the individual and the community to which he belongs, the collective imagination in which he is identified. She has a strong interest in natural sciences and literature and is often involved in multidisciplinary projects and collaborations. Among the recent solo and group exhibitions: Biology of Proximity, Monica de Cardenas Gallery, Zuoz, Switzerland; Women for Life. Regina José Galindo - Claudia Losi , The Maréchalerie - center d'art contemporain de l' ENSA V, Versailles, 2013; "More from things", Musei Civici, Modena, 2012; "Les Funérailles de la Baleine " _Balena Project, at Viafarini - Docva, Milan; Cinema Massimo, Turin; Cesac CESAC _Il Filatoio di Caraglio Museum, Caraglio, Cuneo, 2011; Monica de Cardenas, Milan and Les Funerailles de la Baleine, Biella, 2010; Here and nowhere else. Here, a local communities project, ArtePollino, Basilicata, 2009; Museo Marino Marini, Florence, Stenersen Museum, Oslo, Ikon Gallery, Birmingham, 2008; Space, MAXXI, Rome, GSK -Aware, Royal Academy, London, SI Sindrome Italiana, MAGASIN, Grenoble; AiuolaTransatlantico, Mirafiori North, Turin, New Principals program, sponsored by the Fondation de France, 2008. In 2007 participates in the Sharjah Biennial 8, United Arab Emirates.
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Title
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Caleidoscopi; Allora la luna
Description
An account of the resource
The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. For the Hospital department Losi imagined two projects: <em>Caleidoscopi (Kaleidoscopes)</em>, colored prisms to play with, enclosed in balsa wood cases, and <em>Allora la luna (Then the moon)</em>, a sort of luminous sign with a diameter of about two meters designed for outdoor installation, to be placed on one of the buildings in front of the windows of department: both projects were meant to stimulate the imagination of young patients and to allow them to forget their condition for a moment. The project was not realized as a result of a number of economical, technical and logistic reasons. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2444/1/Losi_Caleidoscopi%20e%20Allora%20la%20luna..pdf" target="_blank" rel="noopener">Read more.</a>
Creator
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Losi, Claudia
Date
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2004
Contributor
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Modena, Elisabetta
Format
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image/jpeg
application/pdf
Language
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Italian
Type
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Still Image
Text
Rights Holder
A person or organization owning or managing rights over the resource.
Claudia Losi
MoRE Museum
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/2444" target="_blank" rel="noopener">http://hdl.handle.net/1889/2444</a>
Financial reasons
Logistical reasons
Regulatory/juridical/administrative reasons
-
http://www.moremuseum.org/omeka/files/original/8f71681e5a009c75c0d9e40a54c53ba5.jpg
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Title
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736pxTesting_bulletproof_vest_1923.jpg
Description
An account of the resource
Black and white picture (1923) portraying some close gunshot exercises with a men wearing a bulletproof vest, chosen by the artist in order to document the training of the killer by the Camorra.
Date
A point or period of time associated with an event in the lifecycle of the resource
1923
Format
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jpeg file, 454 × 371 pixel, 96 dpi
http://www.moremuseum.org/omeka/files/original/b0f4e2d05690d34e4110e947b8412531.jpg
95b9d4f1acc6b89a275ff0cbfa3038d6
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Title
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coraza cenital.jpg
Description
An account of the resource
Scanning of a pencil sketch of the performance seen from above. The image is divided in two by a line that represent a dividing wall between the two rooms. In the first room we can see the gunman shooting and the artist in front of him (indicated by the name Regina written at her side). In the second room we can see the audience.
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jpeg file, 679 × 1498 pixel, 200 dpi
http://www.moremuseum.org/omeka/files/original/6910a3900188ca947412de338445f8d8.jpg
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corazaperfil.jpg
Description
An account of the resource
Scanning of a pencil sketch of the performance seen in profile. On the right, a woman wearing a bulletproof vest (the artist); on the left, a man drawing a gun on her.
Format
The file format, physical medium, or dimensions of the resource
jpeg file, 1209 × 747 pixel, 300 dpi
http://www.moremuseum.org/omeka/files/original/62de0bacfcdebed1a49ca1fc702ff4c6.pdf
4a6b66c7e1b9b9cbe00f0233cfb54942
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Title
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Coraza texto.doc
Description
An account of the resource
Text to introduce and explain the performance, written by the artist to present it to the museum. The text is made by different parts; after introducing the concept of delinquency and its social function it has according to the artist, Galindo briefly sums up the performance that is then described in all its phases. In conclusion, the artist lists all the necessary requisite to realize the performance, that are: a volunteer expert in the use of weapons and with a perfect aim; a bulletproof vest; an appropriate room; a gun caliber 22 and an équipe to film the actions in the two rooms in which the performance was supposed to take place.
Format
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file .doc, archived in pdf.
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Title
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Regina José Galindo
Description
An account of the resource
Born in 1974 in Guatemala, where she still lives and works, Regina José Galindo, performer politically and socially active,<strong> </strong>made her first international appearance in 2001 at the Venice Biennale curated by Harald Szeemann, and she receives the Golden Lion to a young artist in 2005. Her works can be found in the collections of international museums (San Paolo Museum of Contemporary Art, Castello di Rivoli, Blanton Museum of Texas, Miami Art Museum…). Her work has been included in several groups and personal exhibitions, in Italy and abroad, such as Urgent Issues at Bucharest MNAC, The Body of Others, at the Modern Art Oxford and so on. She took part to the Kiss Kiss Bang Bang exhibition at the Visual Arts Museum in Bilbao, the second edition of the Biennale in Moscow, Turbulence, the third Biennal of Auckland in New Zealand, Otras Contemporareidades, Biennal of Valencia, Viva la muerte and the Kunsthalle of Wien. Her performances, in which she uses her own body to experience sufferances and pain, aim at denouncing the dramatic conditions of the Guatemalan women and population, but face also issues such as violence and social injustice from a universal point of view.<br /><a href="http://www.reginajosegalindo.com" target="_blank">http://www.reginajosegalindo.com</a>
Creator
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Galindo, Regina José
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Coraza
Description
An account of the resource
Invited to take part to the second edition of the performance festival curated by Adriana Rispoli and Eugenio Viola, Corpus. Art in action, 7-26 June 2010 at MADRE Museum in Naples, Galindo focused on the social problems that affects the city. As a result, the artist’s project recalls a kind of training practiced by the Camorra: to shoot a person who is close to his killer. The performance was supposed to happen like this: the artist, wearing a bulletproof vest, is locked in a room with a man standing a meter and a half to her. The man is armed with a gun and he shoots at the artist after asking her for three times, in English: “Are you afraid?”. The audience attends in a adjacent room, where he can only listen to the sounds coming from the performance. Immediately after the shot the artist and the man come out (the man from a side door, without being noticed) and the room remains empty and accessible to the public. According to Galindo, the project was refused because it had been considered too dangerous. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2089/1/galindo_coraza.pdf" target="_blank" rel="noopener">Read more.</a>
Creator
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Galindo, Regina José
Date
A point or period of time associated with an event in the lifecycle of the resource
2010
Contributor
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Modena, Elisabetta
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
application/msword
Language
A language of the resource
Italian
Type
The nature or genre of the resource
Still Image
Text
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/2089" target="_blank" rel="noopener">http://hdl.handle.net/1889/2089</a>
Rights Holder
A person or organization owning or managing rights over the resource.
Regina José Galindo
MoRE Museum
Regulatory/juridical/administrative reasons
-
http://www.moremuseum.org/omeka/files/original/fa0de8cbe1aa0e70f8637a712e28f466.pdf
bf7567e76fa6766c31e45be9ed1af503
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Title
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Il mio progetto.pdf
Description
An account of the resource
File describing the project and its objectives
Format
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File pdf
http://www.moremuseum.org/omeka/files/original/a2b3ea573488a222a5949ef7ca82369d.pdf
ac2075de0044af5dbf21a3ef1be63989
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Title
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E’ così anacronistico.pdf
Description
An account of the resource
File describing the project and its objectives
Format
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File pdf
http://www.moremuseum.org/omeka/files/original/afae2fa3c5a83dbbb400a0de3da8ad65.pdf
2a1e2ca9aa7ee6eb9e426fcaa33f6813
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Title
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Incontrare la fiaba e rappresentarla.pdf
Description
An account of the resource
Project of the first laboratory
Relation
A related resource
File pdf
http://www.moremuseum.org/omeka/files/original/c0a9d300fa59f5326ec2718d3c1ec493.pdf
bcb47986cc52da67157fca20e79e5875
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Prendersi cura.pdf
Description
An account of the resource
Project of the second laboratory
Format
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file pdf
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Modellaggio.pdf
Description
An account of the resource
Project of the third workshop
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file pdf
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Puppe ageop.jpg
Description
An account of the resource
Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina
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file jpg, 10,16x13,55 cm, 300 dpi
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Title
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teatrino.jpg
Description
An account of the resource
Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina
Format
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file jpg, 8,79x13,55 cm, 300 dpi
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Steiner oncologia.jpg
Description
An account of the resource
Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina
Format
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file jpg, 29x20,99 cm, 72 dpi
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Title
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Favola.jpg
Description
An account of the resource
Sketch artist in the preparation of fairy tales.
Format
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file jpg, 50,59x72,25 cm, 72 dpi
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Favola 1.jpg
Description
An account of the resource
Sketch artist in the preparation of fairy tales.
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file jpg, 54,19x72,25, 72 dpi
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Favola 2.jpg
Description
An account of the resource
Sketch artist in the preparation of fairy tales.
Format
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file jpg, 54,19x72,25 cm, 72 dpi
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steiner oncfavola-1.jpg
Description
An account of the resource
Sketch artist in the preparation of fairy tales.
Format
The file format, physical medium, or dimensions of the resource
file jpg, 29x20,99 cm, 72 dpi
http://www.moremuseum.org/omeka/files/original/3d1c2c959123b2eb58bf4ff152b30a0c.jpg
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steineroncobambfav.jpg
Description
An account of the resource
Sketch artist in the preparation of fairy tales.
Format
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file jpg, 29x20,99 cm, 72 dpi
http://www.moremuseum.org/omeka/files/original/84981779689ac6d3d2ae61103455c6c0.jpg
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Title
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Emilio Fantin
Creator
An entity primarily responsible for making the resource
Fantin, Emilio
Description
An account of the resource
Emilio Fantin (Bassano del Grappa, 1954), lives and works in Bologna. Fantin creates spaces for participation where the educational aspect is combined with the artistic one. In his work he often creates links between art and other disciplines. He has worked with institutions, universities and museums around the world. In 2012, he realized with Lu Cafausu the project "The Celebration of Living" for And, And, And, Documenta 13 in Kassel and gave lectures at the Art Institute of Chicago. In 2013 he organized meetings and projects in public spaces in Phoenix in partnership with ASU (Arizona State University) Art Museum. He took part to several exhibitions and international events including the Venice Biennale (1993, 1999, 2008), Performa, International Festival of Performance, New York, 2007; Frasq, International Festival of Performance, Paris 2011. Since 2005 he has been teaching "Perception and Visual Communication" at the Polytechnic of Milan. He currently holds workshop “Representation 2: Architecture and Art” in public spaces with Ricciarda Belgiojoso and Franco Vaccari.
Dublin Core
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Title
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Laboratori
Description
An account of the resource
The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Fantin aims at creating a great book on the fairy tale "The Bremen Town Musicians" and a series of workshops for children in collaboration with the teachers of the school Garagnani Maria Steiner of Bologna (<em>Meet the tale and represent it; Take care; Sculpting with hot beeswax</em>). The book was made and donated to the department , while the laboratories were not realized, due to a series of economical, technical and logistic reasons. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2446/1/Fantin_Laboratori.pdf" target="_blank" rel="noopener">Read more.</a>
Creator
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Fantin, Emilio
Date
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2004
Contributor
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Modena, Elisabetta
Format
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application/pdf
image/jpeg
Language
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Italian
Type
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Still Image
Rights Holder
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Emilio Fantin
MoRE Museum
Identifier
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<a href="http://hdl.handle.net/1889/2446" target="_blank" rel="noopener">http://hdl.handle.net/1889/2446</a>
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-
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Dublin Core
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Title
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Plastic Oplalà 2004 - 1 - Gam Bologna Daolio.jpg
Description
An account of the resource
Details of the garden - 3D botanical garden
Format
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file jpg, 4,5x7,82 cm, 576 dpi
http://www.moremuseum.org/omeka/files/original/a312228291cd7f72f9a30d78ef787d0d.jpg
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Dublin Core
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Title
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Plastic Oplalà 2004- 2- GAM R. Daolio Silvia Cini.jpg
Description
An account of the resource
Details of the garden - 3D botanical garden
Format
The file format, physical medium, or dimensions of the resource
file jpg, 4,49x7,82 cm, 576 dpi
http://www.moremuseum.org/omeka/files/original/6259e25a31d929f04c0327e826be9fdd.jpg
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Dublin Core
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Plastic Oplalà 2004- 3- Gam Bologna Daolio.jpg
Description
An account of the resource
Details of the garden - 3D botanical garden
Format
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file jpg, 2,16x3,75 cm, 576 dpi
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Dublin Core
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Title
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Plastic Oplalà 2004-4- GAM R. Daolio Silvia Cini.jpg
Description
An account of the resource
Details of the garden - 3D botanical garden
Format
The file format, physical medium, or dimensions of the resource
file jpg, 7,14x7,14 cm, 576 dpi
http://www.moremuseum.org/omeka/files/original/29ef24a225d9bf873e7130754d13c990.jpg
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Plastic Oplalà 2004-5 cubi- GAM R. Daolio Silvia Cini.jpg
Description
An account of the resource
PlasticOplalà # 2 seven inflatable cubes covered with canvas
Format
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file jpg, 1,89x2,83 cm, 576 dpi
http://www.moremuseum.org/omeka/files/original/96724a329cfb66fb4120102f628d7499.pdf
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Intervista a Silvia Cini, Dialoghi, a cura di UnDo.net.pdf
Format
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file pdf
Dublin Core
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Title
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Silvia Cini
Creator
An entity primarily responsible for making the resource
Cini, Silvia
Description
An account of the resource
<p>Silvia Cini (Pisa, 1972) is an artist and independent curator. She graduated from the Academy of Fine Arts in Rome and then continued her studies as an Operator of Cultural Heritage at the Pontifical Gregorian University; thanks to a thesis on the cataloging of contemporary art works, she started working at the ICCD Central Institute for Documentation and the Catalogue of the Ministry of Culture, contributing to the drafting of the law on cataloging OAC Opera contemporary Art as a consultant of the then director Maria Luisa Polichetti.</p>
<p>One of the founders of the Gruppo Immagini, she collaborated with Keith Haring to the event that lead to the mural of Pisa. At the same time she began studying theater with Stefano Vercelli and Luisa Pasello at the Piccolo Teatro di Pontedera, under the direction of Roberto Bacci and supervision of Jersy Grotosky.</p>
<p>Her first exhibition was in Milan in 1994, when she created the group AAVV with Salvatore Falci, then in Rome where she collaborated with Cesare Pietroiusti to DisorsordinAzioni il Gioco del Senso and Non senso (XII Quadrennial of Rome), and with the Gruppo Oreste with which she took part to the 48 Venice Biennale.</p>
<p>In 1997 she curated her first series of exhibitions at the Ferro di Cavallo, in collaboration with the Academy of Fine Arts in Rome, signing the beginning of the art of relationship and public art in Italy. She continued to work as a curator, as collaborator of Carolyn Christov Bakargiev and Hans Hulrich Obrist to the French Academy in Rome and in other curatorial activities (Milan Triennale, Invideo, Icityperiferiche, Palazzo Re Enzo, Bologna, Genoa Loggia of the Merchants, Cartabianca, Museum of Contemporary Art Villa Croce, Genoa) side by side with the exhibiting activity. Since the end of the nineties she works with the Neon Gallery, alternating solo and group exhibitions (Continua, Zero, GoldanKauf) in Italy and abroad.</p>
<p>Her works are inspired by the dialogue, often intimate, that they create with the audience. Her interest focuses often on the landscape as a metaphor of society, integrating environmental audio installations and botanical research. She collaborated over the years with the Faculty of Landscape Architecture in Genoa holding workshops and seminars. In 2000 she received the Prize Atelier from Fabio Mauri, at the Galleria Comunale d'Arte Moderna in Rome. The city of Genoa, on the occasion of Genoa 2004 European Capital of Culture, assigned her the Duchess Galliera Award for best artist working on the territory of Liguria.</p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Plastic Oplalà
Description
An account of the resource
<p>The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. Cini was invited to be part of the project together with artists Emilio Fantin, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri.<br />For the department Cini thinks the project <em>PlasticOplalà 1, 2, 3</em>, a series of site-specific interventions whose idea is to create a small botanical garden outside of the pavilion, in the semi-abandoned garden of the pediatrics department. The project was not realized as a result of a number of economical, technical and logistic reasons.<br /><a href="https://www.repository.unipr.it/bitstream/1889/2451/1/Cini_Plastic%20Oplalà.pdf" target="_blank" rel="noopener">Read more.</a></p>
Creator
An entity primarily responsible for making the resource
Cini, Silvia
Date
A point or period of time associated with an event in the lifecycle of the resource
2004
Contributor
An entity responsible for making contributions to the resource
Modena, Elisabetta
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
application/pdf
Language
A language of the resource
Italian
Type
The nature or genre of the resource
Still Image
Text
Rights Holder
A person or organization owning or managing rights over the resource.
Silvia Cini
MoRE Museum
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/2451" target="_blank" rel="noopener">http://hdl.handle.net/1889/2451</a>
Financial reasons
Logistical reasons
Regulatory/juridical/administrative reasons