1
50
6
-
http://www.moremuseum.org/omeka/files/original/43b391768a4131bed172b3c70adc3fcd.mp4
ce7b013edb14c9ef11df0a3b5e3a772f
http://www.moremuseum.org/omeka/files/original/79985f95bd493bf95787b03c261d52eb.mp4
cb0451b15da8beaa2dd5bec1a3c0220d
http://www.moremuseum.org/omeka/files/original/a64cded766ae5a1618773a31b3d6f168.mp4
a0d455c23eebbeb43b51a1b7dca41b41
http://www.moremuseum.org/omeka/files/original/9b587659a4ba23309b47b92e6c712bbe.mp4
a82a4cdc28e15ac20d8e8b07bb1b109c
http://www.moremuseum.org/omeka/files/original/0ec3661d80c163a3b21d93e073ee5a8f.mp4
90e76156a69982645675a6ee6e9b3307
Dublin Core
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Title
A name given to the resource
Marko Tadić
Description
An account of the resource
<p>Marko Tadić studied painting at the Accademia di Belle Arti, Florence. His artistic practice is in drawing, installation and animation. Winner of numerous art prizes: 2015. the Vladimir Nazor award for the best exhibition, 2012. award for the best design at the festival of Croatian animation FHAF, 2010. third award at the exhibition T-HT@MSU In Zagreb and in 2008 the Radoslav Putar Award for best young contemporary artist. Participated in many residential programs in Helsinki, New York, Los Angeles, Frankfurt Am Main and Vienna. Collaborated with the Art Academy in Zagreb at workshops for students as tutor for the workshop of Artist Books, Field recordings and Radio Dramas. Works at the Academy of fine arts in Zagreb, Croatia. His films have been shown on many international animation film festivals and experimental film festivals. His works have been exhibited on many solo and group exhibitions around the world. In 2017 along with Tina Gverović he has represented Croatia at the 57th Venice Biennale.</p>
Creator
An entity primarily responsible for making the resource
Tadić, Marko
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Dublin Core
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Title
A name given to the resource
The Moons
Description
An account of the resource
<p><i>The Moons </i>is a video that should have been part of a larger, realised project <i>We used to call it: Moon</i>. It consists of five short films which are almost drafts. The same scene is shot from the same standpoint, but with different lights and background music. In this scene, a strange landscape is composed of small sculptures that look like monuments. Two wooden spheres move and change position, representing the two moons of the title.<br /><a href="https://www.repository.unipr.it/bitstream/1889/3691/1/Marko%20Tadic_%20The%20Moons.pdf" target="_blank" rel="noopener">Read more.</a></p>
Creator
An entity primarily responsible for making the resource
Tadić, Marko
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Contributor
An entity responsible for making contributions to the resource
Scotti, Marco
Format
The file format, physical medium, or dimensions of the resource
video/mpeg
Type
The nature or genre of the resource
Moving Image
Rights Holder
A person or organization owning or managing rights over the resource.
Marko Tadić
project abandoned by the artist
-
http://www.moremuseum.org/omeka/files/original/b9e05909a836170042799d09631c6938.mov
a0e07d1f5ffaec5d19159790a285a14c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marko Tadić
Description
An account of the resource
<p>Marko Tadić studied painting at the Accademia di Belle Arti, Florence. His artistic practice is in drawing, installation and animation. Winner of numerous art prizes: 2015. the Vladimir Nazor award for the best exhibition, 2012. award for the best design at the festival of Croatian animation FHAF, 2010. third award at the exhibition T-HT@MSU In Zagreb and in 2008 the Radoslav Putar Award for best young contemporary artist. Participated in many residential programs in Helsinki, New York, Los Angeles, Frankfurt Am Main and Vienna. Collaborated with the Art Academy in Zagreb at workshops for students as tutor for the workshop of Artist Books, Field recordings and Radio Dramas. Works at the Academy of fine arts in Zagreb, Croatia. His films have been shown on many international animation film festivals and experimental film festivals. His works have been exhibited on many solo and group exhibitions around the world. In 2017 along with Tina Gverović he has represented Croatia at the 57th Venice Biennale.</p>
Creator
An entity primarily responsible for making the resource
Tadić, Marko
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Room
Description
An account of the resource
<p><i>The Room</i> is a film created by Marko Tadić using stop motion animation technique, but it was abandoned by the artist during the editing phase. The video represents a seance, or rather what happens in the room after everyone has left. The animation reveals furniture and objects moving, candles burning down, light effects and flashes similar to explosions, and the appearance of figures - toys and knick-knacks. In the closing scene, a small pottery cat looks into the fixed camera and in the background we can see the almost destroyed room.<a href="http://dspace-unipr.cineca.it/bitstream/1889/3692/1/Marko%20Tadic_%20The%20Room.pdf" target="_blank" rel="noopener"><br /></a><a href="https://www.repository.unipr.it/bitstream/1889/3692/1/Marko%20Tadic_%20The%20Room.pdf" target="_blank" rel="noopener">Read more.</a></p>
Creator
An entity primarily responsible for making the resource
Tadić, Marko
Date
A point or period of time associated with an event in the lifecycle of the resource
2009
Contributor
An entity responsible for making contributions to the resource
Scotti, Marco
Format
The file format, physical medium, or dimensions of the resource
video/quicktime
Type
The nature or genre of the resource
Moving Image
Rights Holder
A person or organization owning or managing rights over the resource.
Marko Tadić
MoRE museum
project abandoned by the artist
-
http://www.moremuseum.org/omeka/files/original/fbb64d23d53775fe15fc0d58f6ff959a.pdf
3b1c3dafa812385225bc37c6d559bacf
Dublin Core
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Title
A name given to the resource
Invernomuto
Description
An account of the resource
Simone Bertuzzi (b. Piacenza, 1983) and Simone Trabucchi (b. Piacenza, 1982) have been working together under the pseudonym Invernomuto since 2003. Moving images and sounds are the main tools they adopt when dealing with a precise, but wide variety of media. Invernomuto investigate sub-culture universes using different media in which common speech is both a sign of affection and a way to move closer to oral cultures and contemporary mythologies that are observed but also directly experienced. The declared inauthenticity of the materials they use plays a fundamental role in this process, which emphasizes the false and kitsch character of the mystifications by which they are inspired. Invernomuto has won numerous awards, including being finalists for the Furla Art Award in Bologna in 2013 and winning the MERU ART*SCIENCE Award at the GAMEC (Modern and Contemporary Art Gallery) in Bergamo. In 2014, they took part in Berlinale Talents in Berlin and received MIBAC funding to finish their first full-length film Negus, which was released in March 2016. Both artists also produce music individually, performing under the names Palm Wine and STILL.
Creator
An entity primarily responsible for making the resource
Invernomuto
Dublin Core
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Title
A name given to the resource
Noises from above
Description
An account of the resource
<div class="page" title="Page 3">
<div class="layoutArea">
<div class="column">
<p><span>This project started from the interest of the artists around the village of San Damiano, near Piacenza, the birthplace of Simone Bertuzzi and Simone Trabucchi. This area hosts both a NATO military base and a sanctuary dedicated to an apparition of the Virgin Mary during the early 1960s: this research was born from an attention focused both on the sound produced by the warplanes' exercises and the nature of the military space, and on the collective religious imagination, in search of a possible dialogue and common points, in the context of a small village alongside the Po Valley. </span></p>
<p><span>The first version of the project took the form of a documentary based on several interviews and filming of the surrounding landscape: at this stage just two trailers were produced, based on two interviews, and a parallel version was conceived as a live media performance composed of two video projections and a live soundtrack. In 2007, after a first stop decided by the artists themselves, the project was rethought as an installation on two screens, where they could have worked with loops and small variations, starting from shorter narrative models. This also included two structures for the vision of the films and an ambient soundtrack. In addition, during the research, the artists had the opportunity to confront themselves with the artist William Xerra - who was born in Piacenza too - who in 1976 staged </span><span>Le Apparizioni (Verifica del Miracolo) </span><span>in San Damiano, a piece related to the Marian apparitions in the area, which included as witnesses figures such as Pierre Restany, Renato Barilli and Vanni Scheiwiller. </span></p>
<p><span>While being used by Invernomuto in several presentations, publications, showcases and works - with images and references - </span><span>Noises from Above </span><span>has never reached a final form and has never been completed: still today the artists consider it stuck in a standby phase. <br /></span><a href="https://www.repository.unipr.it/bitstream/1889/3449/1/Invernomuto_Noises%20from%20above.pdf" target="_blank" rel="noopener">Read more.</a></p>
</div>
</div>
</div>
Creator
An entity primarily responsible for making the resource
Invernomuto
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-?
Contributor
An entity responsible for making contributions to the resource
Scotti, Marco
Language
A language of the resource
Italian
Rights Holder
A person or organization owning or managing rights over the resource.
Invernomuto
MoRE Museum
project abandoned by the artist
-
http://www.moremuseum.org/omeka/files/original/b3ea04ee21b6b7ec5df21c4198ece750.jpg
91812c601bd19b0e6b7049bec4aae11f
Dublin Core
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Title
A name given to the resource
map.jpg
Description
An account of the resource
A photography of a map of the world, tattooed on a bottom.
Format
The file format, physical medium, or dimensions of the resource
jpg file, 21,565 x 29,667 cm, 200 dpi
http://www.moremuseum.org/omeka/files/original/00e2fb01c356b3af4ba824d48f82672c.pdf
2d4d1d4d58334a18be71d87b7ba70f1d
Dublin Core
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Title
A name given to the resource
Dear Tattooist.docx
Description
An account of the resource
Letter used by the artist to present the project and invite the tatooists to contribute.
Format
The file format, physical medium, or dimensions of the resource
MS Word file/ PDF
Dublin Core
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Title
A name given to the resource
Runo Lagomarsino
Description
An account of the resource
<p>Runo Lagomarsino (b. 1977, Sweden) lives and works in Malmö and São Paulo. He participated in the Whitney Museum of American Art Independent Study Program in 2007-2008 and received his MFA at the Malmö Art Academy in 2003. The artist tries to construct frictions between language, representation, and dominant narratives by investigating fractures and blind paths from where to tell other stories, unlearn, read the past, and name the future. Lagomarsino has participated in numerous solo and group exhibitions across the world, including <em>West is everywhere you look</em>, Francesca Minini, Milano (2016); <em>Carla Zaccagnini & Runo Lagomarsino</em>, Malmö Konsthall (2015); <em>Against My Ruins</em>, Nils Stærk, Copenhagen (2014); <em>We have everything, but that’s all we have</em>, Mendes Wood DM, São Paulo (2013), and <em>For Each Light a Shadow</em>, Ignacio Liprandi, Buenos Aires (2013);<em> the World’s Futures</em>, the 56<sup>th</sup> Venice Biennale (2015); <em>Really useful knowledge</em>, Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); <em>Under the Same Sun</em>, Guggenheim Museum, New York (2014); <em>The 30<sup>th</sup></em> <em>São Paulo Biennial – The Imminence of Poetics</em> (2013); <em>Untitled – 12<sup>th</sup> Istanbul Biennial</em> (2011)<em> and The Moderna Exhibition</em>, Moderna Museet, Stockholm (2010).</p>
Creator
An entity primarily responsible for making the resource
Lagomarsino, Runo
Dublin Core
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Title
A name given to the resource
Dear Tattooist
Description
An account of the resource
<p>This project moves from the interest of the artist in the map - a recurring theme inside his research - and wants to explore this form of historical representation with tattoos, a declared fascination of Runo Lagomarsino: in fact his idea was to invite several tattooists from all around the world to draw a world map, and in particular “a personal interpretation of the world map”, without any limit or rule.</p>
<p>This work, that has never been realized, could be seen as part of a series of practices through which the artist “examines how we come to know and speak about the conflicting geographies and temporalities of power”<a title="" name="_ftnref1" href="#_ftn1"></a>, investigating the map as way to measure, represent and control a territory, that contains in itself several contradictory truths and is strictly connected with an ideology, a vision or a point of view. In particular the use of metaphors and representations to study political and social environments<a title="" name="_ftnref2" href="#_ftn2"></a> here is declined through the potential multiple authorship of the tattooists that could have drawn the maps, and through the introduction of a technique usually connected with the idea of traveling and with the concept of identity. The tattoo, here a personal interpretation of something usually considered fixed, could have been another mean aimed at “the investigation of the historiographic, geographic and mathematical models that helped to ensure the colonialist domination of the world by Western modernity”.<br /><a href="https://www.repository.unipr.it/bitstream/1889/3241/1/Lagomarsino_Dear%20Tattooist.pdf" target="_blank" rel="noopener">Read more.</a><br /><a title="" name="_ftnref3" href="#_ftn3"></a></p>
Creator
An entity primarily responsible for making the resource
Lagomarsino, Runo
Date
A point or period of time associated with an event in the lifecycle of the resource
2013
Contributor
An entity responsible for making contributions to the resource
Scotti, Marco
Format
The file format, physical medium, or dimensions of the resource
application/msword
image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Still Image
Identifier
An unambiguous reference to the resource within a given context
<a href="http://dspace-unipr.cineca.it/handle/1889/3241" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3241http</a>
Rights Holder
A person or organization owning or managing rights over the resource.
Runo Lagomarsino
MoRE Museum
project abandoned by the artist
-
http://www.moremuseum.org/omeka/files/original/65ca9b3a4ded844c5be8fc2d395a05b0.tif
b93fb1a7bba6a87368b77e6ed7855eb5
Dublin Core
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Title
A name given to the resource
notes.tif
Description
An account of the resource
The digital copy of a sheet of paper with drawings and words, hand made by the artist as a first study for the magazine.
Format
The file format, physical medium, or dimensions of the resource
tiff file, 21,565 x 29,667 cm, 200 dpi
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hassan Khan
Description
An account of the resource
Hassan Khan is an artist, musician and writer. He lives and works in Cairo, Egypt.
Creator
An entity primarily responsible for making the resource
Khan, Hassan
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sketches for an unrealised magazine
Description
An account of the resource
This project consists of an A4 paper with handwritten notes in both Arabic and English and sketches in black ink. It is the only existing document of a planned magazine to be produced by Hassan Khan with some friends at the time but was never realized. Still a rough draft, this sketch can be now interpreted in the light of Khan current practice, which includes visual arts, writing and music, mapping themes related to the current geo-political and social situation Contemporary life in Cairo was a fundamental reference next to diverse cultural influences including William Blake, punk, the philosophical mysticism of different traditions, various avant-garde movements of the twentieth century, modernist cinema and experimental music. A magazine could represent a way to subtly take on themes and be part of popular culture at the same time without being explicit. <br /><a href="https://www.repository.unipr.it/bitstream/1889/3242/1/Khan_Sketches%20for%20an%20unrealised%20magazine.pdf" target="_blank" rel="noopener">Read more.</a>
Creator
An entity primarily responsible for making the resource
Khan, Hassan
Date
A point or period of time associated with an event in the lifecycle of the resource
1995
Contributor
An entity responsible for making contributions to the resource
Scotti, Marco
Relation
A related resource
<a href="http://dspace-unipr.cineca.it/handle/1889/3242" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3242</a>
Format
The file format, physical medium, or dimensions of the resource
image/tiff
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Rights Holder
A person or organization owning or managing rights over the resource.
Hassan Khan
MoRE Museum
project abandoned by the artist
-
http://www.moremuseum.org/omeka/files/original/cc3de28a80374fa75986ae2367c549fd.pdf
2e3e976560efef3580bf7e3e80df3a71
Dublin Core
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Title
A name given to the resource
01Kensuke-descrizione.docx
Description
An account of the resource
Letter in which the artist describes the project
Format
The file format, physical medium, or dimensions of the resource
File pdf
http://www.moremuseum.org/omeka/files/original/b7617816fbfdaf250fb685b9f9d79227.jpg
0ec9fae1161521ea4146f7303185ab2b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
01container3.jpg
Description
An account of the resource
Photograph of the first prototype of the work
Format
The file format, physical medium, or dimensions of the resource
file jpeg, 28,222 x 35,278 cm, 72 dpi
http://www.moremuseum.org/omeka/files/original/d960d18645f416e511a29dd073a5eca7.jpg
219d2e486cc3d26ef504ca6ba70ff6cb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Format
The file format, physical medium, or dimensions of the resource
file jpeg, 28,222 x 35,278 cm, 72 dpi
Description
An account of the resource
Photograph of the first prototype of the work
Title
A name given to the resource
01container4.jpg
http://www.moremuseum.org/omeka/files/original/804dbbb4aa43ad2528d1afc4d37b9071.jpg
7be259142679cf5a9b22df7de2c87edf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Format
The file format, physical medium, or dimensions of the resource
file jpeg, 28,222 x 35,278 cm, 72 dpi
Title
A name given to the resource
01container5.jpg
Description
An account of the resource
Photograph of the first prototype of the work
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kensuke Koike
Description
An account of the resource
Kensuke Koike (born in Nagoya, Japan in 1980 – lives and works between Sempas, Nova Gorica and Venice). His artistic research focuses on the variations of imagination and human perception; he works mainly on collages, from the traditional and technically simple photo collage to a three dimensional collage in motion, realized by collecting a series of <em>image-trouvé</em>. But the appeal of his work often comes from the fact of adding to the image of the readymade the concept, borrowed from alchemy, of “finding value in nothing”.
Creator
An entity primarily responsible for making the resource
Koike, Kensuke
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Containers
Description
An account of the resource
<p>A series of frames of big size are overlapped in order to create a new shape, that goes beyond the content of the frames itself. The project was part of a series of works focusing on representation, but the artist abandoned it because he was busy on other works and moreover he saw at Venice Biennale 2013 a similar project, <em>Still the Same Place</em> by Petra Feriancová and Zbyněk Baladrán inside the Czech pavilion.<br /><a href="https://www.repository.unipr.it/bitstream/1889/2900/1/Kensuke%20Koike_Containers.pdf" target="_blank" rel="noopener">Read more.</a></p>
Creator
An entity primarily responsible for making the resource
Koike, Kensuke
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Contributor
An entity responsible for making contributions to the resource
Romano, Gianni
Format
The file format, physical medium, or dimensions of the resource
application/pdf
image/jpeg
Language
A language of the resource
Italian
Type
The nature or genre of the resource
Text
Still Image
Rights Holder
A person or organization owning or managing rights over the resource.
Kensuke Koike
MoRE Museum
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/2900" target="_blank" rel="noopener">http://hdl.handle.net/1889/2900</a>
project abandoned by the artist