The idea of the wall painting by Ericailcane was born in 2014 and meant to fit into the second edition of FRONTIER - The Line of Style, an open and evolving platform, based on two complementary operational phases: one dedicated to the artistic development of urban art and one dedicated to a deeper theoretical background. The artist, invited to conceive a pictorial work for the city's historic Gasometer, imagines a continuous narrative centred on the figures of two enormous dogs biting their tails and carrying on their shoulders the allegory of two cities or two sides of itself (Bologna?): one that lives in joyful harmony and one that, as a character shows, walks in a balance on a wire.
Ericailcane, “Senza titolo,” MoRE, accessed April 4, 2020, http://www.moremuseum.org/omeka/items/show/153.
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